| Photos (See all 14 | slideshow) |
| Anjelica Huston | ... | Gretta Conroy | |
| Donal McCann | ... | Gabriel Conroy | |
| Dan O'Herlihy | ... | Mr. Browne | |
| Donal Donnelly | ... | Freddy Malins | |
| Helena Carroll | ... | Aunt Kate | |
| Cathleen Delany | ... | Aunt Julia | |
| Ingrid Craigie | ... | Mary Jane | |
| Rachael Dowling | ... | Lily | |
| Marie Kean | ... | Mrs. Malins | |
| Frank Patterson | ... | Bartell D'Arcy | |
| Maria McDermottroe | ... | Molly Ivors | |
| Sean McClory | ... | Mr. Grace | |
| Kate O'Toole | ... | Miss Furlong (as Katherine O'Toole) | |
| Maria Hayden | ... | Miss O'Callaghan | |
| Bairbre Dowling | ... | Miss Higgins | |
| Lyda Anderson | ... | Miss Daly | |
| Colm Meaney | ... | Mr. Bergin | |
| Cormac O'Herlihy | ... | Mr. Kerrigan | |
| Paul Grant | ... | Mr. Duffy | |
| Paul Carroll | ... | Young Gentleman | |
| Patrick Gallagher | ... | Mr. Egan | |
| Dara Clarke | ... | Miss Power | |
| Brendan Dillon | ... | Cabman | |
| Redmond Gleeson | ... | Nightporter | |
| rest of cast listed alphabetically: | |||
| Amanda Baird | ... | Young Lady (uncredited) | |
Directed by | |||
| John Huston | |||
Writing credits(in alphabetical order) | ||
| Tony Huston | ||
| James Joyce | story "Dubliners" | |
Produced by | |||
| William J. Quigley | .... | executive producer | |
| Wieland Schulz-Keil | .... | producer | |
| Chris Sievernich | .... | producer | |
Original Music by | |||
| Alex North | |||
Cinematography by | |||
| Fred Murphy | |||
Film Editing by | |||
| Roberto Silvi | |||
Casting by | |||
| Nuala Moiselle | |||
Production Design by | |||
| Stephen B. Grimes | (as Stephen Grimes) | ||
| J. Dennis Washington | (as Dennis Washington) | ||
Set Decoration by | |||
| Josie MacAvin | |||
Costume Design by | |||
| Dorothy Jeakins | |||
Makeup Department | |||
| Fern Buchner | .... | makeup designer | |
| Anthony Cortino | .... | hair designer | |
| Louise Dowling | .... | hair stylist | |
| Anne Dunne | .... | hair stylist: second unit | |
| Keis Maes | .... | makeup artist | |
| Christopher Shihar | .... | hair stylist | |
Production Management | |||
| Tom Shaw | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Gay Brabazon | .... | second assistant director: second unit | |
| John 'Joe' Brooks | .... | second assistant director | |
| Seamus Byrne | .... | first assistant director: second unit | |
| John Halpin | .... | trainee assistant director: second unit | |
| Hugh Linehan | .... | trainee assistant director: second unit | |
| Rosemary Morton | .... | trainee assistant director: second unit | |
| Tom Shaw | .... | first assistant director | |
Sound Department | |||
| John Asman | .... | sound re-recording mixer | |
| Gregg Barbanell | .... | foley artist | |
| Chuck Blecka | .... | assistant sound editor | |
| Margaret Duke | .... | sound: documentary crew | |
| Robert W. Glass Jr. | .... | sound re-recording mixer | |
| Marvin I. Kosberg | .... | sound editor | |
| Marvin I. Kosberg | .... | supervising sound editor | |
| Walt Martin | .... | sound: documentary crew | |
| James E. Nownes | .... | sound editor | |
| Anthony Palk | .... | foley editor | |
| Ken S. Polk | .... | sound re-recording mixer | |
| Bill Randall | .... | second boom operator (as Bill Randall Jr.) | |
| William Randall | .... | sound mixer (as Bill Randall) | |
| Don Sanders | .... | sound: documentary crew | |
| David Stafford | .... | first boom operator | |
Special Effects by | |||
| Candy Flanagin | .... | special effects | |
| Maurice Foley | .... | special effects supervisor: second unit | |
| Robert Calvert | .... | special effects (uncredited) | |
Camera and Electrical Department | |||
| Alan Butler | .... | clapper loader: second unit | |
| Grant Cameron | .... | assistant camera: Ireland | |
| Louis Conroy | .... | gaffer: second unit | |
| Paddy Corcoran | .... | rigger: second unit | |
| Michael Coulter | .... | camera operator: Ireland | |
| Stuart E. Cropley | .... | electrician | |
| Noel Cullen | .... | electrician: second unit | |
| David Dubois | .... | best boy | |
| David Dubois | .... | electrician | |
| François Duhamel | .... | still photographer | |
| Brad Edmiston | .... | first assistant camera | |
| Todd Griffith | .... | best boy grip | |
| Derek Hate | .... | generator operator | |
