Henry Chinaski never cared for the American dream, the thought of needing to become 'something' and fit into the system disgusts him. He believes that life is free and yours to live like ... See full summary »
Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
This drama centers on Hank Chinaski, the fictional alter-ego of "Factotum" author Charles Bukowski, who wanders around Los Angeles, CA trying to live off jobs which don't interfere with his primary interest, which is writing. Along the way, he fends off the distractions offered by women, drinking and gambling.
Henry Chinaski never cared for the American dream, the thought of needing to become 'something' and fit into the system disgusts him. He believes that life is free and yours to live like you see fit, and if that in some cases involves copious amounts of whiskey then so be it. Henry spends his days drinking and listening to the radio, and he spends his nights drinking and fighting against Eddy who he thinks personifies shallowness and shameless self promoting. Sometimes in the middle of this he finds the time to jot down a few lines of poetry or a short story. After fighting Eddy and winning for a change Henry is thrown out of his regular bar where Eddy is a bartender. This leads him to seek another watering hole where he happens to find Wanda who is a barfly, in her own words "if another man came along with a fifth of whiskey, I'd go with him". Henry is not fazed by this thou and moves in with her. Of course Wanda immediately goes off and sleeps with Eddy, but after some clothes ... Written by
Erik Wallen <firstname.lastname@example.org>
This film was almost never made because the financially-strapped Cannon films was on the verge of bankruptcy at the time (it went out of business a little more than a year later). Producer Fred Fuchs brought his friend and producing partner Francis Ford Coppola's into the project and got the film made. See more »
Henry calls an ambulance and gives address of apartment building as 334, while in scene earlier that day building is clearly marked 360. See more »
Listen, I drink. And when I drink, I move in the wrong direction...
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One of Mickey Rourke's best performances in a darkly funny film
"Barfly" was a fairly successful film when it was released and garnered generally favorable reviews. Roger Ebert gave it four out of four, and along with "Angel Heart," it helped solidify 1987 as the Year of Mickey Rourke.
However, almost twenty years later it isn't talked so much about anymore, and I feel it deserves to be. Rourke gives one of his finest performances as Henry, a loner who walks hunched over like the Hunchback of Notre Dame. Henry works at a bar as a runner - delivering orders and such. But he's always getting into drunken brawls with the bartender, usually losing.
One day Henry's life takes a turn when he meets a downtrodden woman (Faye Dunaway) and they embark on a relationship.
"Barfly" is a great film. Rourke was vocal later on in his career about his dislike of director Barbet Schroeder, but Schroeder's direction is part of what makes this film so good.
However, the absolute best aspect of the movie is Rourke's performance. Embodying the late writer Charles Bukowski (whose work this was based upon, and who had a brief cameo in the film), Rourke is unrecognizable
like Billy Bob Thornton in "Sling Blade," his entire demeanor and
physicality seems to change.
I highly recommend "Barfly" - it's funny, dark, witty, touching and downright enjoyable. One of the best films of the '80s.
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