Wifes and children of the Mormon Orville Beecham become victims of a massacre in his own house. The police believes the crime had a religious motive. Orville doesn't give any comment on the... See full summary »
J. Lee Thompson
Trish Van Devere,
Jay Killion (Charles Bronson) had been the presidential bodyguard, but for the inauguration of the recently elected president, he is assigned to the first lady, Lara Royce (Jill Ireland). ... See full summary »
Peter R. Hunt
Police Inspector Paul Fein (Bronson) copes with family troubles while also dealing with the possibility of advancement to police chief. Meanwhile, his son (Joe Penny)) is investigating the murder of a banker.
Top detective Lou Torrey is transferred to Los Angeles and uncovers a plot by a Sicilian mafioso to use Vietnam veterans to murder all his enemies in a rerun of the "Sicilian Vespers" when ... See full summary »
Paul Kersey, LA architect and part-time vigilante, is fed up with violence and wants a quiet life. However, when friend's daughter dies of overdose, he has no choice but to go to war on drug dealers. Written by
Dragan Antulov <firstname.lastname@example.org>
Kersey uses the alias "Paul Kimble" in this film. He also used the pseudonymous surname of "Kimble" in Death Wish II (1982) and in Death Wish 3 (1985). (Though according to the book 'Bronson's Loose' by Paul Tablot, Death Wish 4 was intended as a direct sequel to Death Wish II, in the end the only reference to Death Wish II occurs in Kersey's reuse of the name Kimble as an alias, the references of his vigilantism after the death of his daughter, and his residence in Los Angeles.) See more »
Opening scene, the victim's car is parked when she gets in it, but when the bad guys are bashing at the car, it's now in the middle of the parking lot. It moved but she never got to start it. See more »
"Death Wish 4" is easily my favorite of the DW series, even though I really like most of the first entry. But you see, I find graphic, luridly depicted rape in films distasteful. I could take it in the first film, because there was at least some thematic and emotional need for it (though I still think it was overboard and gratuitous). Parts 2 and 3 escalated the rape and humiliation sequences and writer/director Michael Winner actually seemed to be trying to get us to enjoy the sight of tortured, crying, beaten, naked woman as much as he obviously did; combine this with zero plot, zero character development, and inept action, and you had some really, really bad flicks. Number four was directed by J. Lee Thompson, a frequent collaborator with Bronson since 1976's "St. Ives." Thompson took the usual DW revenge formula, eliminated the obligatory rape sequence, and ratcheted up the action. So what we have is a Death Wish picture more similar to "Murphy's Law" than any of the other films in the series. Of course Bronson's 80s films are often the butt of jokes (to those who remember them at all, that is) but I happen to enjoy them immensely--there's just something I dig about this charismatic, elderly guy running around shooting bad guys; I can't even explain it. If you dig the salt and pepper Bronson as well, then give DW4 a try.
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