| Rick Herres | .... | grip | |
| Pascal Jones | .... | rigger: second unit | |
| Ian Kincaid | .... | gaffer | |
| Kim Kono | .... | electrician | |
| Bill Levins | .... | electrician: second unit | |
| Walt Martin | .... | camera operator: documentary crew | |
| John Murphy | .... | camera grip: second unit | |
| Randy Nolen | .... | camera operator | |
| Paul Prince | .... | second assistant camera | |
| Lisa Rinzler | .... | camera operator: documentary crew | |
| Philip Sloan | .... | key grip | |
| Des Whelan | .... | focus puller: second unit | |
Casting Department | |||
| Peggy Weber | .... | extras casting | |
Costume and Wardrobe Department | |||
| Jennifer Butler | .... | costumer: women | |
| Delbert Grant | .... | costumes: in-house | |
| Marilyn Matthews | .... | ladies' costumer | |
| John McDonald | .... | costumer: men | |
| Jennifer L. Parsons | .... | costume supervisor | |
| Maeve Paterson | .... | wardrobe mistress | |
| Robert Pecina | .... | costumer: men | |
| Nava R. Sadan | .... | costumes: in-house | |
Editorial Department | |||
| Ray Morfino | .... | color timer | |
Music Department | |||
| Richard Bronskill | .... | orchestrator | |
| Leonard A. Engel | .... | music recording engineer (as Len Engel) | |
| Ann Stockton | .... | musician: solo harp | |
| Dan Wallin | .... | score mixer | |
| Kenneth Wannberg | .... | music engineer | |
Transportation Department | |||
| Ronnie Baker | .... | transportation coordinator | |
| Robert D. Benton | .... | driver | |
| Tom Brodie | .... | construction driver: second unit | |
| Colin Duffin | .... | unit driver | |
Other crew | |||
| Nestor Alban | .... | head tailor | |
| Sheila Barr | .... | publicist | |
| Joan Bennett | .... | production secretary | |
| Mary Carroll | .... | production secretary | |
| Vicky Dennison | .... | cutter-fitter: ladies | |
| Bruce Feldman | .... | publicist | |
| Ciara J. Fenton | .... | film accountant | |
| Judy Flanagan | .... | craft service | |
| Tzetzi Ganev | .... | cutter-fitter: ladies | |
| Paul Gleason | .... | choreographer | |
| Karen Golden | .... | script supervisor | |
| Clive Hart | .... | literary advisor: James Joyce estate | |
| Kathy Knapton | .... | assistant accountant | |
| Marilyn La Salandra | .... | assistant: Mr. Huston | |
| Ben Levy | .... | publicist | |
| Niall McQuillan | .... | film accountant | |
| Paul Myler | .... | film accountant: second unit | |
| Eily O'Grady | .... | piano coach | |
| Ann Shaw | .... | production coordinator | |
| Molly Shaw | .... | office assistant | |
| Lilyan Sievernich | .... | director: documentary crew | |
| Garrison Singer | .... | production accountant | |
| Ian Abercrombie | .... | adr loop group (uncredited) | |
| Melissa J.L. Smith | .... | director of studio operations (uncredited) | |
| Melissa J.L. Smith | .... | sales and marketing coordinator (uncredited) | |
| Melissa J.L. Smith | .... | sales department: original staff (uncredited) | |
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| Isadora | The Kite Runner | Good | Mr. & Mrs. Bridge | Edvard Munch |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
The entire movie, an artful adaptation of one of Joyce's "Dubliners" stories, takes place on the night of January 6 (Epiphany), 1906. Most of the film takes place at an annual party given by three spinsters (two sisters and their niece), where a group of upper-class Dubliners gather for an evening of music, recitations and dinner. While there is very little plot per se, the interaction and conversation among the group reveals much about Dublin in the early 20th century when the stirrings for independence were just beginning. The cast, all talented Irish stage actors with the exception of Anjelica Huston, are universally wonderful, and one actually feels he is a guest at the gathering himself. The poignant final scene, between Ms. Huston and the amazing Donal McCann, reveals much about the marriage of the characters. There is poignancy mixed with humor and insight, and for those who like quiet, thoughtful movies, "The Dead" is highly recommended. My wife is from Dublin, we make a ritual of watching this wonderful movie every January 6th. After many viewings it never fails to move me, and each time I glean something that I've missed before.