Todd Barret is an aspiring businessman. He's got what it takes, but what he doesn't have is enough money to stay in college. So he cooks up a plan to make the first ever all male sports ... See full summary »
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Todd Barret is an aspiring businessman. He's got what it takes, but what he doesn't have is enough money to stay in college. So he cooks up a plan to make the first ever all male sports calendar. He eventually convinces Cactus Jack, a very shadowy and tough loan shark, to give him enough money to make the deal. Todd makes enough to pay for his education, but what about the money he owes Cactus Jack? Written by
Sean Kilby and Jason Parker <email@example.com>
It would be hard to come up with a more innocuous film than this one (unless it were animated!) Inspired (somewhat) by a true story, it concerns Arizona State college student Dye trying to miraculously come up with $10,000 worth of tuition money in 30 days. Fortunately, for him, his roommate and long time friend (Lyon) is chin-on-the-floor attractive and is the star diver, complete with a rippled, sculpted body. He decides to create a pin-up calendar for women, featuring men from all the sports at ASU. However, he faces a few hurdles along the way, not the least of which is placating the mysterious man (O'Keefe) who lent him the start-up money. Meanwhile, magazine editor Fairchild has her eye on Lyon for her own reasons (surprisingly non-sexual ones!) The whole film is accented by a bouncy '80's soundtrack and a parade of atrocious, but fun clothes and hairdo's. Dye (who would later make a splash on "Touched By an Angel") is basically a poor man's Andrew McCarthy throughout, but has a few decent moments. Lyon is breathlessly pretty, but hopelessly bland. He often resembles a pumped-up James Van Der Beek. Wilhoite turns in her standard reliable, quirky performance. Delaney is called upon to do very little except be nice. Fairchild is expectedly campy, but surprisingly less bitchy than she's usually called on to be. She's a whirlwind of huge hair, ugly pastel make-up and monstrous, shoulder-padded get-ups. The film is very trite, pat and simple, but does manage to pull off a surprise or two. Much of the dialogue is rotten, though. The beefcake factor is mostly completed by Lyon who is frequently shown diving in his teensy swimsuit (the front of which is also coyly edited out or cropped out much of the time.) There is a montage of "hunky" (mostly moussed and pretty) models posing hilariously for the calendar and a shower sequence that shows the butts of two men that no one cares about. No one should be offended by anything in this movie, but also not very many people will be glued to the screen. It's very light, very good-natured and eventually, pretty forgettable.
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