China Girl (1987)

A modern day Romeo & Juliet story is told in New York when an Italian boy and a Chinese girl become lovers, causing a tragic conflict between ethnic gangs.

Director:

Abel Ferrara

Writer:

Nicholas St. John

Stars:

James Russo, Richard Panebianco, Sari Chang

1 nomination.

Cast

Cast overview, first billed only:
James Russo	...	Alby
Richard Panebianco	...	Tony
Sari Chang	...	Tye
David Caruso	...	Mercury
Russell Wong	...	Yung Gan
Joey Chin	...	Tsu Shin
Judith Malina	...	Mrs. Monte
James Hong	...	Gung Tu
Robert Miano	...	Enrico Perito
Paul Hipp	...	Nino
Doreen Chan	...	Gau Shing
Randy Sabusawa	...	Ma Fan
Keenan Leung	...	Ying Tz
Lum Chang Pan	...	Da Shan
Sammy Lee	...	Mohawk

Storyline

A modern day Romeo & Juliet story is told in New York when an Italian boy and a Chinese girl become lovers, causing a tragic conflict between ethnic gangs.

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Plot Keywords:

chinese girl | italian | gang | chinese | shakespeare in modern dress | 

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Genres:

Crime | Drama | Romance

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Certificate:

R

Details

Country:

USA

Language:

English

Release Date:

25 September 1987 (USA)

Also Known As:

Krieg in Chinatown

Filming Locations:

New York City, New York, USA

Box Office

Gross:

$1,262,091 (USA)

Company Credits

Production Co:

Great American Films Limited Partnership, Street Lite, Vestron Pictures

Technical Specs

Runtime:

89 min

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.33 : 1

Did You Know?

Trivia

Richard Panebianco was cast as Tony after Abel Ferrara spotted him in a New York stage play.

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Quotes

Tsu Shin: You should have helped me. We could have settle our differences afterwards.
Yung Gan: I warned you not to cross "uncles", what did you expect?
Tsu Shin: I expected my cousin to fight by my side man. I expected you to help me.
Yung Gan: You knew I couldn't.
Tsu Shin: No I didn't. I didn't want to fight the whole world man, I just wanted a piece of the action. We are poor Chinese kids. We got no one to help us.
Yung Gan: We got to get out of here. We'll go back to Hong Kong.
Tsu Shin: Gung Tu would never forgive you.
Yung Gan: It doesn't matter anymore.

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Crazy Credits

After the credits there is a line: Dedicated to the people of Chinatown and Little Italy.

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Connections

Referenced in Shakedown (1988)

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Soundtracks

"Midnight For You"
Composed and Performed by Paul Hipp

User Reviews

A story that never grows old.

Director Abel Ferrara hit's the street's with this modern take on Shakespeare's Romeo and Juliet set amongst waring Italian and Chinese gangs… this is more so the younger generation… as the much older and wiser mafia / triad figures set out for peace so they don't draw unwanted attention from the man in blue. However these young-guns make it a battleground and caught between it is two love-struck lovers; a Chinese girl Tayn-Hwa and Italian lad Tony Monte. They don't care about colour or race, despite what's happening all around them and what it could do to them or even loved ones.

There's no real surprises to the old hat, if simply low-key material (which was penned by Ferrara's collaborator Nicholas St. John), as we pretty much know how this dangerous story plays out and eventually finishes, however director Ferrara has a gritty, but devoted style and upbeat tempo that's uniquely his own that elevates the conventional framework with his striking eye for a sense of place and powerfully lasting imagery that's uncompromising. He does more than just direct from the screenplay. The concentration on the tough, smoky urban setting (with excellent location photography of New York's bordering neighbourhoods Chinatown and little Italy), helps build a seedy atmosphere where hatred and violence is simply waiting to boil over, as obsession and pride becomes a death wish. Ferrara polarises it very well, especially the conflict not between (which is still quite blistering), but within the same races seeking out honour in who they are ---- this is where it was at its strongest, because the forbidden love angle (while important to the plot's progression) did stall and take away from some of the underlining tension. Although outside of its pushy race card slant, it does feel like it's just building up these explosive acts to glorify its foreseeable conclusion. Joe Delia's melancholy score fits in perfectly.

The performances are down-to-earth and genuinely projected by its cast. Richard Panebianco and Sari Chang are sympathetically touching as the two lovebirds. An admirable James Russo and especially a hot-headed David Caruso bring an unstoppable intensity to their roles. Russell Wong is quite laid-back in a sound performance, in his quest to please his elders by controlling his gang and that of his wayward sister. Journeyman actor James Hong pops up, as well as Robert Miano as heavies.

You might call it lesser Ferrara compared to his other works, but it's involving and efficiently handled with his trademark raw and brutal edge shining through.