Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound (... See full summary »

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Cast

Cast overview, first billed only:
...
King Zog (segment "Un ballo in maschera")
Stephanie Lane ...
Baroness (segment "Un ballo in maschera")
Roy Hyatt ...
Chauffeur (segment "Un ballo in maschera")
Sevilla Delofski ...
Maid (segment "Un ballo in maschera")
Ruth Halliday ...
Companion (segment "Un ballo in maschera")
Arthur Cox ...
Major (segment "Un ballo in maschera")
Dennis Holmes ...
Colonel (segment "Un ballo in maschera")
Paul Brightwell ...
Assassin (segment "Un ballo in maschera")
Frank Baker ...
Assassin (segment "Un ballo in maschera")
Christopher Hunter ...
Assassin (segment "Un ballo in maschera") (as Chris Hunter)
Nicola Swain ...
Marie (segment "La virgine degli angeli")
Jackson Kyle ...
Travis (segment "La virgine degli angeli")
Marianne McLoughlin ...
Kate (segment "La virgine degli angeli")
Marion Peterson ...
Les Jeunes Filles (segment "Armide")
Valérie Allain ...
Les Jeunes Filles (segment "Armide")
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Storyline

Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound (Vivaldi, Bach, Wagner), and is an interpretation of the particular aria. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Plot Synopsis

Taglines:

A superbly sensual experience See more »

Genres:

Comedy | Drama | Music

Certificate:

R | See all certifications »
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Details

Country:

Language:

| | |

Release Date:

27 May 1987 (France)  »

Also Known As:

Ária  »

Filming Locations:

 »

Box Office

Gross:

$1,028,679 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Woody Allen declined when he was approached to direct a part of this film due to schedule problems. See more »

Quotes

Les Jeunes Filles: [Armide segment] He looks like he's made for love. He hasn't found my eyes charming enough. He hasn't found my eyes charming enough.
Les Jeunes Filles: O how I'd love to hate him.
See more »

Connections

References Gentlemen Prefer Blondes (1953) See more »

Soundtracks

The Lute Song (Glück, das mir verblieb)
from "Die tote Stadt"
Music by Erich Wolfgang Korngold
Performed by Carol Neblett and René Kollo with Münchner Rundfunkorchester (as Munich Radio Orchestra)
Conducted by Erich Leinsdorf
segment "Die Tote Stadt"
See more »

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User Reviews

 
Uneven, but worth seeing
23 September 2002 | by (United States) – See all my reviews

10 respected directors each shot a short film with operatic arias as the inspiration (and music). I'll do each one separately:

Nicolas Roeg (dir)--Giuseppe Verdi (music). A story about an assassination attempt in 1931 Vienna. Theresa Russell (Roegs wife) plays a man! Not bad--very beautiful and exotic. Russell is great.

Charles Sturridge--Verdi. No story but there is some haunting black and white imagery that fits perfectly with the music.

Jean-Luc Godard--Jean Baptiste Lully. Horrendous. Pointless, boring, no plot, no nothing. Filled with gratuitous female nudity. The worst!

Julien Temple--Verdi. Buck Henry, Beverly D'Angelo and Anita Morris star in this funny, if obvious, story about a cheating couple. Pretty good.

Bruce Beresford--Erich Korngold. Short, lush and romantic. Very good.

Robert Altman--Jean-Philippe Rameau. Dull. A yawner.

Fran Roddam--Richard Wagner. This has Bridget Fonda in her film debut. Beautifully done love story with a fairly explicit sex scene.

Ken Russell--Giacomo Puccini. Really strange but OK.

Derek Jarman--Gustave Chapentier. Lyrical look at youth and old age. Very sweet.

The last is by Bill Bryden doing "I Pagliacci". He has John Hurt (!) dressed as a clown lip-syncing to Caruso (!!!).

When this came out it almost got an X rating (for the abundant nudity and the sex scene). It was given an R with a strict warning attached saying the R rating would be heavily enforced. After the film bombed that warning disappeared.

The idea isn't bad and 6 out of the 10 segments were worthwhile. Worth seeing even if you don't like opera. Just avoid the Godard segment. I'm giving it an 8.


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