Hiller, a computer expert, was bribed by group of bank robbers to obtain details of the security system at a newly-built bank. Having obtained the information, he thought he'd seen the last...
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In 1905, after 10 years of missionary work in Africa, the Rev. Charles Fortesque is recalled to England, where his bishop gives him his new assignment - to minister to London's prostitutes.... See full summary »
Light the Rock n' Roll spark with a Flame in the guise of Dave, Noddy, Jim and Don and their showcase of the rise and demise of rock band Flame. Set in the hardships of North England's ... See full summary »
After the death of her daughter, Julia Lofting, a wealthy housewife, moves to London to re-start her life. All seems well until she is haunted by the sadness of losing her own child and the ghosts of other children.
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The members of SADUSEA (Song And Dance Unit South East Asia) fall in and out of love while trying to dodge Malayan Communist bullets in the late 1940s. Not only that, they have to contend ... See full summary »
Depicts the struggles of reservation-dwelling Native Americans in the North Central United States. The main character is an introspective and lovable person in a process of seeking pride ... See full summary »
Hiller, a computer expert, was bribed by group of bank robbers to obtain details of the security system at a newly-built bank. Having obtained the information, he thought he'd seen the last of the robbers. But now they've traced him and his son to London. They hold the son hostage and force Hiller to decode the information about the alarm and then to take part in the robbery. Written by
The title is taken from the names of two fox-hounds mentioned in the lyrics of the 18th century ballad "Do Ye Ken John Peel", a song about fox-hunting. It is presumably a rather obscure allusion to the way that the bank robbers have hunted down Hiller and won't let him go again. See more »
When the robbers' Daimler Sovereign getaway car is first seen after the robbery, its two inner headlights are smashed and are not lit. A few seconds later, when the car drives through the greenhouses, those lights are unbroken and are lit. See more »
[Telling The Boy the story of "The Continuing Saga of Sod's Law - You Just Can't Win", an idealised but thinly-disguised version of his own life with his wife, "The Princess", who has now left him for a new lover, the owner of the Rover 2000S]
The Princess? Was she there?
The Princess who smoked French cigarettes and was beautiful when she wasn't looking.
We only had one rule. We didn't let anyone in who had a Rover 2000S. 2000 Smegma.
Because people with Rover 2000 Smegmas ...
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The end-credits are overlaid on a long drawing that scrolls sideways, depicting Hiller's and The Boy's plane as it leaves London, flies over the Atlantic and arrives at Rio. See more »
I'm a huge fan of "heist" movies, a sub-species of "caper" movies. And there's something especially delicious about the British argot that makes British heist movies especially great fun. ("Sexy Beast," "The Great Train Robbery," "The General" all add to this list)
But across all heist movies "Bellman and True" is my all-time favorite. Bernard Hill gives one of his most nuanced performances as an alcoholic computer programmer who is left with his girlfriend's son ("True") when she dumps both of them. To get out of debt he's sold some information to a gang about bank security, but now he and the boy are on the run because the gang wants more than information--they want him to help plan the heist.
I won't give away anything more, but the heist itself is a white knuckle masterpiece, directed by Richard Longcraine (Richard III, with Ian McKellen, and Smiley's People, with Alec Guiness).
Through it all Russell is surrounded by more than a dozen great performances by some of the UK's finest character actors. Richard Hope as "Salto," is especially strong, as the gang member assigned to be Russell and the boy's jailer.
Trust me---the caper, which makes up the second half of the film, is worth a viewing on its own, but the strong characters and acting make it a real hidden gem of 1980s British cinema. This film jump started Longcraine's career, which recently included "Wimbledon," "My House in Umbria," and the to be released Harrison Ford thriller "Firewall."
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