Aurora and Emma are mother and daughter who march to different drummers. Beginning with Emma's marriage, Aurora shows how difficult and loving she can be. The movie covers several years of ... See full summary »
James L. Brooks
Matt Hobbs is a talented but unsuccessful actor. When estranged (and strange) ex-wife Beth dumps their daughter Jeannie on Matt, father and daughter have a lot of adjusting to do. His ... See full summary »
Continuing the story of Aurora Greenway in her latter years. After the death of her daughter, Aurora struggled to keep her family together, but has one grandson in jail, a rebellious ... See full summary »
An autobiographical look at the breakup of Ephron's marriage to Carl "All the President's Men" Bernstein that was also a best-selling novel. The Ephron character, Rachel is a food writer at... See full summary »
Basket-case network news producer Jane Craig falls for new reporter Tom Grunnick, a pretty boy who represents the trend towards entertainment news she despises. Aaron Altman, a talented but plain correspondent, carries an unrequited torch for Jane. Sparks fly between the three as the network prepares for big changes, and both the news and Jane must decide between style and substance. Written by
Scott Renshaw <firstname.lastname@example.org>
Marc Shaiman and Glen Roven, who play News Theme Writers, are real-life composers who have also done television jingles. Shaiman, after doing Broadcast News, went on to score major motion picture films and has since been nominated for five Academy Awards. See more »
During the special report, towards the end there is a close up of the air monitor and the New York satellite return monitor. Both monitors are in perfect synchronization. If the satellite return was indeed a true satellite return (and probably analog at the time) there would have been at least a 1 1/2 to 2 second delay due to the latency of transmitting and receiving the satellite feed. Odds are most DC bureaus were connected to New York via AT&T longlines as fiber wasn't really in vogue at the time. See more »
The pointers were great, I'll study the tape.
Just remember that you're not just reading the news, you're narrating it. Everybody has to sell a little. You're selling them this idea of you, you know, you're sort of saying, trust me I'm, um, credible. So when you feel yourself just reading, stop! Start selling a little.
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The suggested new News theme presented in the movie, including the "big finish!". See more »
For me this wonderful rollercoaster of a film bears repeated pleasurable viewings. Its about the tangled lives of three very different people. Holly Hunter is the obsessive workaholic producer. Albert Brookes plays the unprepossessing but brilliant journalist. William Hurt is the affable but dumb new kid on the block, news anchor.
The classical love triangle emerges with the stunningly witty and self deprecating Brookes in love with Hunter but she of course is attracted to Hurt.
This film works on many levels. At the very least it is a brilliant comedy with the one liners flying so thick and fast that each viewing bears a new harvest of ones that you may have missed last time. Its also a film about attraction and unfulfilled romance.
But perhaps most importantly the film examines the modern obsession with physical appearance and its ultimate triumph over intellect as a valued human attribute. This is personified by the meteoric career success of the Hurt character in contrast to Brookes relative decline.
Despite being fifteen years old the film has some startingly relevant messages about modern news values and the continuing decline in journalistic standards.
This film is a classic in every sense and it is difficult to understand why it has been so neglected
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