Matt Hobbs is a talented but unsuccessful actor. When estranged (and strange) ex-wife Beth dumps their daughter Jeannie on Matt, father and daughter have a lot of adjusting to do. His ... See full summary »
Luis Molina and Valentin Arregui are cell mates in a South American prison. Luis, a trans individual, is found guilty of immoral behavior and Valentin is a political prisoner. To escape ... See full summary »
James is a new speech teacher at a school for the deaf. He falls for Sarah, a pupil who decided to stay on at the school rather than venture into the big bad world. She shuns him at first, ... See full summary »
Continuing the story of Aurora Greenway in her latter years. After the death of her daughter, Aurora struggled to keep her family together, but has one grandson in jail, a rebellious ... See full summary »
Basket-case network news producer Jane Craig falls for new reporter Tom Grunnick, a pretty boy who represents the trend towards entertainment news she despises. Aaron Altman, a talented but plain correspondent, carries an unrequited torch for Jane. Sparks fly between the three as the network prepares for big changes, and both the news and Jane must decide between style and substance. Written by
Scott Renshaw <firstname.lastname@example.org>
Marc Shaiman and Glen Roven, who play News Theme Writers, are real-life composers who have also done television jingles. Shaiman, after doing Broadcast News, went on to score major motion picture films and has since been nominated for five Academy Awards. See more »
When Jane is giving the cab driver direction to the bar to meet her co-workers after the special report, the directions make no sense. She says "Capp's Bar" is on 17th & Vermont. There is no 17th & Vermont, the two streets do not intersect. Also Jane says "take Connecticut over to 15th and then straight down Vermont and we should bypass Thomas Circle". Connecticut and 15th do not intersect and going straight down Vermont will take you right through Thomas Circle, not around it. See more »
I-I can't help you. Sorry, I'm not here to teach remedial reporting.
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The suggested new News theme presented in the movie, including the "big finish!". See more »
BROADCAST NEWS opens with a series of brief vignettes that are a clever way of starting a story about TV anchors who have no clue as to what they're reporting about.
At a speech before a group of would-be reporters, all of whom are bored by her presentation, most of them leave. When the last one exits, the co-host of the event says quietly to HOLLY HUNTER: "I don't think there will be any Q&A." Subtle line in a brilliantly written low-key comedy, a farce about the show biz aspect of TV anchoring.
WILLIAM HURT is the inept news anchor who finds himself working with HOLLY HUNTER as the network anchorman. Hurt badly needs help in remedial reporting and Holly refuses to take the bait--at first. He knows he's only capable of looking good, but is not a reporter. He proves to be a quick study as long as his earpiece is working and he's getting all the straight info from executive producer Hunter.
Holly's other anchor friend (ALBERT BROOKS) helps by feeding her information she passes on to Hurt. Of course she becomes conflicted about her feelings for ace reporter Brooks and equally strong attraction to the pretty-boy anchorman Hurt, who's having his own dalliance with a pretty staff member.
You have to wait until twenty minutes before the film ends to find out which man she'll end up with. Brooks tells her that Hurt is the wrong one because he represents everything she's against. In this unpredictable comedy, there's no telling who Hunter (the neurotic heroine) will end up with.
Fittingly, HOLLY HUNTER, WILLIAM HURT and ALBERT BROOKS were all nominated for Oscars (Brooks in supporting role), as was the film itself and director/writer James L. Brooks. All in all, seven well deserved Oscar nominations.
The script doesn't opt for a conventional happy ending--and, in this case, that's the only flaw for the brilliant screenplay. I felt cheated and somewhat let down by the wistful conclusion.
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