| David Brandon | ... | Peter | |
| Barbara Cupisti | ... | Alicia | |
| Domenico Fiore | ... | Police Chief (as Don Fiore) | |
| Robert Gligorov | ... | Danny | |
| Mickey Knox | ... | Old Cop | |
| Giovanni Lombardo Radice | ... | Brett (as John Morghen) | |
| Clain Parker | ... | Irving Wallace | |
| Loredana Parrella | ... | Corinne (as Lori Parrel) | |
| Martin Philips | ... | Mark | |
| James Sampson | ... | Willy (as James E.R. Sampson) | |
| Ulrike Schwerk | ... | Betty | |
| Mary Sellers | ... | Laurel | |
| Jo Ann Smith | ... | Sybil (as Jo Anne Smith) | |
| Piero Vida | ... | Ferrari | |
| Richard Barkeley | ... | Dr. Porter | |
| Sheila Goldberg | ... | Nurse | |
| Danny Gordon | ... | Dancer (as Dany Gordon) | |
| Claude Jurman | ... | Dancer | |
| Mark Parkinson | ... | Dancer | |
| Helen Porter | ... | Dancer | |
| Dominique Portier | ... | Dancer | |
| Rackel Roskoff | ... | Dancer | |
| Frank Senica | ... | Dancer | |
| Simone Sadon | ... | Dancer (as Simone Sardon) | |
| Albert Schultz | ... | Dancer | |
| Sandi Schultz | ... | Dancer (as Sandy Schultz) | |
| rest of cast listed alphabetically: | |||
| Michele Soavi | ... | Young Cop (uncredited) | |
Directed by | |||
| Michele Soavi | (as Michael Soavi) | ||
Writing credits(in alphabetical order) | ||
| George Eastman | (as Lew Cooper) | |
| Sheila Goldberg | dialogue | |
Produced by | |||
| Joe D'Amato | .... | producer (as Aristide Massaccesi) | |
| Donatella Donati | .... | producer | |
Original Music by | |||
| Guido Anelli | |||
| Simon Boswell | |||
| Stefano Mainetti | |||
Cinematography by | |||
| Renato Tafuri | |||
Film Editing by | |||
| Kathleen Stratton | |||
Costume Design by | |||
| Valentina Di Palma | |||
Makeup Department | |||
| Paola Bianchini | .... | hair stylist (as Sidney Le Roy) | |
| Maria Grazia Mazzolini | .... | makeup artist (as Grace Ginsburg) | |
| Adriana Sforza | .... | hair stylist (as Paula White) | |
| Pietro Tenoglio | .... | makeup artist (as Peter Moore) | |
Production Management | |||
| Antonio Tacchia | .... | production manager (as Tony Hood) | |
Second Unit Director or Assistant Director | |||
| Claudio Lattanzi | .... | assistant director (as Clay Millicamp) | |
Art Department | |||
| Rubina Michettoni | .... | assistant art director | |
Sound Department | |||
| Massimo Anzellotti | .... | foley artist | |
| Davide Castrati | .... | sound recordist (as David Lee) | |
| John Gayford | .... | post synch director | |
| Hubrecht Nijhuis | .... | sound engineer | |
Special Effects by | |||
| Robert Gold | .... | special effects (as Robert Gould) | |
| Dan Maklansky | .... | special effects | |
| Roland Park | .... | special effects | |
| Alan Sloane | .... | special effects | |
Stunts | |||
| Steve Lucescu | .... | stunt double | |
| Giovanni Ukmar | .... | stunts (as John Ukmar) | |
Camera and Electrical Department | |||
| Saul Barry | .... | electrician | |
| Patrizio Basili | .... | grip (as Peter Brockman) | |
| Mark Caruso | .... | grip | |
| Carlo Alberto Cocchi | .... | still photographer (as Jeff Hest) | |
| Frank Cusimano | .... | grip | |
| Renato Doria | .... | camera operator (as Jimmy Cohn) | |
| Albert Ellis | .... | grip | |
| Jeff Herbert | .... | electrician | |
| Enrico Maggi | .... | camera operator (as Hanry May) | |
| Arthur Malone | .... | electrician | |
| Daniele Massaccesi | .... | assistant camera (as Daniel Kalehoff) | |
| Silver Murray | .... | lighting technician | |
| Salvatore Napoletano | .... | grip (as Jerry White) | |
| Roberto Nicosia | .... | still photographer (as Robert Vinci) | |
