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John Huston's last film is a labor of love at several levels: an adaptation of perhaps one of the greatest pieces of English-language literature by one of Huston's favorite authors, James Joyce; a love letter to the land of his ancestors and the country where his children grew up; and the chance to work with his screenwriter son Tony and his actress daughter Anjelica. The film is delicate and unhurried, detailing a Christmas dinner at the house of two spinster musician sisters and their niece in turn-of-the-century Ireland, attended by friends and family. Among the visiting attendees are the sisters' nephew Gabriel Conroy and his wife Gretta. The evening's reminiscences bring up melancholy memories for Gretta concerning her first, long-lost love when she was a girl in rural Galway. Her recounting of this tragic love to Gabriel brings him to an epiphany: he learns the difference between mere existence and living. The all-Irish cast and careful period detail give the piece richness and ... Written by
Russ W. <firstname.lastname@example.org>
The character Mr. Grace does not appear in Joyce's original story. He is an invention of John and Tony Huston's, and was chiefly included so as to permit a reading of the eighth-century Irish poem Donal Og ("Young Donal"). Although it represents a departure from Joyce's text, the poem is nonetheless appropriate to the story's themes: like the song "The Lass of Aughrim" that follows it, "Donal Og" deals with the suffering that love can bring to young women...just as it has for Gretta. See more »
One by one, we're all becoming shades. Better to pass boldly into that other world, in the full glory of some passion, than fade and wither dismally with age. How long you locked away in your heart the image of your lover's eyes when he told you that he did not wish to live. I've never felt that way myself towards any woman, but I know that such a feeling must be love. Think of all those who ever were, back to the start of time. And me, transient as they, flickering out ...
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I have watched thousands of movies in my life and I believe this movie is the most "perfect" movie that has ever been made. By perfect I mean the storytelling, the plot, the acting, the staging, the camera work, etc. (This is a lay opinion; I have no background in film production.) A lot of movies have perfect scenes, such as the bartender filing a report with the police officer in the movie Fargo. (Indeed, that scene could play well as a short.) In The Dead every scene is done to perfection, making the entire movie perfect. Perhaps, John Huston sold his soul to the Devil to make such a movie. Hopefully, Daniel Webster has gotten him out of the contract!
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