| Photos (see all 11 | slideshow) |
| Anjelica Huston | ... | Gretta Conroy | |
| Donal McCann | ... | Gabriel Conroy | |
| Dan O'Herlihy | ... | Mr. Browne | |
| Donal Donnelly | ... | Freddy Malins | |
| Helena Carroll | ... | Aunt Kate | |
| Cathleen Delany | ... | Aunt Julia | |
| Ingrid Craigie | ... | Mary Jane | |
| Rachael Dowling | ... | Lily | |
| Marie Kean | ... | Mrs. Malins | |
| Frank Patterson | ... | Bartell D'Arcy | |
| Maria McDermottroe | ... | Molly Ivors | |
| Sean McClory | ... | Mr. Grace | |
| Kate O'Toole | ... | Miss Furlong (as Katherine O'Toole) | |
| Maria Hayden | ... | Miss O'Callaghan | |
| Bairbre Dowling | ... | Miss Higgins | |
| Lyda Anderson | ... | Miss Daly | |
| Colm Meaney | ... | Mr. Bergin | |
| Cormac O'Herlihy | ... | Mr. Kerrigan | |
| Paul Grant | ... | Mr. Duffy | |
| Paul Carroll | ... | Young Gentleman | |
| Patrick Gallagher | ... | Mr. Egan | |
| Dara Clarke | ... | Miss Power | |
| Brendan Dillon | ... | Cabman | |
| Redmond Gleeson | ... | Nightporter | |
| rest of cast listed alphabetically: | |||
| Amanda Baird | ... | Young Lady (uncredited) | |
Directed by | |||
| John Huston | |||
Writing credits(in alphabetical order) | ||
| Tony Huston | writer | |
| James Joyce | story "Dubliners" | |
Produced by | |||
| William J. Quigley | .... | executive producer | |
| Wieland Schulz-Keil | .... | producer | |
| Chris Sievernich | .... | producer | |
Original Music by | |||
| Alex North | |||
Cinematography by | |||
| Fred Murphy | |||
Film Editing by | |||
| Roberto Silvi | |||
Casting by | |||
| Nuala Moiselle | |||
Production Design by | |||
| Stephen B. Grimes | (as Stephen Grimes) | ||
| J. Dennis Washington | (as Dennis Washington) | ||
Set Decoration by | |||
| Josie MacAvin | |||
Costume Design by | |||
| Dorothy Jeakins | |||
Makeup Department | |||
| Fern Buchner | .... | makeup designer | |
| Anthony Cortino | .... | hair designer | |
| Louise Dowling | .... | hair stylist | |
| Anne Dunne | .... | hair stylist: second unit | |
| Keis Maes | .... | makeup artist | |
| Christopher Shihar | .... | hair stylist | |
Production Management | |||
| Tom Shaw | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Gay Brabazon | .... | second assistant director: second unit | |
| John 'Joe' Brooks | .... | second assistant director | |
| Seamus Byrne | .... | first assistant director: second unit | |
| John Halpin | .... | trainee assistant director: second unit | |
| Hugh Linehan | .... | trainee assistant director: second unit | |
| Rosemary Morton | .... | trainee assistant director: second unit | |
| Tom Shaw | .... | first assistant director | |
Sound Department | |||
| John Asman | .... | sound re-recording mixer | |
| Gregg Barbanell | .... | foley artist | |
| Chuck Blecka | .... | assistant sound editor | |
| Margaret Duke | .... | sound: documentary crew | |
| Robert W. Glass Jr. | .... | sound re-recording mixer | |
| Marvin I. Kosberg | .... | sound editor | |
| Marvin I. Kosberg | .... | supervising sound editor | |
| Walt Martin | .... | sound: documentary crew | |
| James E. Nownes | .... | sound editor | |
| Anthony Palk | .... | foley editor | |
| Ken S. Polk | .... | sound re-recording mixer | |
| Bill Randall Jr. | .... | second boom operator | |
| William Randall | .... | sound mixer (as Bill Randall) | |
| Don Sanders | .... | sound: documentary crew | |
| David Stafford | .... | first boom operator | |
Special Effects by | |||
| Candy Flanagin | .... | special effects | |
| Maurice Foley | .... | special effects supervisor: second unit | |
| Robert Calvert | .... | special effects (uncredited) | |
Camera and Electrical Department | |||
| Alan Butler | .... | clapper loader: second unit | |
| Grant Cameron | .... | assistant camera: Ireland | |
| Louis Conroy | .... | gaffer: second unit | |
| Paddy Corcoran | .... | rigger: second unit | |
| Michael Coulter | .... | camera operator: Ireland | |
