Basket-case network news producer Jane Craig falls for new reporter Tom Grunnick, a pretty boy who represents the trend towards entertainment news she despises. Aaron Altman, a talented but plain correspondent, carries an unrequited torch for Jane. Sparks fly between the three as the network prepares for big changes, and both the news and Jane must decide between style and substance. Written by
Scott Renshaw <firstname.lastname@example.org>
The name of the award that reporter Aaron Altman (Albert Brooks) had won for writing was the Pulitzer Prize. See more »
During the special report, towards the end there is a close up of the air monitor and the New York satellite return monitor. Both monitors are in perfect synchronization. If the satellite return was indeed a true satellite return (and probably analog at the time) there would have been at least a 1 1/2 to 2 second delay due to the latency of transmitting and receiving the satellite feed. Odds are most DC bureaus were connected to New York via AT&T longlines as fiber wasn't really in vogue at the time. See more »
I'm sitting around going through movie listings and not really seeing anything I want to see. My appetite keeps saying, "Something like BROADCAST NEWS." That's what I want. Something smart and funny, with adult ideas and great acting and writing, and a directorial style that doesn't call attention to itself. This may well be Hurt's best performance (is this or THE BIG CHILL, to my mind): however eccentric, Hurt is smart, and to play an unintelligent person without making sure -- wink wink -- the audience knows -- wink wink -- hey, I'M not stupid... well, that's fine acting right there. Hunter is note-perfect, and Albert Brooks is a revelation. (And he can read and sing at the same time!) Great, great work.
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