| Photos (See all 25 | slideshow) | Videos (see all 2) |
| Stéphane Audran | ... | Babette Hersant (as Stephane Audran) | |
| Bodil Kjer | ... | Filippa | |
| Birgitte Federspiel | ... | Martine | |
| Jarl Kulle | ... | General Lorens Löwenhielm | |
| Jean-Philippe Lafont | ... | Achille Papin (as Jean Philippe Lafont) | |
| Bibi Andersson | ... | Svensk hofdame | |
| Ghita Nørby | ... | Narrator | |
| Asta Esper Hagen Andersen | ... | Anna (as Asta Esper Andersen) | |
| Thomas Antoni | ... | Svensk Lieutenant | |
| Gert Bastian | ... | Poor Man | |
| Viggo Bentzon | ... | Fisherman in Rowboat | |
| Vibeke Hastrup | ... | Young Martine | |
| Therese Hojgaard Christensen | ... | Martha | |
| Pouel Kern | ... | The Minister | |
| Cay Kristiansen | ... | Poul | |
| Lars Lohmann | ... | Fisherman | |
| Tine Miehe-Renard | ... | Löwenhielm's Wife | |
| Lisbeth Movin | ... | The Widow | |
| Finn Nielsen | ... | Kobmand | |
| Holger Perfort | ... | Karlsen | |
| Else Petersen | ... | Solveig | |
| Erik Petersén | ... | Erik (as Erik Petersen) | |
| Ebbe Rode | ... | Christopher | |
| Bendt Rothe | ... | Old Nielsen | |
| Preben Lerdorff Rye | ... | The Captain | |
| Hanne Stensgaard | ... | Young Filippa | |
| Axel Strøbye | ... | The Coach | |
| Ebba With | ... | Löwenhielm's Aunt | |
| Gudmar Klöving | ... | Young Lorens Löwenhielm (as Gudmar Wivesson) | |
| Tina Kiberg | ... | Filippa (singing voice) |
Directed by | |||
| Gabriel Axel | |||
Writing credits | ||
| Karen Blixen | (novel "Skaebne-Anekdoter") | |
| Gabriel Axel | (screenplay) | |
Produced by | |||
| Just Betzer | .... | producer | |
| Bo Christensen | .... | producer | |
| Benni Korzen | .... | producer (uncredited) | |
| Pernille Siesbye | .... | producer (uncredited) | |
Original Music by | |||
| Per Nørgaard | (as Per Nørgård) | ||
Cinematography by | |||
| Henning Kristiansen | |||
Film Editing by | |||
| Finn Henriksen | |||
Production Design by | |||
| Sven Wichmann | |||
Set Decoration by | |||
| Peter Obeling Johannsen | |||
Costume Design by | |||
| Annelise Hauberg | |||
| Karl Lagerfeld | (costume designer: Miss Audran) | ||
| Pia Myrdal | |||
Production Management | |||
| Lene Nielsen | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Tom Hedegaard | .... | assistant director | |
Sound Department | |||
| Hans-Eric Ahrn | .... | sound mixer | |
| Karen Bentzon | .... | production sound recordist | |
| Michael Dela | .... | sound | |
| Carl Aage Hansen | .... | sound | |
| John Nielsen | .... | sound | |
| Bjarne Risbjerg | .... | sound | |
| Sonja Vesterholt | .... | production sound recordist | |
Special Effects by | |||
| Henning Bahs | .... | special effects coordinator | |
Editorial Department | |||
| Liselotte Havmøller | .... | assistant editor | |
| Mette Schramm | .... | assistant editor | |
Music Department | |||
| Finn Graunbøl | .... | musician: Klaver/Orgel (as Finn Gravnbol) | |
Other crew | |||
| Annemarie Aaes | .... | script | |
| Claes Kastholm Hansen | .... | consultant | |
| Niels Bjørn Larsen | .... | choreographer | |
| Paulette Tavormina | .... | food stylist | |
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| Madame Bovary | The Painted Veil | Au Revoir Les Enfants | La Cérémonie | Chocolat |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Denmark section |
"Babette's Feast" proves that not all film theories and formulas are true 100% of the time. Here's a story where there is no life-or-death conflict, no raging anger, no violent outbursts. Nothing blowed up real good, and there is nothing resembling a chase scene. The conflict is about the ways in which people can be nice to each other. Their personal differences of passion or conviction are not as important as the ways in which they can connect with each other.
How shockingly refreshing.
There is an undercurrent to this film that gives it the feel of a Garrison Keillor monologue, in that it is built around people's personal foibles and quirks.
Even more refreshing is how "Babette's Feast" manages to be nice without becoming cloying, saccharine, facile, superficial or insincere. People's personal passions are portrayed not only from their own perspective, but from the perspective of the people they affect, with more realism than you usually get in film, yet also with sincere and infectious optimism.
If you don't come away from "Babette's Feast" smiling and feeling better, then you must have been distracted from giving it your full attention. This is one of those very rare films that you can recommend to everyone you know. It is truly in a class by itself. Like Mary Poppins, "Practically perfect in every way."
Utterly charming and subtly stunning.