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The Belly of an Architect (1987)

An American architect arrives in Italy, supervising an exhibition for a French architect, Boullée, who is famous for his oval structures. Through the course of 9 months he becomes obsessed ... See full summary »

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2 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Louisa Kracklite
...
Caspasian Speckler
...
Io Speckler
Stefania Casini ...
Flavia Speckler
Vanni Corbellini ...
Frederico
Alfredo Varelli ...
Julio
Geoffrey Copleston ...
Caspetti
Francesco Carnelutti ...
Pastarri
Marino Masé ...
Trettorio
Marne Maitland ...
Battistino
Claudio Spadaro ...
Mori
Rate Furlan ...
Violinist
Julian Jenkins ...
Old Doctor
Enrica Maria Scrivano ...
Mother
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Storyline

An American architect arrives in Italy, supervising an exhibition for a French architect, Boullée, who is famous for his oval structures. Through the course of 9 months he becomes obsessed with his belly, suffers severe stomach pains, loses his wife, exhibition, his unborn child and finally his own life. Written by Ofir Zwebner <ofirz@hotmail.com>

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Drama

Certificate:

R | See all certifications »
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Details

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|

Language:

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Release Date:

18 February 1988 (Italy)  »

Also Known As:

Der Bauch des Architekten  »

Box Office

Gross:

$287,725 (USA)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Brian Dennehy was quoted after the release as saying "I've made lots of movies but only one film." See more »

Goofs

The violinists (c.25 minutes and c. 99 minutes) mime very badly. See more »

Quotes

Caspasian Speckler: Your wife is very beautiful, Signor Kracklite, especially when she is pregnant.
Stourley Kracklite: Yes, that's right. She is pregnant. But not with your child, Speckler.
Caspasian Speckler: True. I'm very grateful to you for that. Your child, shall we say, is the most perfect contraceptive.
[Kracklite turns and punches Speckler in the nose]
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User Reviews

 
A more straightforward Greenaway film but less interesting than most of his others
29 April 2015 | by (Edinburgh, Scotland, UK) – See all my reviews

You always know going into a Peter Greenaway film that, for better or for worse, you are going to get something a bit left-field. The Belly of an Architect is really no different in this regard. This one tells the tale of an American architect who travels to Rome with his young wife to supervise an exhibition celebrating the 18th century architect Etienne-Louis Boullée. Very soon after arrival both he and his wife experience contrasting activity in their bellies, for him it is severe abdominal pains while she falls pregnant. To complicate matters, they soon begin affairs with other people. The film essentially then details the architects mental deterioration, which includes writing postcards to his long deceased doppelganger Boullée.

This one has to go down as one of Greenaway's more accessible films. It has an actual story that is underpinned by a good central performance from Brian Dennehy. But its maybe the very fact that it skirts so close to realistic drama that is one of the main problems, as Greenaway is usually best when he does precisely the opposite. The story is really quite boring and the acting aside from Dennehy not all that good – Chloe Webb being particularly flat as his wife; look out also for Stefania (Suspiria) Cassini sporting an unfamiliar cropped 80's barnet. The visuals, while certainly nicely composed, aren't all that memorable. Given that the setting is Rome, there are many shots of that cities peerless architecture, although that all gets almost a bit travelogue to a certain extent. I think this film, therefore, is one for Greenaway devotees almost exclusively as in order to get a lot out of it you have to be interested in his ideas. While I have liked several of his films, I can't deny that, even in the cases of the ones I liked most, his films can be somewhat annoying. Dennehy really helps draw us in to events though and makes a good stab at involving us but it's difficult to care too much about these stiff characters populating a narrative that is both distant and very cold emotionally. Boullée himself is a typically absurd Greenaway figure, in that very little of his architecture ever came to be built, so it's difficult to ever imagine a high profile retrospective of his work ever happening. His rounded, domed buildings mimic the belly of the title, as does his name. So there are many links and symmetries in the story if you are at all interested in that kind of thing. But, while some of the photography was nice and it did have a good score from one of the members of Kraftwerk, it was overall a little tedious for me.


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