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Aria (1987)

 -  Comedy | Drama | Music  -  July 1988 (USA)
5.8
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Ratings: 5.8/10 from 1,940 users  
Reviews: 24 user | 15 critic

Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound (... See full summary »

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(segment), (segment), 8 more credits »
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Title: Aria (1987)

Aria (1987) on IMDb 5.8/10

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Cast

Cast overview, first billed only:
...
King Zog (segment "Un ballo in maschera")
Stephanie Lane ...
Baroness (segment "Un ballo in maschera")
Roy Hyatt ...
Chauffeur (segment "Un ballo in maschera")
Sevilla Delofski ...
Maid (segment "Un ballo in maschera")
Ruth Halliday ...
Companion (segment "Un ballo in maschera")
Arthur Cox ...
Major (segment "Un ballo in maschera")
Dennis Holmes ...
Colonel (segment "Un ballo in maschera")
Paul Brightwell ...
Assassin (segment "Un ballo in maschera")
Frank Baker ...
Assassin (segment "Un ballo in maschera")
Chris Hunter ...
Assassin (segment "Un ballo in maschera")
Nicola Swain ...
Marie (segment "La virgine degli angeli")
Jackson Kyle ...
Travis (segment "La virgine degli angeli")
Marianne McLoughlin ...
Kate (segment "La virgine degli angeli")
Marion Peterson ...
Les Jeunes Filles (segment "Armide")
Valérie Allain ...
Les Jeunes Filles (segment "Armide")
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Storyline

Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound (Vivaldi, Bach, Wagner), and is an interpretation of the particular aria. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Plot Synopsis

Plot Keywords:

aria | ecg | jewels | clown face | opera aria | See more »

Taglines:

Ten great directors. One unforgettable film. The most sensual experience you'll ever have in a movie theater. See more »

Genres:

Comedy | Drama | Music

Certificate:

R | See all certifications »
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Details

Country:

Language:

| | |

Release Date:

July 1988 (USA)  »

Also Known As:

Ária  »

Filming Locations:

 »

Box Office

Gross:

$1,028,679 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Federico Fellini was attached to this project in the very beginning. He worked with producer Don Boyd in Rome and only dropped out because he was ill--he was making his much delayed Fellini's Intervista (1987). Like everybody else who saw "Aria", he loved various sections of the movie, particularly those of Franc Roddam and Julian Temple. See more »

Quotes

Les Jeunes Filles: [Armide segment] He looks like he's made for love. He hasn't found my eyes charming enough. He hasn't found my eyes charming enough.
Les Jeunes Filles: O how I'd love to hate him.
See more »

Connections

Referenced in The Directors: The Films of Robert Altman (2001) See more »

Soundtracks

(Entracte) - Suite des Vents
from "Les Boréades (Acte 3)"
Performed by English Baroque Soloists
Conducted by John Eliot Gardiner
segment "Les Boreades"
See more »

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User Reviews

 
A very good attempt at MTV-ifying opera arias.
4 January 2013 | by See all my reviews

The MTV era needed some grounding with an MTV version for opera arias, and Aria here was the answer. Whether these ten chosen arias are the best of the best is arguable, I can personally attest that after hearing these, I went out of my way to seek the operas where several came from (those that I wasn't familiar with, at least) and bought those operas to enjoy in their entirety.

The "Die Tote Stadt" duet was the most compelling and mystical for me. That aria (and not the nudity involved) compelled me to seek out the opera and it is now one of my favorites.

The "La Vergine degli angeli" by Verdi is also a most mesmerizing aria, although the opera itself, "La Forza del Destino" is rather boring. This aria did compelled me to seek out the opera to experience it in full.

The best segment, for me, was the Ken Russell interpretation of "Nessun Dorma" (Let no one sleep). Using the imagery of a near-fatal car accident and the need to not let the victim die was both poignant and novel. I had heard Nessun Dorma before seeing the movie, but did not know of its context. This aria interpretation was very novel and was deeply moving.

Equally deeply moving was the Liebestod from Tristan and Isolda. Lastly, how can one dismiss Julien Temple's "La Donna e Mobile" with Buck Henry and Beverly D'Angelo. It was quite comical.


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