Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound (... See full summary »

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(segment), (segment) | 8 more credits »
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Cast

Cast overview, first billed only:
...
King Zog (segment "Un ballo in maschera")
...
Baroness (segment "Un ballo in maschera")
Roy Hyatt ...
Chauffeur (segment "Un ballo in maschera")
Sevilla Delofski ...
Maid (segment "Un ballo in maschera")
Ruth Halliday ...
Companion (segment "Un ballo in maschera")
...
Major (segment "Un ballo in maschera")
Dennis Holmes ...
Colonel (segment "Un ballo in maschera")
Paul Brightwell ...
Assassin (segment "Un ballo in maschera")
Frank Baker ...
Assassin (segment "Un ballo in maschera")
Christopher Hunter ...
Assassin (segment "Un ballo in maschera") (as Chris Hunter)
Nicola Swain ...
Marie (segment "La virgine degli angeli")
Jackson Kyle ...
Travis (segment "La virgine degli angeli")
Marianne McLoughlin ...
Kate (segment "La virgine degli angeli")
...
Les Jeunes Filles (segment "Armide")
...
Les Jeunes Filles (segment "Armide")
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Storyline

Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound (Vivaldi, Bach, Wagner), and is an interpretation of the particular aria. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Plot Synopsis

Taglines:

A superbly sensual experience See more »

Genres:

Comedy | Drama | Music

Certificate:

R | See all certifications »
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Details

Country:

Language:

| | |

Release Date:

30 October 1987 (UK)  »

Also Known As:

Ária  »

Filming Locations:

 »

Box Office

Gross:

$1,028,679 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Woody Allen declined, when he was approached to direct a part of this film, due to schedule problems. See more »

Quotes

Les Jeunes Filles: [Armide segment] He looks like he's made for love. He hasn't found my eyes charming enough. He hasn't found my eyes charming enough.
Les Jeunes Filles: O how I'd love to hate him.
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Connections

Featured in Siskel & Ebert: Video Discoveries (1989) See more »

Soundtracks

Depuis le jour
from "Louise"
Music by Gustave Charpentier
Performed by Leontyne Price with RCA Italiana Orchestra
Conducted by Francesco Molinari Pradelli (as Francesco Molinari-Pradelli)
segment "Depuis Le Jour"
See more »

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User Reviews

 
erotic tension, great arias
2 August 2003 | by (Houston, TX) – See all my reviews

I'm an opera buff, and operas are full of sex, blood and death. It may help to know the librettos of the operas the arias are from to really appreciate this film -- my mileage is very different than Tug-3. I am a classical music lover, and I liked this film.

I loved Ken Russell's "Nessun Dorma" segment, and would actually like to see him produce Turandot, because opera is supposed to be overwhelming, truly multi-media experience , but then I loved Lisztomania. I love *Turandot* and knowing the libretto so well may be why I don't find this segment the travesty that Tug-3 did.

The Buck Henry/ Rigoletto segment is probably the most approachable for the average viewer -- they are likely to recognize the tunes, and its a classic bedroom farce. I like bedroom farces, so the silliness didn't upset me.

The "Liebestod" segment is so outstanding that I recommend people watch this for that piece alone. "Depuis la Jour" was, for me, beautifully spiritual. And the Caruso recording of "Vesti la Giubba" (aka I Pagliacci) with John Hurt as the clown was wonderful. But people just wanting naked women may feel there is too much music and not enough bare flesh and sex.


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