Babette's Feast (1987)
"Babettes gæstebud" (original title)

In 19th century Denmark, two adult sisters live in an isolated village with their father, who is the honored pastor of a small Protestant church that is almost a sect unto itself. Although ... See full summary »

Director:

Gabriel Axel

Writers:

Karen Blixen (novel), Gabriel Axel (screenplay)

Stars:

Stéphane Audran, Bodil Kjer, Birgitte Federspiel

Won 1 Oscar. Another 10 wins & 8 nominations.

Cast

Cast overview, first billed only:
Stéphane Audran	...	Babette Hersant (as Stephane Audran)
Bodil Kjer	...	Filippa
Birgitte Federspiel	...	Martine
Jarl Kulle	...	Gen. Lorens Löwenhielm
Jean-Philippe Lafont	...	Achille Papin (as Jean Philippe Lafont)
Bibi Andersson	...	Svensk hofdame
Ghita Nørby	...	Narrator
Asta Esper Hagen Andersen	...	Anna (as Asta Esper Andersen)
Thomas Antoni	...	Svensk Lieutenant
Gert Bastian	...	Poor Man
Viggo Bentzon	...	Fisherman in Rowboat
Vibeke Hastrup	...	Young Martine
Therese Hojgaard Christensen	...	Martha
Pouel Kern	...	The Minister
Cay Kristiansen	...	Poul

Storyline

In 19th century Denmark, two adult sisters live in an isolated village with their father, who is the honored pastor of a small Protestant church that is almost a sect unto itself. Although they each are presented with a real opportunity to leave the village, the sisters choose to stay with their father, to serve to him and their church. After some years, a French woman refugee, Babette, arrives at their door, begs them to take her in, and commits herself to work for them as maid/housekeeper/cook. Sometime after their father dies, the sisters decide to hold a dinner to commemorate the 100th anniversary of his birth. Babette experiences unexpected good fortune and implores the sisters to allow her to take charge of the preparation of the meal. Although they are secretly concerned about what Babette, a Catholic and a foreigner, might do, the sisters allow her to go ahead. Babette then prepares the feast of a lifetime for the members of the tiny church and an important gentleman related ...

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Plot Keywords:

feast | denmark | refugee | father daughter relationship | quail | 

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Genres:

Drama | Music | Romance

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Certificate:

G

Details

Country:

Denmark

Language:

Danish Swedish French

Release Date:

4 March 1988 (USA)

Also Known As:

Babette's Feast

Filming Locations:

Copenhagen, Denmark

Box Office

Gross:

$4,398,938 (USA)

Company Credits

Production Co:

Panorama Film A/S, Det Danske Filminstitut, Nordisk Film

Technical Specs

Runtime:

102 min

Sound Mix:

Dolby

Color:

Color (Eastmancolor)

Aspect Ratio:

1.66 : 1

Did You Know?

Trivia

Final film of Ebba With, Gert Bastian, Lisbeth Movin, Bendt Rothe and Pouel Kern.

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Quotes

[first lines]
[in Danish, using English subtitles]
Narrator: In this remote spot there once lived two sisters who were both past the first flush of youth. They had been christened Martina and Philippa after Martin Luther and his friend Philipp Melanchton. They spent all their time and almost all their small income on good works.

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Connections

Featured in Zomergasten: Episode #20.5 (2007)

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Soundtracks

"Don Giovanni"
Written by Wolfgang Amadeus Mozart

User Reviews

Spare yet sumptuous

The dead spots and picture-postcard superficiality of "Out of Africa" just about buried any interest I might have had to read Isak Dinesen. So when my brother bought me "Babette's Feast," and knowing it was based on a Dinesen story, I didn't exactly race to the VCR. But as the titles rolled, it became clear that this was no ordinary movie. Jutland (where it's set) is not Africa; the chill mist that collects on the camera shots is not inviting. The cold, forbidding sea; the heavy, gray clouds; the pale, icy green cliffs--translate to hardships that show on the faces over which director Gabriel Axel draws the curtain. The craggiest is Bodil Kjer's as Philippa; amid the myriad merits of this movie, the most memorable is that face. It stands like a map laying before us the cherished wonder of her minister father's apostolate; like a maze of long-overlooked fjords where the complications of her congregation's perseverance and commitment hang like gleaming escutcheons.

I gather it's Dinesen's point how the world is drawn inexplicably to Christian dedication, when Philippa is rejected by her only serious suitor (because he fears he'll never measure up to the rules and rigors of her small religious clique), and he returns to find her mistress of whom he regards as the greatest chef on the continent. I figure it's also her point that Christ answers the doubts and regrets of those who give up worldly success (Philippa's sister Martina rebuffs efforts by a visiting baritone (Jean-Philippe Lafont whose jolliness creates an uplifting counterpoint to the sparsity of spirit that surrounds his discovery) to turn her into an opera star; the title character leaves France and an enviable reputation and seeks sanctuary as the servant of two spinster sisters) to pursue artistic triumphs for only God and those closest to Him to witness. But it's Axel who weaves the asperity of these people's lives with the richness of Martina's voice and Babette Hersant's table and effects a sumptuousness you'd never expect from a movie about sacrifice, faith, and religious conviction.

What sets this movie apart from other religious movies is its sly humor. "Babette's Feast," that is, the banquet itself--a posthumous commemoration of the minister's 100th birthday--is a beautifully orchestrated clash of sensibilities that delivers comic moments by an ensemble of actors that are unparalleled in their subtlety. It's just this deft comedy that enriches the solemn sentiments at closing. Together they do something pious movies seldom do. They leave a believer tremulously hopeful and unexpectedly resolute and humbled.