| Photos (See all 11 | slideshow) |
| Josse De Pauw | ... | Harry Voss's father / Harry Voss at 19 / Harry Voss at 33 | |
| Geert Hunaerts | ... | Harry Voss at 12 | |
| Michael Pas | ... | Stan | |
| Gene Bervoets | ... | Jeff | |
| Amid Chakir | ... | Bill | |
| Florence Béliard | ... | The Princess / The corpse | |
| Karen van Parijs | ... | Moeder van Harry | |
| Carmela Locantore | ... | Gina | |
| An Van Essche | ... | Liza Velani | |
| Doriane Moretus | ... | Marina | |
| rest of cast listed alphabetically: | |||
| François Beukelaers | ... | The doctor | |
| Erik Burke | ... | A student | |
| Chris Cauwenbergs | ... | The tall sailor (as Chris Cauwenberghs) | |
| Dirk Celis | ... | A policeman | |
| Guido Colonne | ... | The headmaster | |
| Jo de Fauw | ... | The barman | |
| Stanley Duchateau | ... | Théo (as Stan Duchateau) | |
| Peter Heyvaert | ... | The child in the bus | |
| Claude Koener | ... | Gina's lover | |
| Pierrette Laffineuse | ... | Female wrestller #1 | |
| Hans de Munter | |||
| Kathleen Seret | ... | Cathy | |
| Brigitte Simon | ... | Female wrestller #2 | |
| Isenet Thieffrey | ... | The dancing girl | |
| Geert Van Boelen | ... | The drunken sailor | |
| Micheline Van Hautem | ... | The singer | |
| Marcel Vanthilt | ... | A student | |
| Mieke Verheyden | ... | Moeder met kind in de bus | |
| Alexandre von Sivers | ... | The monk | |
| Jan Weuts | ... | A policeman | |
Directed by | |||
| Dominique Deruddere | |||
Writing credits(in alphabetical order) | ||
| Charles Bukowski | novels | |
| Dominique Deruddere | ||
| Marc Didden | ||
Produced by | |||
| Marion Hänsel | .... | associate producer | |
| Alain Keytsman | .... | producer | |
| Erwin Lestabel | .... | associate producer | |
| Erwin Provoost | .... | executive producer | |
| Mark Punt | .... | associate producer (as Marc Punt) | |
| Jan Verheyen | .... | associate producer | |
Original Music by | |||
| Raymond van het Groenewoud | |||
Cinematography by | |||
| Willy Stassen | |||
Film Editing by | |||
| Ludo Troch | |||
Production Design by | |||
| Hubert Pouille | |||
| Erik Vanbelleghem | |||
Costume Design by | |||
| Loret Meus | |||
Makeup Department | |||
| Dominique Colladant | .... | special makeup effects artist | |
| Reiko Kruk | .... | special makeup effects artist | |
| Ariane Lebalgue | .... | makeup artist | |
| Luk Van Cleemput | .... | key hair stylist | |
Second Unit Director or Assistant Director | |||
| Thomas Claus | .... | assistant director | |
| Stijn Coninx | .... | first assistant director | |
| Mia Degrève | .... | assistant director | |
| Philippe Denys | .... | assistant director | |
| Fons Feyaerts | .... | assistant director | |
| Koen Firlefijn | .... | assistant director (as Koen Firlefyn) | |
| Ewin Ryckaert | .... | assistant director | |
Art Department | |||
| Lieven Baes | .... | property master | |
| Johan Van Essche | .... | set dresser | |
| Florence Vercheval | .... | painter | |
Sound Department | |||
| Philippe Baudhuin | .... | sound effects editor | |
| Lee Dragu | .... | supervising sound editor (pilot) | |
| Peter Flamman | .... | sound editor | |
| Susana Rossberg | .... | sound editor (as Susanna Rossberg) | |
| Gérard Rousseau | .... | sound recordist | |
| Ludo Troch | .... | sound editor | |
Camera and Electrical Department | |||
| Didier Frateur | .... | electrician | |
| Frank Van Passel | .... | electrician | |
| Yves Vandermeeren | .... | camera operator | |
Costume and Wardrobe Department | |||
| An D'Huys | .... | wardrobe | |
| Agnes de Man | .... | wardrobe | |
| Hedwig Pinon | .... | wardrobe | |
| Denise van den Berg | .... | wardrobe | |
| Kristin Van Passel | .... | costume assistant | |
Editorial Department | |||
| Eric DeVos | .... | assistant editor | |
| Philippe Ravoet | .... | assistant editor | |
Music Department | |||
| B. Bryant | .... | song | |
| Bobby Freeman | .... | song | |
| Gerry Goffin | .... | song | |
| Gregmark | .... | song | |
| Hamlin | .... | song | |
| Carole King | .... | song | |
| Bert Russell | .... | song | |
| Sroff and The Blackjacks | .... | music performed by | |
| Raymond van het Groenewoud | .... | song | |
Other crew | |||
| Kaat Camerlynck | .... | production assistant | |
| Guy Van Riet | .... | advisor: wrestling | |
|
|
|
|
|
| My Own Private Idaho | Boy A | So Sweet, So Dead | American Beauty | Dead Ringers |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Belgium section |
Crazy Love is a little known eighties cult film that traces a boy's life through three key events. The film is Belgian produced; based around three stories by cult writer Charles Bukowski and brought to life by Belgian director Dominique Deruddere. Crazy Love does not have a particularly good reputation these days, although it apparently caused quite a stir upon its release and that isn't all that surprising considering the subject matter; although to be honest, nothing in this film particularly shocked or offended me. The central character is Harry Voss, who we first meet as a young kid who is learning about sex from his friend, with the aide of a few loose women. We then pick up a few years later and Henry is a schoolboy, befallen by an extreme case of acne that leads to him being rejected by the opposite sex and ridiculed by his peers. The third and final chapter sees the once bright young boy as a drunken waster who cuts a stark contrast to the boy we saw in both the first and second chapters of the film.
The three parts of the film are all incredibly different and the director succeeds in creating an atmosphere to carry this off. Crazy Love is a 'coming of age' film; a favourite subject among Hollywood 'cookie cutter' filmmakers, but this one is about as far from the mainstream as you can get. The first segment is the lightest of the three, but still packs a punch as we watch the subject discovering sex and eventually getting acquainted with his hand. The second segment focuses more on the idea of teenage alienation and sees the film take a darker turn as the sensitive young man is rejected by all the girls because of his deforming acne. This provides a nice opener to the third section, which is completely dark and dismal and probably what earned the film its reputation - the ending is not something that many will forget in a hurry! Overall, it's not really surprising that this film hasn't gone down as an all time 'classic, but it certainly has its place among cult fans and that isn't surprising either. Be sure to catch this film if you want something a bit different!