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A troupe of struggling stage actors is rehearsing for a small-town production of a play. Everything seems to be as it should until one of the cast members turns up dead. In a panic, the others try to get out, only to find they are now locked in the theater with the killer! Which one of them committed the murder, and who will get out alive? Written by
Jean-Marc Rocher <firstname.lastname@example.org>
At Minute marker 43:38 you can see a black and white photo of the villain from Joe D'Amato's . See more »
The old man tells Alicia that her Browning Hi-Power pistol would not fire because the safety catch was engaged. Later, he says that all Alicia had needed to do is load a round into the firing-chamber. On the Browning Hi-Power pistol, releasing the safety catch does not load a round into the firing-chamber. See more »
Lock the door, and hide the key. Go on. Do as your director says.
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Four films might be too little to judge, but I think Michele Soavi is the best Italian horror director since Mario Bava. Regarding several aspects, his visions and attitude surpass those of praised directors like Lamberto Bava, Umberto Lenzi and even Dario Argento. Stagefright has got a simple plot (much simpler that those in Soavi's later movies) but that makes it all the more accessible and enjoyable. The plot involves an escaped lunatic who stumbles into a theater where a group is rehearsing an artistic play. The mentally weak man, unable to separate reality from his own demented imagination, considers himself to be at home and violently begins to annihilate cast and crew. Even though the premise is perfect for sinking low in gore slashing, Soavi prefers to focus on creating tense situations and making you feel one with the characters and as a result of this petrified as well. The stylishly filmed sets and efficient scenery makes it feel like you're watching a more sophisticated version of Bava's "Demons". This is exactly what makes him such a brilliant director! Give him little and he still manages to deliver a fully equipped horror film. Call me nuts, but I think there are directors who actually have the talent to make violence look like art and Soavi definitely is one of them. Stagefright has a terrific musical score and a few familiar faces in the cast. Most memorable appearance unquestionably is made by Giovanni Lombardo Radice. This Italian cult actor appears in multiple gore highlights and practically always comes to a horrible end Stagefright comes with the highest possible recommendation. In case you dug this film, you're ready for Soavi's "the Sect" and "Dellamorte Dellamore".
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