Aurora and Emma are mother and daughter who march to different drummers. Beginning with Emma's marriage, Aurora shows how difficult and loving she can be. The movie covers several years of ... See full summary »
James L. Brooks
Matt Hobbs is a talented but unsuccessful actor. When estranged (and strange) ex-wife Beth dumps their daughter Jeannie on Matt, father and daughter have a lot of adjusting to do. His ... See full summary »
Luis Molina and Valentin Arregui are cell mates in a South American prison. Luis, a homosexual, is found guilty of immoral behaviour and Valentin is a political prisoner. To escape reality ... See full summary »
Continuing the story of Aurora Greenway in her latter years. After the death of her daughter, Aurora struggled to keep her family together, but has one grandson in jail, a rebellious ... See full summary »
An autobiographical look at the breakup of Ephron's marriage to Carl "All the President's Men" Bernstein that was also a best-selling novel. The Ephron character, Rachel is a food writer at... See full summary »
Basket-case network news producer Jane Craig falls for new reporter Tom Grunnick, a pretty boy who represents the trend towards entertainment news she despises. Aaron Altman, a talented but plain correspondent, carries an unrequited torch for Jane. Sparks fly between the three as the network prepares for big changes, and both the news and Jane must decide between style and substance. Written by
Scott Renshaw <email@example.com>
When Jane is giving the cab driver direction to the bar to meet her co-workers after the special report, the directions make no sense. She says "Capp's Bar" is on 17th & Vermont. There is no 17th & Vermont, the two streets do not intersect. Also Jane says "take Connecticut over to 15th and then straight down Vermont and we should bypass Thomas Circle". Connecticut and 15th do not intersect and going straight down Vermont will take you right through Thomas Circle, not around it. See more »
If anything happens to me, you tell every woman I've ever gone out with I was talking about her at the end. That way they'll have to reevaluate me.
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The suggested new News theme presented in the movie, including the "big finish!". See more »
BROADCAST NEWS marks the first time I saw Holly Hunter and I was mesmerized at her focus, quickness, passion, and finally her eccentric prettiness and sex appeal. The movie is hers from start to finish, and makes the 'love triangle' subplot almost unnecessary. She's so smart in the film (a rarity for a lead female) that you almost think if her only romantic choices are William Hurt's style-but-no-substance anchor or Albert Brooks's neurotic but intellectually arrogant reporter, she'd be better off with Robert Prosky. Though I can best relate to Albert Brooks (the guy who loves the smart, alluring girl who only sees him as a 'brother'), he still ticked me off a bit. My favorite scene in the film is him pouring his heart out to Hunter on a front porch confessing his love, then taking her by surprise and kissing her romantically (the only time he gets the chance). When he goes petulant later in the story, it's a bit hard to take. Fortunately, the James Brooks script and direction are a joy throughout, culminating in two perfect scenes: one with Joan Cusack unraveling seconds before a tape feed, and a marvelous 360 (?) pan thru the studio showing a live news feed from producer to anchor in one shot.
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