James is a new speech teacher at a school for the deaf. He falls for Sarah, a pupil who decided to stay on at the school rather than venture into the big bad world. She shuns him at first, ... See full summary »
Matt Hobbs is a talented but unsuccessful actor. When estranged (and strange) ex-wife Beth dumps their daughter Jeannie on Matt, father and daughter have a lot of adjusting to do. His ... See full summary »
Luis Molina and Valentin Arregui are cell mates in a South American prison. Luis, a trans individual, is found guilty of immoral behavior and Valentin is a political prisoner. To escape ... See full summary »
Basket-case network news producer Jane Craig falls for new reporter Tom Grunnick, a pretty boy who represents the trend towards entertainment news she despises. Aaron Altman, a talented but plain correspondent, carries an unrequited torch for Jane. Sparks fly between the three as the network prepares for big changes, and both the news and Jane must decide between style and substance. Written by
Scott Renshaw <email@example.com>
Just before the Libya news broadcast, Tom is visible already seated at the anchor desk on the control room monitors. In the next scene we see him arriving and sitting down. See more »
I know you care about him. I've never seen you like this about anyone, so please don't get me wrong when I tell you that Tom, while being a very nice guy, is the Devil.
This isn't friendship. You're crazy, you know that?
What do you think the Devil is going to look like if he's around?
Come on! Nobody is going to be taken in by a guy with a long, red, pointy tail! What's he gonna sound like?
No. I'm semi-serious here.
He will be attractive! He'll be nice and ...
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The suggested new News theme presented in the movie, including the "big finish!". See more »
I'm sitting around going through movie listings and not really seeing anything I want to see. My appetite keeps saying, "Something like BROADCAST NEWS." That's what I want. Something smart and funny, with adult ideas and great acting and writing, and a directorial style that doesn't call attention to itself. This may well be Hurt's best performance (is this or THE BIG CHILL, to my mind): however eccentric, Hurt is smart, and to play an unintelligent person without making sure -- wink wink -- the audience knows -- wink wink -- hey, I'M not stupid... well, that's fine acting right there. Hunter is note-perfect, and Albert Brooks is a revelation. (And he can read and sing at the same time!) Great, great work.
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