Basket-case network news producer Jane Craig falls for new reporter Tom Grunnick, a pretty boy who represents the trend towards entertainment news she despises. Aaron Altman, a talented but plain correspondent, carries an unrequited torch for Jane. Sparks fly between the three as the network prepares for big changes, and both the news and Jane must decide between style and substance. Written by
Scott Renshaw <email@example.com>
James L. Brooks performed a number of roles on this major motion picture. Brooks was the flick's main producer, the film's screenwriter, and the movie's director. See more »
When Jane approaches the restaurant (to meet the gang for drinks), Tom and Jennifer start to come around the corner prematurely. They quickly backpedal and then come around on cue when Jane is closer. See more »
I say sadly because if you see this movie now, you realize how low our media has sunk- all the warning signs are in this movie.
It's a great film, I think the last great James Brooks film, but others may disagree. It has rich characters (who are believable as well), great acting, great writing, and although the music got a little cheesy, I even liked that.
William Hurt has never been better. Holly Hunter is stunning. And Albert Brooks walks away with every scene he's in- this triangle of people is beautifully drawn and compelling and made the whole movie soar above it's vital and important topic of the News, and how it's slowly being compromised in our nation.
Watch this with NETWORK for a truly fun and frightening evening.
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