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Cry Freedom (1987)

7.5
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Ratings: 7.5/10 from 8,443 users  
Reviews: 47 user | 19 critic

South African journalist Donald Woods is forced to flee the country after attempting to investigate the death in custody of his friend the black activist Steve Biko.

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(screenplay), (books)
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Title: Cry Freedom (1987)

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Nominated for 3 Oscars. Another 5 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
Josette Simon ...
Dr. Ramphele
Wabei Siyolwe ...
Tenjy
John Matshikiza ...
Mapetla
Juanita Waterman ...
Ntsiki Biko
Evelyn Sithole ...
Nurse at clinic
Xoliswa Sithole ...
Nurse at clinic
James Coine ...
Young boy
...
Donald Woods
...
Ken
Albert Ndinda ...
Alec
Andrew Whaley ...
Sub-Editor
Shelley Borkum ...
Woods' receptionist
...
...
Wendy Woods
...
Jane Woods
Edit

Storyline

Donald Woods is chief editor of the liberal newspaper Daily Dispatch in South Africa. He has written several editorials critical of the views of Steve Biko. But after having met him for the first time, he changes his opinion. They meet several times, and this means that Woods and his family get attention from the security police. When Steve Biko dies in police custody, he writes a book about Biko. The only way to get it published is for Woods himself to illegally escape the country. Written by Mattias Thuresson

Plot Summary | Plot Synopsis

Taglines:

The true story of the friendship that shook South Africa and awakened the world


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

6 November 1987 (USA)  »

Also Known As:

Grito de libertad  »

Filming Locations:

 »

Box Office

Budget:

$29,000,000 (estimated)

Gross:

$5,899,797 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (Ontario)

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

This film was part of a cycle of pictures made during the 1980s that featured journalists covering war. The movies include Salvador (1986), Under Fire (1983), Circle of Deceit [Circle of Deceit (1981)], Witness in the War Zone (1987), Cry Freedom (1987), The Killing Fields (1984) and The Year of Living Dangerously (1982). See more »

Goofs

An extra that played a heavily wounded protester (shot in the back during the revolts) in Soweto jumped out of his lying position in a lively fashion when other extras (that were supposed to carry him off) started lifting him off the ground. See more »

Quotes

Steve Biko: We are going to change South Africa. What we've got to decide is the best way to do that. And as angry as we have the right to be, let us remember that we are in the struggle to kill the idea that one kind of man is superior to another kind of man. And killing that idea is not dependent on the white man. We must stop looking to him to give us something. We have to fill the black community with our own pride. We have to teach our black children black history, tell them about our black heroes, ...
See more »

Crazy Credits

Preceding the final credits is a list of other detainees who died in the custody of the South African police. Steven Biko's name appears on the list. See more »

Connections

Referenced in Mystery Science Theater 3000: Outlaw (1993) See more »

Soundtracks

Nkosi Sikelel' iAfrika
See more »

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User Reviews

 
Must-viewing just to begin to understand apartheid's legacy
28 September 1999 | by (Miami & Sao Paulo, BR) – See all my reviews

CRY FREEDOM is an excellent primer for those wanting an overview of apartheid's cruelty in just a couple of hours. Famed director Richard Attenborough (GANDHI) is certainly no stranger to the genre, and the collaboration of the real-life Mr. and Mrs. Woods, the main white characters in their book and in this film, lends further authenticity to CRY FREEDOM. The video now in release actually runs a little over 2 and a half hours since 23 minutes of extra footage was inserted to make it a two part TV miniseries after the film's initial theatrical release. While the added length serves to heighten the film's forgivable flaws: uneven character development and blanket stereotyping in particular, another possible flaw (the insistence on the white characters' fate over that of the African ones) may work out as a strength. Viewing CRYING FREEDOM as a politically and historically educational film (as I think it should, over its artistic merits), the story is one which black Africans know only too well, though the younger generation may now need to see it on film for full impact. It is the whites who have always been the film's and the book's target audience, hopefully driving them to change. Now twelve years after the movie's production, CRY FREEDOM is in many ways a more interesting film to watch. Almost ten years after black majority rule has been at least theorically in place, 1987's CRY FREEDOM's ideals remain by and large unrealized. It therefore remains as imperative as ever for white South Africans, particularly the younger ones who have only heard of these actions to see it, and absorb the film's messages. In total contrast to American slavery and the Jewish Holocaust's exposure, South Africans' struggles have been told by a mere two or three stories: CRY FREEDOM, CRY THE BELOVED COUNTRY (OK, Count it twice if you include the remake), and SARAFINA (did I miss one?). All three dramas also clumsily feature American and British actors in both the white and black roles. Not one South African actor has played a major role, white, coloured, Indian or Black!). And yes I did miss another international South African drama, MANDELA and DEKLERK. Though this (also highly recommended) biopic was released after black majority rule was instituted, MANDELA was played by a Black American (Sidney Poitier, who also starred in the original S.A.-themed CRY THE BELOVED COUNTRY), while the Afrikaner DeKlerk was played by a (bald) very British Michael Caine, a good performance if you can dismiss that the very essence of Afrikanerdom is vehement anti-British feelings. Until local SABC TV and African films start dealing with their own legacy, CRY FREEDOM is about as authentic as you'll get. As villified as the whites (particularly the Afrikaners) are portrayed in the film, any observant (non-casual) visitor to South Africa even now in 1999, not to mention 1977 when CRY FREEDOM takes place, will generally find white's attitudes towards blacks restrained, even understated. Looking at CRY FREEDOM in hindsight, it is amazing that reconciliation can take place at all, and it is. But CRY FREEDOM at time shows not much has really changed in many people's minds yet, and that the Black Africans' goal to FREEDOM and reconciliation is still ongoing. This is why if you're a novice to the situation, CRY FREEDOM, is your best introduction.


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Too much Donald Woods not enough Steve Biko D8Player
A truly great film pearl_paid_peanuts
Poisoned Tee-Shirts mikepth
Version of Nkosi Sikeleli Africa in this movie luccastrel
great movie onlyastateofmind
The countryside mikepth
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