Lawrence is a rich kid with a bad accent and a large debt. After his father refuses to help him out, Lawrence escapes his angry debtors by jumping on a Peace Corp flight to Southeast Asia, ... See full summary »
A highly successful advertising executive decides to put his job on hold after getting an update from his father that he and his wife are divorced and decides to extend his break after revealing that his father is a diabetic.
Steven Gold is a stand-up comedian who is flat broke and has recently dropped out of medical school. He and several others work regularly at the Gas Station, a New York comedy club. The ... See full summary »
Friday and Streebek are assigned to some very strange robberies, like i.e. the stealing of one bat, a 30 foot long snake and the mane of a lion from a zoo. All the latest BAIT magazines were also recently stolen, and some chemicals that when are mixed correctly develops a very deadly gas. All these thefts have one thing in common; visit cards with the word "PAGAN" left at the crime scenes. Solving these crimes, including why plenty of police vehicles have been stolen lately, involves the usual; to drink coffee at strip tease bars, rescue kidnapped virgins from drowning and lose their jobs. Written by
Lars J. Aas <email@example.com>
At the end of the movie the police car is shown driving down Century Blvd making you think they are heading to LAX. In the next scene you see jet radio is set to 119.3 which is the frequency for Van Nuys airport Tower - about 15 miles away. See more »
[both looking at Connie Swail in Enid Borden's wedding dress]
2 to 1, that's Enid Borden's wedding dress.
20 to 1 Enid Borden didn't look that good on her wedding day.
See more »
Towards the end of the film, when Streebeck arrests Muzz, he raps him his rights. In the closing credits there is an extended version of this, with Friday and Streebeck rapping about rights, as well as about the PAGAN ritual they witnessed. See more »
A Lame, Directionless Parody, Despite its Inspired Casting
A big budget effort to revive the long-dormant TV series with a snarkier, more wise-cracking slant. Dan Aykroyd is in his element as the super stiff, by-the-books Joe Friday (nephew of the original protagonist), while Tom Hanks often feels like he tries too hard as the detective's wacky, off-kilter new partner. The two play their roles well, but oddly don't have much of a rapport and feel like they're more wrapped up in the eccentricities of the characters than what's going on around them. I can't really blame them - the plot doesn't seem appropriate, or even all that interesting. Why stick to the guidelines of a basic detective story when you can dive into the overcomplicated saga of an evil pagan minister with deep political ties and a weakness for sacrificial virgins, I guess? It's a terrible match for the cast, who seem as puzzled by it as I was, and sets the film up for failure before it's even found its legs. Amusing at times, for the most part it's helplessly contradictory, clumsy and often downright grating.
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