| Stuart E. Cropley | .... | electrician | |
| Noel Cullen | .... | electrician: second unit | |
| David Dubois | .... | best boy | |
| David Dubois | .... | electrician | |
| François Duhamel | .... | still photographer | |
| Brad Edmiston | .... | first assistant camera | |
| Todd Griffith | .... | best boy grip | |
| Derek Hate | .... | generator operator | |
| Rick Herres | .... | grip | |
| Pascal Jones | .... | rigger: second unit | |
| Ian Kincaid | .... | gaffer | |
| Kim Kono | .... | electrician | |
| Bill Levins | .... | electrician: second unit | |
| Walt Martin | .... | camera operator: documentary crew | |
| John Murphy | .... | camera grip: second unit | |
| Randy Nolen | .... | camera operator | |
| Paul Prince | .... | second assistant camera | |
| Lisa Rinzler | .... | camera operator: documentary crew | |
| Philip Sloan | .... | key grip | |
| Des Whelan | .... | focus puller: second unit | |
Casting Department | |||
| Peggy Weber | .... | extras casting | |
Costume and Wardrobe Department | |||
| Jennifer Butler | .... | costumer: women | |
| Delbert Grant | .... | costumes: in-house | |
| Marilyn Matthews | .... | ladies' costumer | |
| John McDonald | .... | costumer: men | |
| Jennifer L. Parsons | .... | costume supervisor | |
| Maeve Paterson | .... | wardrobe mistress | |
| Robert Pecina | .... | costumer: men | |
| Nava R. Sadan | .... | costumes: in-house | |
Editorial Department | |||
| Ray Morfino | .... | color timer | |
Music Department | |||
| Richard Bronskill | .... | orchestrator | |
| Leonard A. Engel | .... | music recording engineer (as Len Engel) | |
| Ann Stockton | .... | musician: solo harp | |
| Dan Wallin | .... | score mixer | |
| Kenneth Wannberg | .... | music engineer | |
Transportation Department | |||
| Ronnie Baker | .... | transportation coordinator | |
| Robert D. Benton | .... | driver | |
| Tom Brodie | .... | construction driver: second unit | |
| Colin Duffin | .... | unit driver | |
Other crew | |||
| Nestor Alban | .... | head tailor | |
| Sheila Barr | .... | publicist | |
| Joan Bennett | .... | production secretary | |
| Mary Carroll | .... | production secretary | |
| Vicky Dennison | .... | cutter-fitter: ladies | |
| Bruce Feldman | .... | publicist | |
| Ciara J. Fenton | .... | film accountant | |
| Judy Flanagan | .... | craft service | |
| Tzetzi Ganev | .... | cutter-fitter: ladies | |
| Paul Gleason | .... | choreographer | |
| Karen Golden | .... | script supervisor | |
| Clive Hart | .... | literary advisor: James Joyce estate | |
| Kathy Knapton | .... | assistant accountant | |
| Marilyn La Salandra | .... | assistant: Mr. Huston | |
| Ben Levy | .... | publicist | |
| Niall McQuillan | .... | film accountant | |
| Paul Myler | .... | film accountant: second unit | |
| Eily O'Grady | .... | piano coach | |
| Ann Shaw | .... | production coordinator | |
| Molly Shaw | .... | office assistant | |
| Lilyan Sievernich | .... | director: documentary crew | |
| Garrison Singer | .... | production accountant | |
| Ian Abercrombie | .... | adr loop group (uncredited) | |
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| The Good Earth | Citizen Kane | The Kite Runner | Neskolko dney iz zhizni I.I. Oblomova | Edvard Munch |
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An exquisite film. They just don't make them like this any more! We eavesdrop on an upper middle class family in Dublin in the early part of the 20th century. They are hosting an after Christmas dinner for their friends and relatives. Their table talk is just idle chatter but it is so well written that one is engrossed. Away from the dinner table some fine piano playing helps to create an intimate atmosphere as if one were there as one of the guests. Perhaps a bit too perfect for an amateur player, the odd mistake here and there would have added to the magic of this film. No real story but real entertainment and an object lesson for up and coming film makers.