7 items from 2015
As director and producer, few storytellers have utilized the wonderment and fascination (and sometimes horror) of children as points-of-entry into the wonderment and fascination of the adult world more effectively than Steven Spielberg has. Conversely, Spielberg has also masterfully used the normalized responses of children to the abnormal as an approach to disarm world-weary grown-ups. From Cary Guffey in "Close Encounters" to Henry Thomas and Drew Barrymore in "E.T." to Heather O'Rourke in "Poltergeist" to Christian Bale in "Empire of the Sun" to Haley Joel Osment in "A.I." to Dakota Fanning in "Taken" and "War of the Worlds," Spielberg has always know that there's something pure and primal in the reactions of children and that those reactions can be used to steer the reactions viewers of all ages. Steven Spielberg is one of the executive producers of ABC's new "the kids are not alright" drama "The Whispers," but his participation »
- Daniel Fienberg
Steven Spielberg and daughter Destry Spielberg on the Oscars' Red Carpet Steven Spielberg and daughter Destry Steven Spielberg and daughter Destry Spielberg arrive at the 83rd Academy Awards, held on Feb. 27 at the Kodak Theatre in Hollywood. Spielberg has taken home two Best Director Oscars: Schindler's List (1993) and Saving Private Ryan (1998). Schindler's List also won Best Picture, but Saving Private Ryan lost to John Madden's Miramax-distributed Shakespeare in Love. There was quite a bit of animosity at the time, as some felt that Miramax, owned by brothers Bob and Harvey Weinstein, overdid its Oscar campaigning – while still managing to sway enough Academy of Motion Picture Arts and Sciences members to vote for its film. Somewhat ironically, at the 2011 Academy Awards ceremony Steven Spielberg presented the Best Picture Award to The King's Speech. Toplining Colin Firth, Helena Bonham Carter, Geoffrey Rush, Guy Pearce, and Claire Bloom, this British production was »
- D. Zhea
'Munich' movie cover 'Munich' movie review: Steven Spielberg tackles political time-space continuum in wildly uneven but ultimately satisfying thriller Alternately intriguing and irritating, thought-provoking and banal, subtle and patronizing, the biggest surprise about Steven Spielberg's Munich is that it – however grudgingly – works. The film, which Spielberg himself has referred to as a "prayer for peace," follows five men contracted by the Israeli government to avenge the massacre of that country's athletes at the 1972 Olympic Games in Munich. Sizable chunks of this political thriller with a Message (capital "M") are simplistically written, clumsily acted, and handled with the director's notoriously heavy touch, but the old adage – blood begets blood – even if somewhat muddled, is too timely not to make an impact. Complex 'Munich' movie plot Based on George Jonas' 1984 book Vengeance: The True Story of an Israeli Counter-Terrorist Team, whose veracity has been questioned in some quarters, Munich begins as »
- Andre Soares
This article contains a spoiler for the ending of Interstellar.
In case you missed it, the Oscars were this past weekend and Birdman was the big winner. The Academy’s choice to award Alejandro González Iñárritu's fever dream was a genuine shock, with Boyhood the running favourite for many months. Nonetheless, some things never change, and in that vein it's certainly a non-surprise the Academy also hardly noticed the most ambitious blockbuster of 2014: the Christopher Nolan space epic, Interstellar. Indeed, I use the phrase "non-surprise", because how could it be a winner when it was only nominated for the bare minimum of five Oscars in technical categories that are reserved as consolation prizes?
This is by all means par for the course with a film that has »
Prolific filmmaker Frank Marshall has been selected by the Board of Directors of the American Cinema Editors (Ace) to be honored with the organization’s prestigious Ace Golden Eddie Filmmaker of the Year Award. The award will be presented at the 65thAnnual Ace Eddie Awards black-tie ceremony on Friday, January 30, 2015 in the International Ballroom of the Beverly Hilton Hotel.
“Frank Marshall has helped shape American film, treating audiences to some of the most well-loved, successful and enduring films in cinematic history,” stated the Ace Board of Directors. “From “Raiders of the Lost Ark,” “The Curious Case of Benjamin Button,” “The Sixth Sense” and the “Back to the Future” trilogy, among so many others, Mr. Marshall has made – and continues to make – a profound and indelible contribution to the cinematic landscape. We are honored to recognize him for his extraordinary accomplishments.”
Marshall joins a distinguished group of past Ace Golden Eddie honorees including Steven Spielberg, »
- Michelle McCue
Frank Marshall has been selected by the American Cinema Editors as the Ace Golden Eddie Filmmaker of the Year.
The award will be presented at the 65th Annual Ace Eddie Awards on Jan. 30 at the Beverly Hilton Hotel.
Marshall has received five Academy Award nominations for Best Picture, including “Raiders of the Lost Ark,” “The Color Purple,” “The Sixth Sense,” ” Seabiscuit” and “The Curious Case of Benjamin Button.”
“Frank Marshall has helped shape American film, treating audiences to some of the most well-loved, successful and enduring films in cinematic history,” said the Ace Board of Directors. “From ‘Raiders of the Lost Ark,’ ‘The Curious Case of Benjamin Button,’ ‘The Sixth Sense’ and the ‘Back to the Future’ trilogy, among so many others, Mr. Marshall has made — and continues to make — a profound and indelible contribution to the cinematic landscape. We are honored to recognize him for his extraordinary accomplishments.”
- Dave McNary
The art decoration of “Eva & Leon” is sublime, its impact immediate in the measured static shots of Eva’s chic and huge arrondissement Paris flat, classical in the carefully contrasting tones of white, gray, blue and salmon, setting off of furniture, curtains, drapes, sofas, cushions, gray and walls, high ceilings. A life-size flamingo stands by the mantelpiece. But such luxury is not enough. Eva, 35 (Clotilde Hesme), svelte, a dandy, an flaneur, cultured, immature, no children, absent mother, recluse father, termigant sis, lives a privileged life few can dream of, at least seriously. But, as the film suggests, she needs Leon, 10, an orphan who has escaped from his reception miles away outside France to try to find his birth-mother, to give her life an emotional anchor. Emilie Cherpitel’s film portrays their growing relationship of an odd couple. Distributed in France and sold abroad by Pyramide, one of Europe’s top arthouse production-distribution-sales companies, »
- John Hopewell
7 items from 2015
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