A troupe of struggling stage actors is rehearsing for a small-town production of a play. Everything seems to be as it should until one of the cast members turns up dead. In a panic, the ... See full summary »
A young man tries to help a teenage European girl whom escaped from a clinic hospital after witnessing the murder of her parents by a serial killer and they try to find the killer before the killer finds them.
Virginia is proud that she belongs to a clique. The best students at a private school. But before her 18th birthday, a grueling set of murders take place and her friends are the ones who ... See full summary »
J. Lee Thompson
Melissa Sue Anderson,
A troupe of struggling stage actors is rehearsing for a small-town production of a play. Everything seems to be as it should until one of the cast members turns up dead. In a panic, the others try to get out, only to find they are now locked in the theater with the killer! Which one of them committed the murder, and who will get out alive? Written by
Jean-Marc Rocher <email@example.com>
The carnivorous fish that the nurse is shown feeding at the mental hospital is a 'lion fish'. See more »
It's obviously a dummy when the girl get torn in two pieces in the attic. When her torso lies on the floor and the guy next to her stands up, he kicks it by mistake. It then moves very easy and doesn't seem to be heavy as a human body (or half a human body). See more »
[laurel is seen kissing with Dominic while a light, operated by Brett, is on them]
Is our, uh, Cinderella ready to her scene or does she still need time to warm up?
Brett, you're a fucking bastard!
Arose by any other name.
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In Michele Soavi's classy 80s slasher Stagefright, a troupe of struggling actors are trapped overnight in a theatre; one by one they are bumped off by an escaped mental patient sporting an owl mask and wielding a nifty selection of sharp implements and power tools.
Soavi gives us a brilliantly tense movie that makes maximum use of its locale, using lighting, theatre sets and shadowy areas to great effect. There are plenty of creepy moments, some genuine scares and loads of nice bloody FX for the gore-hounds. Fans of Italian horror might notice some similarities in style between this movie and some of Dario Argento's giallo films; this should come as no surprise, since Soavi worked as an assistant to Argento, and obviously learnt a thing or two about shooting a great murder scene. He even uses synth maestro Simon Boswell, who worked on Argento's Phenomena, to create the atmospheric score.
There are one or two moments which stop this film from being perfect (in particular, an unnecessary prologue with a 'shock' ending), but Stagefight still manages to impress with its splattery death scenes and stylish direction.
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