On Valentine's Day is the central film in Horton Foote's semi-autobiographical trilogy that also includes Courtship and 1918. It is a nearly verbatim retelling of his stage play and the sets and costumes.
It's 1918, the height of United States involvement in World War I - Liberty Bonds are sold, German immigrants are suspected as traitors or saboteurs, young men everywhere succumb to the ... See full summary »
Mark Harmon is a washed-up baseball player who is called back home to handle the ashes of his childhood sweetheart/ first love who had committed suicide. As he searches for what to do with ... See full summary »
We see two stories told over four time lines, which wind down to a devastating ground zero collision, as we watch a double tragedy unfold in a small Oklahoma town. The two stories are told ... See full summary »
Tim Blake Nelson
Mary Kay Place,
Dr. Henry Harriston is a successful psychoanalyst in New York City. When he is near a nervous breakdown, he arranges to change his flat with Beatrice Saulnier from France for a while. Both ... See full summary »
A wise-cracking husband and wife team of ex-Spies arrive in New Orleans on maternity leave with their baby girl. There they are hassled by muggers, the police and their FBI boss, who wants ... See full summary »
A Boston probation's officer becomes obsessed with a troubled eighteen year old girl. Efforts to reach her are stymied by events in her past and is ultimately revealed to be an incestuous relationship with her father.
In 1915 Harrison, Texas, an as-yet-unkissed piano teacher in her twenties is stymied from finding romance by her snobbish, suffocating parents whom she still lives with. Screenwriter Horton Foote adapted his one-act play, originally part of his nine-play saga "The Orphans' Home Cycle", and apparently had a hand in the casting as well (Horton Foote Jr. plays Steve, Daisy Foote is Allie, and the leading role is played by Hallie Foote). Obviously this was a labor of love, but nothing quite looks right or sounds right here. Foote has a definite ear for small town gossip, rife with religious and class prejudice, but his characters are merely sounding-boards, not people. Did he mean the parents to come across as such ignorant bullies--and if so, why? Do they want their eldest daughter to be an old maid piano teacher, untouched forever? The performers are uneven, their accents are over-emphatic, and the director has no idea where to place the camera, making this one clumsy "Courtship". * from ****
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