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Directed by | |||
| Michael Gornick | |||
Writing credits | ||
| Stephen King | (stories) | |
| George A. Romero | (screenplay) | |
| Lucille Fletcher | uncredited | |
Produced by | |||
| David Ball | .... | producer: Laurel Entertainment | |
| Mitchell Galin | .... | associate producer: Laurel Entertainment | |
| Richard P. Rubinstein | .... | executive producer: Laurel Entertainment | |
Original Music by | |||
| Les Reed | |||
Cinematography by | |||
| Richard Hart | |||
| Tom Hurwitz | |||
Film Editing by | |||
| Peter Weatherley | |||
Casting by | |||
| Leonard Finger | |||
Production Design by | |||
| Bruce Alan Miller | |||
Set Decoration by | |||
| Andrew Bernard | (uncredited) | ||
Costume Design by | |||
| Eileen Sieff Stroup | (as Eileen Mae Sieff) | ||
Makeup Department | |||
| Everett Burrell | .... | makeup effects | |
| Ed French | .... | special makeup effects artist | |
| Matt Marich | .... | lab assistant | |
| Gregory Nicotero | .... | makeup effects | |
| Angela Nogaro | .... | makeup assistant (as Angela Nogarro) | |
| Joanna Robinson | .... | makeup artist | |
| Mike Trcic | .... | makeup effects | |
Production Management | |||
| Charles S. Carroll | .... | production manager | |
| Ginger McGuire | .... | production executive | |
| Debra Tanklow | .... | assistant production manager | |
| Diane Vilagi | .... | production executive | |
Art Department | |||
| Steve Arnold | .... | assistant production designer | |
| Lynn Berkshire | .... | head carpenter | |
| Andrew Bernard | .... | set dresser (as Andy Bernard) | |
| Lori Chontos | .... | ink and paint | |
| Nigel Clinker | .... | set dresser | |
| James C. Feng | .... | property master | |
| Ed Fountain | .... | construction coordinator | |
| Ron Frenz | .... | comic art | |
| Eileen Garrigan | .... | charge scenic | |
| Eileen Garrigan | .... | head scenic | |
| Carlene Hirsch | .... | set dresser | |
| Gary Kosko | .... | head carpenter | |
| Beth Kuhn | .... | assistant production designer | |
| Aaron Newton | .... | propmaker | |
| Phil Wilson | .... | backgrounds | |
| Tal Schneider | .... | set dresser/assistant props (uncredited) | |
Sound Department | |||
| Jim Allan | .... | sound reader | |
| John Stuart Bick | .... | assistant sound editor (as John Bick) | |
| Felipe Borrero | .... | sound mixer | |
| Glenn Freemantle | .... | sound effects editor | |
| Tommy Louie | .... | boom operator | |
| Jim Shields | .... | sound editor | |
| Otto Snel | .... | sound re-recording mixer | |
| Scott Brose | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Howard Berger | .... | special effects | |
| Dan Frye | .... | lab technician | |
| Gregory Nicotero | .... | special effects | |
| Tom Savini | .... | makeup effects consultant | |
| Chip Craig | .... | special effects technician (uncredited) | |
| Larry Odien | .... | opticals (uncredited) | |
Stunts | |||
| Cheré Bryson | .... | stunts (as Chere Bryson) | |
| Jery Hewitt | .... | stunts | |
| Taso N. Stavrakis | .... | stunt coordinator | |
| Patricia Tallman | .... | stunts | |
Camera and Electrical Department | |||
| Eric Anderson | .... | camera operator | |
| Peter Beal | .... | electrician | |
| Peter Caslin | .... | generator operator | |
| Tom Colston | .... | generator operator | |
| Michael Conner | .... | assistant camera (as Mike Connor) | |
| Doug Cragoe | .... | best boy electric | |
| Ted Eachus | .... | electrician | |
| Tom Feldman | .... | gaffer | |
| Mike Frederickson | .... | grip | |
| Bernie Glavin | .... | generator operator | |
| Richard D. Greene | .... | still photographer | |
| Michael Klimchak | .... | assistant camera (as Mike Klimchak) | |
| David R. Kohn | .... | electrician | |
| David R. Kohn | .... | lighting technician | |
| Todd Liebler | .... | assistant camera | |
| Henry Lynk | .... | camera operator | |
| Nicholas Mastandrea | .... | key grip | |
| Stan Obcamp | .... | still photographer | |
| Frank Perl | .... | assistant camera | |
| Ethan Phillips | .... | electrician | |
| Scott Ramsey | .... | gaffer | |
| Paul Reuter | .... | electrician | |
| Kurt Rimmel | .... | dolly grip | |
| Eric Swanek | .... | assistant camera | |
| James B. Walsh | .... | grip | |
