James is a new speech teacher at a school for the deaf. He falls for Sarah, a pupil who decided to stay on at the school rather than venture into the big bad world. She shuns him at first, ... See full summary »
Luis Molina and Valentin Arregui are cell mates in a South American prison. Luis, a trans individual, is found guilty of immoral behavior and Valentin is a political prisoner. To escape ... See full summary »
Basket-case network news producer Jane Craig falls for new reporter Tom Grunnick, a pretty boy who represents the trend towards entertainment news she despises. Aaron Altman, a talented but plain correspondent, carries an unrequited torch for Jane. Sparks fly between the three as the network prepares for big changes, and both the news and Jane must decide between style and substance. Written by
Scott Renshaw <firstname.lastname@example.org>
Second of four pictures that star Jack Nicholson has made with writer-producer-director James L. Brooks with the others being _How Do You Know', _As Good As It Gets_, and Terms of Endearment (1983). The latter two bagged acting Oscars for Nicholson, for Best Actor and Best Supporting Actor respectively. Two of Nicholson's three Academy Awards have been won for acting in films written and directed by Brooks. Nicholson's other Oscar win was for a non-Brooks film for Best Actor for One Flew Over the Cuckoo's Nest (1975). See more »
When Jane is giving the cab driver direction to the bar to meet her co-workers after the special report, the directions make no sense. She says "Capp's Bar" is on 17th & Vermont. There is no 17th & Vermont, the two streets do not intersect. Also Jane says "take Connecticut over to 15th and then straight down Vermont and we should bypass Thomas Circle". Connecticut and 15th do not intersect and going straight down Vermont will take you right through Thomas Circle, not around it. See more »
I'm sitting around going through movie listings and not really seeing anything I want to see. My appetite keeps saying, "Something like BROADCAST NEWS." That's what I want. Something smart and funny, with adult ideas and great acting and writing, and a directorial style that doesn't call attention to itself. This may well be Hurt's best performance (is this or THE BIG CHILL, to my mind): however eccentric, Hurt is smart, and to play an unintelligent person without making sure -- wink wink -- the audience knows -- wink wink -- hey, I'M not stupid... well, that's fine acting right there. Hunter is note-perfect, and Albert Brooks is a revelation. (And he can read and sing at the same time!) Great, great work.
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