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And God Created Woman (1988)

 -  Comedy | Drama | Romance  -  4 March 1988 (USA)
4.2
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Ratings: 4.2/10 from 1,293 users  
Reviews: 10 user | 9 critic

In this variation on director Vadim's own, more acclaimed Et Dieu Créa La Femme (1956, the same title in French), the vamp Robin Shea marries charming carpenter Billy Moran, only to get out... See full summary »

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Cast

Cast overview, first billed only:
...
Robin Shea
...
Billy Moran
...
James Tiernan
...
Peter Moran (as Donovan Leitch)
...
Alexandra Tiernan
Jamie McEnnan ...
Timmy Moran
...
Blue
Dave Shelley ...
David
Einstein Brown ...
Einstein
David López ...
Hawk
Thelma Houston ...
Prison Singer
...
Denise
Dorian Sanchez ...
Alice
María Duval ...
Maxine
Lee Ann Martin ...
Shirley
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Storyline

In this variation on director Vadim's own, more acclaimed Et Dieu Créa La Femme (1956, the same title in French), the vamp Robin Shea marries charming carpenter Billy Moran, only to get out of prison, but soon decides to seduce James Tiernan, who runs for state governor. Written by KGF Vissers

Plot Summary | Add Synopsis

Taglines:

On the Seventh Day, He got Creative.

Genres:

Comedy | Drama | Romance

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

4 March 1988 (USA)  »

Also Known As:

E Deus Criou a Mulher  »

Box Office

Gross:

$717,376 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Roger Vadim:  The photographer. See more »

Goofs

When Rebecca's character is picked up in the limo, you can see the license plate on front. When they leave, the plate is no longer on the front of the limo, and in the next scene, the plate is back on the limo. See more »

Crazy Credits

THE END is superimposed over Mr. & Mrs. Moran in bed; she emerges from the sheets and "brushes" the letters off her shoulder. See more »

Connections

Referenced in There's Nothing Out There (1991) See more »

Soundtracks

BRINDISI
from "La Traviata"
Written by Giuseppe Verdi
See more »

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User Reviews

Tame remake, of interest only for De Morney
29 April 2002 | by (New Jersey) – See all my reviews

In 1957, Roger Vadim caused a sensation and turned Brigitte Bardot into an international sex symbol with his scandalous film about a pouting, sexually uninhibited young woman who's got 'it' and knows how to flaunt 'it'. Scenes of Brigitte *almost* naked, and memorably gyrating on a table to the tango, pushed the censors to their limit, and delighted male audiences all over the world! Thirty year later Vadim attempted to repeat the success, and in Rebecca De Morney found a stunning actress worthy of comparison to Bardot. Sadly, it turned out to be a forgettable, surprisingly tame film, updated into a story about a girl with ambitions of getting out of prison and finding fame in a rock 'n' roll band. (Although after you've heard a few of their soft rock anthems, you may wish she was back behind bars). As in the original, the heroine strings a few men along, all useful to her in different ways, but this time she's no tease, just a brisk, modern woman with a career, keeping her men at a distance by turning hot and cold on them as it suits her.

As has been noted, there is ONE scene worth catching early on - Rebecca and Vincent Spano's 'brief encounter' in the prison gym. In the scene, Rebecca's breakout attempt has been foiled, and she needs to break back IN, but while changing back into her prison clothes she's spotted - naked - by a young prison carpenter (Spano). They hear some guards coming, and he helps hide her safely out of the way. In silence, Spano looks at the naked beauty before him (full-frontal De Morney! Wow!!), and she looks back with a mixture of gratitude and sexual hunger, and soon they're getting it on against the wall. This is the hottest sex scene of Rebecca's career!! There are a couple more later on - one on a pool table where she pushes Frank Langella's head between her thighs (nice work for some!), and one in bed, bumpin' 'n' grindin' naked on top of Spano (and revealing a figure in a million!) - but the one in the gym is the best.

Vadim had hoped this might do for De Morney what the original did for Bardot, but the film turned out to be a box-office dud, and she'd have to wait a few more years before her chilling performance in The Hand That Rocks the Cradle finally saw her deservedly hit the big time.


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