Con man Kevin Lennihan framed in a jewel smuggling tries for an insanity plea and is sent to a hospital for review where he is confused for another doctor and takes over the hospital when a major storm hits.
Joe Braxton is an ex-con who has been given a second chance to freedom after violating his probation. He has been hired by a school teacher named Vivian Perry to repair and drive an old ... See full summary »
Angel Ramirez Jr.
George has been in a mental hospital for 3 years and is finally ready to go out into the real world again. Eddie Dash, a dedicated con-man, is supposed to keep him out of trouble, but when ... See full summary »
Richard Pryor is playing three different roles here. The first being a poor orange picker named Leroy Jones who gets laid off when by mistake he joins the worker's union during one of their... See full summary »
Kevin Lennihan is a con artist. But this time he's framed and comes before a judge. By claiming insanity, he hopes to get off the hook. He manages to end up in a hospital on Governors Island, in New York Harbor for a mental examination. That night, a storm breaks out over the area, and the electricity to the hospital is broken. In the ensuing chaos that follows, Kevin is taken for a doctor, Eddie Slattery. Suddenly, he is in charge of a whole hospital. Written by
Box opens the garage door, yells about his dog being kicked. However, Stuckey kicks the patient who thinks he's a dog several seconds before Box actually opens the garage door. There is no way that Box could have seen Stucky kick the dog. See more »
This is the end of the road. I don't think I need you anymore.
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Con man Kevin Lennihan (Richard Pryor), framed in a jewel smuggling, tries for an insanity plea and is sent to a hospital for review where he is confused with a doctor and takes over the hospital when a major storm hits.
I had never heard of this film until now (2016), which is a bit of a shame. Pryor is great, and it's awesome to see Bob Saget in a supporting role (though he isn't really given any funny lines). Joe Mantegna is here, too. This seems like it should be some sort of cult classic, but in stead it is forgotten.
And there may be a reason for that. Despite the funny premise, and some great moments, it never feels as funny as it should be. I don't know why. Is the script not polished enough? Is the director to blame? Or is it just very understated?
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