| Alfred Reed | .... | lighting technician | |
| Lawrence Ross | .... | electrician | |
| Peter Schrag | .... | electrician | |
| Bob Siegel | .... | electrician | |
| Paul Siegel | .... | electrician | |
| Elio Terribili | .... | grip (as Brian Taitt) | |
| Ugo Tucci | .... | grip (as John Dunn) | |
| Sam Winston | .... | grip | |
Costume and Wardrobe Department | |||
| Kuo Ami | .... | wardrobe | |
| Mirella Pedetti | .... | seamstress | |
Editorial Department | |||
| Giuliana D'Angeli | .... | assistant editor (as July D'Angelo) | |
| Enrico Grassi | .... | assistant editor (as Henry Robinson) | |
Other crew | |||
| Carlo Caputo | .... | production accountant | |
| Vivi Levitt | .... | continuity (as Vivy Levitt) | |
| Mary Noolite | .... | production assistant | |
| John Therrien | .... | production assistant | |
| Charles Wallach | .... | paymaster | |
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| A Bay of Blood | Deep Red | Demons | Friday the 13th | The Bird with the Crystal Plumage |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Italy section |
DELIRIA
(USA/UK: StageFright: Aquarius)
Aspect ratio: 1.85:1
Sound format: Dolby Stereo
A group of actors become trapped in a theatre with a rampaging maniac who has just escaped from the nearby psychiatric clinic...
DELIRIA not only marked the directorial debut of Euro-cult favorite Michele Soavi (billed here as 'Michael' Soavi), it also marked a reunion of several prominent figures from the heyday of Italian exploitation. Produced by renowned sleaze merchant Joe D'Amato (Aristide Massaccesi - "Buio Omega", "Emanuelle in America") and written by splatter stalwart George Eastman (Luigi Montefiore - RABID DOGS, ABSURD), and co-starring John Morghen (Giovanni Lombardo Radice - CANNIBAL APOCALYPSE, CITY OF THE LIVING DEAD), this deceptively modest shocker attempts to subvert many of the clichés associated with 'traditional' slasher movies, and does it with style and grace. Viewers weaned on a diet of bland Hollywood 'horrors' may not succumb immediately to the film's wayward plot developments (including the central device of an off-off-Broadway stage musical which celebrates the very same serial killer who winds up massacring most of the cast!), but once the basic premise has been established, the narrative assumes a near-demonic life of its own.
Beginning with a frankly horrific sequence in which the masked killer is mistaken for an actor during rehearsals and encouraged to 'kill' a female co-star (only to commit the bloody deed for real!), Soavi's direction is razor-sharp and visually appealing. The murders are outlandish and gruesome, though also tragic in places (watch out for a shower sequence which operates both as a suspense set-piece and as a vivid demonstration of human cruelty), and Eastman's clever screenplay strips the characters down to their emotional core, revealing a gamut of fears and prejudices which leave many of them vulnerable to the killer's predations. The climactic sequence - in which a frightened young actress must retrieve an all-important key from its hiding place within inches of the killer's feet - is ghastly, beautiful and terrifying, all at the same time. Outside of these major set-pieces, Soavi's relative inexperience is betrayed by a couple of ragged camera movements and some odd editing choices, while the performances are compromised by flat post-sync dubbing. But overall, the movie is a triumph, one which plays Soavi's mentor Dario Argento at his own game and succeeds beyond all expectations.
(English version)