| Peter Wiehl | .... | best boy | |
| Brian Q. Kelley | .... | cinematography support (uncredited) | |
Animation Department | |||
| Rick Catizone | .... | animator | |
| Gary Hartle | .... | animator | |
| Phil Wilson | .... | animator | |
Costume and Wardrobe Department | |||
| Nancy A. Palmatier | .... | wardrobe supervisor | |
Editorial Department | |||
| Peter Culverwell | .... | assistant editor | |
| Cynthia Rogers | .... | assistant editor | |
| Joe Violante | .... | dailies | |
| Jeremiah O'Driscoll | .... | apprentice editor (uncredited) | |
Music Department | |||
| John Harrison | .... | composer: original theme | |
| Rick Wakeman | .... | composer: additional music "The Raft" | |
Transportation Department | |||
| P.D. Levy | .... | transportation captain | |
Thanks | |||
| Michael Berner | .... | special thanks | |
| Don Buffington | .... | special thanks | |
| Patrick Farrelly | .... | special thanks | |
| Jack Kamen | .... | special thanks | |
| Tabitha King | .... | special thanks | |
| Stephanie Leonard | .... | special thanks | |
| Kirby McCauley | .... | special thanks | |
| Larry Mehaney | .... | special thanks | |
| Art Rooney | .... | special thanks | |
| Irvin Shapiro | .... | special thanks | |
| Vincent D. Survinski | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Masters of Horror Stephen King and George A. Romero return to deliver more comic book style thrills in "Creepshow 2." With original "Creepshow" cinematographer Michael Gornick stepping in as director, the film is not only slimmer on content (three stories instead of five) but on budget and star-power as well. That doesn't mean that horror fans aren't in for a heaping serving of campy carnage candy, though. In tradition with the original, "Creepshow" is hellbent on making its viewers laugh and squirm in their seats simultaneously.
While Gornick is no George A. Romero, he certainly brings a touch of style to the film that serves it well. Animated segments aside, the look and tone of the original is carried over into its sequel, with some surprisingly flashy moments that make one wonder why the director fell off the face of the Earth (you know, aside from the fact that this flick flopped). The script, penned by Romero, has its ups and downs, with some stories being more effective and more competent than others. Variety, however, is the key to the film's success. If one thing can be said about this affair, it is that it never bores and it certainly goes by quickly enough. In fact, some would say the fun ends far too early.
The three stories are a mixed bag of creepy and goofy, with the first concerning a wooden Indian propped outside of a small-town general store. When local punks rob its kindly owners, the statue comes to life seeking revenge. This bit is rather slow moving and sets the movie off on the wrong foot. Although not terrible by any means, it is in sharp contrast to the two that follow. Next up, we follow a foursome of guys and gals going for a swim in a secluded lake. Soon they find themselves being feasted upon by what can only be described as an oil slick surrounded by a Hefty bag. Of the three, this is probably the strongest, with some genuinely creepy moments and terrific special effects. Then, to wrap things up, we find a woman of questionable morals being stalked on the highway by a drifter she accidentally hit. While his insistence on thanking her for the ride makes him seem harmless enough, the woman quickly slips into madness as she tries to rid herself of the passenger to no avail. This is the one segment most likely to induce a few unintentional chuckles for its ridiculously over-the-top premise and execution.
Overall, there's a noticeable drop in quality from the first, but the sense of dread and humor is still intact. "Creepshow 2" is certainly a worthy sequel with a few moments of brilliance that may have panned out better in feature length films. "The Raft," in particular, would have been a great 80's teen monster movie in the vein of the remake of "The Blob" that would roll into theaters a year later. Taken for what it is, though, this sequel is like a bag of Halloween candy -- some hits, some misses, but certainly worth the time regardless.