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The House of Bernarda Alba (1987)

La casa de Bernarda Alba (original title)
After the death of her husband Bernada Alba puts her daughters under a rigurous mourning which does not even allow them to leave the house for seven years. Adela, the youngest daughter, suffers the most. Pepe el Romano key to all women's despair.

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, (play) (as Federico Garcia Lorca) | 1 more credit »
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Cast

Cast overview:
...
Bernarda Alba (as Irene Gutierrez Caba)
...
Adela (as Ana Belen)
...
Enriqueta Carballeira ...
...
Martirio (as Victoria Peña)
Aurora Pastor ...
Mercedes Lezcano ...
Pilar Puchol ...
Rosario García Ortega ...
Maria Josefa (as Rosario Garcia-Ortega)
Ana María Ventura ...
Prudencia (as Ana Maria Ventura)
Paula Soldevila ...
Muchacha (as Paula Borrell)
Álvaro Quiroga ...
Pepe el romano (as Alvaro Quiroga)
Fernanda de Utrera ...
Cantaora (voice)
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Storyline

After the death of her husband Bernada Alba puts her daughters under a rigurous mourning which does not even allow them to leave the house for seven years. Adela, the youngest daughter, suffers the most. Pepe el Romano key to all women's despair.

Plot Summary | Add Synopsis

Genres:

Drama

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Details

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Release Date:

3 April 1987 (Spain)  »

Also Known As:

The House of Bernarda Alba  »

Company Credits

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Technical Specs

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?


Quotes

Poncia: Fifteen days after the wedding, men leave the bed for the table, and then the table for the tavern. Women who don't accept it end up crying in a corner.
See more »

Connections

Version of Play of the Week: The House of Bernarda Alba (1960) See more »

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User Reviews

 
My first time seeing the story
5 February 2007 | by (United States) – See all my reviews

I had never heard of the play. I found this film to powerful for some of the same reasons the other people criticize it, particularly the claustrophobic feel. I wasn't sure I would watch the whole thing because it was such a disturbing/depressing story, but I ended appreciating the film very much by the end. Excellent casting, performances, and set design.

This movie evoked real anger from me. Projection and denial are nasty human afflictions, and this film conveys that superbly. I don't know if that was the goal of the original play, maybe the film maker took liberties.


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