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Rhianne Paz Bergado
"Creepshow 2" is divided into three stories, conducted by a leading segment where a boy that loves the horror comic book Creepshow buys seeds of carnivorous plant and is bullied by four teenagers. Meanwhile the Creep tells the tales of Creepshow: (1) "Old Chief Wood'nhead" - The elders Ray (George Kennedy) and Martha Spruce (Dorothy Lamour) have lived their whole life and raised their family with their small store in an Arizona town. Now the town is economically decadent and Ray gives credit to his costumers including the Indians of Ben Whitemoon's tribe. When Ray is repairing the wooden statue of an old chief in the front door, Ben (Frank Salsedo) arrives and asks him to keep the jewels of his tribe as a guarantee for their debts. However, Ben's nephew Sam (Holt McCallany) unexpectedly arrives with two other punks to steal Ray, and he kills the elders. They expect to travel to Hollywood, but the Old Chief Wood'nhead will not let them go. (2) "The Raft" - The teenagers Deke (Paul ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Barbara Eden was originally cast as the hit-and-run driver Annie Lansing during Creepshow 2's last story, "The Hitch-Hiker"; but had to drop out prior to filming due to her mother falling ill. Lois Chiles was later re-cast in the role. See more »
In the Hitchhiker, the scene where Ms.Lansing first sees the ghost of the hitchhiker after pulling off the highway and stopping the car you can spot the face of a crew member in the upper left corner in the rear windshield. See more »
[Ben bids farewell to Old Chief Woodenhead]
Now... may your spirit rest, old warrior. Hagoonee. Hagoonee...
See more »
.After the credits are over the following text appears: "Juvinile delinquency is the product of pent up frustrations, stored up resentments and bottled up fears, it is not the product of cartoons and captions, but the comics are a handy, obvious, and uncomplicated scapegoat. If the adults who crusade against them would only get steamed up over much basic causes of delinquency as parental ignorance, indifference, and cruelty. they might discover that comic books are no more then a menace than "Treasure Island" or "Jack the giant killer" Colliers magazine 1949 See more »
Masters of Horror Stephen King and George A. Romero return to deliver more comic book style thrills in "Creepshow 2." With original "Creepshow" cinematographer Michael Gornick stepping in as director, the film is not only slimmer on content (three stories instead of five) but on budget and star-power as well. That doesn't mean that horror fans aren't in for a heaping serving of campy carnage candy, though. In tradition with the original, "Creepshow" is hellbent on making its viewers laugh and squirm in their seats simultaneously.
While Gornick is no George A. Romero, he certainly brings a touch of style to the film that serves it well. Animated segments aside, the look and tone of the original is carried over into its sequel, with some surprisingly flashy moments that make one wonder why the director fell off the face of the Earth (you know, aside from the fact that this flick flopped). The script, penned by Romero, has its ups and downs, with some stories being more effective and more competent than others. Variety, however, is the key to the film's success. If one thing can be said about this affair, it is that it never bores and it certainly goes by quickly enough. In fact, some would say the fun ends far too early.
The three stories are a mixed bag of creepy and goofy, with the first concerning a wooden Indian propped outside of a small-town general store. When local punks rob its kindly owners, the statue comes to life seeking revenge. This bit is rather slow moving and sets the movie off on the wrong foot. Although not terrible by any means, it is in sharp contrast to the two that follow. Next up, we follow a foursome of guys and gals going for a swim in a secluded lake. Soon they find themselves being feasted upon by what can only be described as an oil slick surrounded by a Hefty bag. Of the three, this is probably the strongest, with some genuinely creepy moments and terrific special effects. Then, to wrap things up, we find a woman of questionable morals being stalked on the highway by a drifter she accidentally hit. While his insistence on thanking her for the ride makes him seem harmless enough, the woman quickly slips into madness as she tries to rid herself of the passenger to no avail. This is the one segment most likely to induce a few unintentional chuckles for its ridiculously over-the-top premise and execution.
Overall, there's a noticeable drop in quality from the first, but the sense of dread and humor is still intact. "Creepshow 2" is certainly a worthy sequel with a few moments of brilliance that may have panned out better in feature length films. "The Raft," in particular, would have been a great 80's teen monster movie in the vein of the remake of "The Blob" that would roll into theaters a year later. Taken for what it is, though, this sequel is like a bag of Halloween candy -- some hits, some misses, but certainly worth the time regardless.
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