Against a background of war breaking out in Europe and the Mexican fiesta Day of Death, we are taken through one day in the life of Geoffrey Firmin, a British consul living in alcoholic ... See full summary »
China Valdes joins the Cuban underground after her brother is killed by the chief of the secret police, Ariete. She meets and falls in love with American expatriate Tony Fenner. Tony ... See full summary »
Davey Haggart is quite certain of his paternity (even if nobody else is) and determined to emulate his father, a notorious rogue and highwayman. This includes breaking a man out of Stirling... See full summary »
This pseudo-biographical movie depicts 5 years from 1885 on in the life of the Viennan psychologist Freud (1856-1939). At this time, most of his colleagues refuse to cure hysteric patients,... See full summary »
Townsend Harris is sent by President Pierce to Japan to serve as the first U.S. Consul-General to that country. Harris discovers enormous hostility to foreigners, as well as the love of a ... See full summary »
John Huston's last film is a labor of love at several levels: an adaptation of perhaps one of the greatest pieces of English-language literature by one of Huston's favorite authors, James Joyce; a love letter to the land of his ancestors and the country where his children grew up; and the chance to work with his screenwriter son Tony and his actress daughter Anjelica. The film is delicate and unhurried, detailing an early January dinner at the house of two spinster musician sisters and their niece in turn-of-the-century Ireland, attended by friends and family. Among the visiting attendees are the sisters' nephew Gabriel Conroy and his wife Gretta. The evening's reminiscences bring up melancholy memories for Gretta concerning her first, long-lost love when she was a girl in rural Galway. Her recounting of this tragic love to Gabriel brings him to an epiphany: he learns the difference between mere existence and living. The all-Irish cast and careful period detail give the piece richness... Written by
Russ W. <email@example.com>
One by one, we're all becoming shades. Better to pass boldly into that other world, in the full glory of some passion, than fade and wither dismally with age. How long you locked away in your heart the image of your lover's eyes when he told you that he did not wish to live. I've never felt that way myself towards any woman, but I know that such a feeling must be love. Think of all those who ever were, back to the start of time. And me, transient as they, flickering out ...
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So many literary adaptations are disappointments. There are many reasons for that, but usually it is the need to cut down a complex novel to the size of a screenplay. The Dead is unusual - it had to be 'padded', as the short story itself is a tiny, relatively short gem. It may in fact be the finest short story in the English language. In beautifully spare language it tells of the realization of Gabriel Conroy that his life, and the lives of so many around him are controlled by memories of the dead. Even his own wife of many years loved a man now dead more than him.
To bring such a short story to the cinema was always going to be tricky. John Huston did a magnificent job. He never gave in to temptation to play it up or use fancy technique to expand on the story. It is simple and true, with outstanding acting. The only slight miss-step is the use of music to accompany the devastating final soliloquy.
Its rare indeed for a movie version of a literary masterpiece to be itself a masterpiece, but I think its fair to use this term for this movie. Its not a bravura piece of film making, but it is simple and pure - I always think of Ozu's movies when i think of The Dead, its at that level of purity and simplicity and deep wisdom.
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