Max Headroon, the stylish, charming and egotistical artificial intelligence program with a speech impediment, gets to host his own talk show. Done in the same style as Late Night and The ... See full summary »
Tripping the Rift is a CGI science fiction comedy television series. The universe is modeled largely after the Star Trek universe, with references to 'warp drive' and 'transporter' beam ... See full summary »
An exotic dancer, cryogenically frozen in the year 2001, is accidentally thawed out in 2525 by two female warriors who are fighting against evil robots which have taken over the world. The ... See full summary »
Carl Kanisky is chief of police in Glenlawn, California. After the death of his wife, Margaret, he asks her friend, Nell Harper, to come in to keep house and take care of his children, ... See full summary »
Lara Jill Miller
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Susan Saint James,
Following the success of his sci-fi series "Max Headroom: 20 Minutes into the Future," the original talk show of the famous disembodied stuttering head with an over-inflated ego was brought... See full summary »
20 minutes into the future, the world has become imbued network-television. It's illegal to turn off your TV, and televisions are given to the needy. In this world, Network 23 has a highly-rated news program with a roving reporter named Edison Carter. But Carter uncovers a plot to cover up lethal "blipverts" and is almost killed. In the process his mind is copied into a computer and the computer-generated personality "Max Headroom" is born. Together, Max and Edison, along with Edison's controller (Theora), their boss (Murray), their boss' boss (Ben Cheviot), and Network 23's boy-genius (Bryce) combat crime, placate sponsors, defeat rival networks, and turn in stories. 14 episodes. Written by
Anyone who has Taped episodes, contact me. This was on FX?? When?
This was the most clever, prescient, witty, well produced, and subversive TV series ever created. I saw some of the shows, but then was expeditioning and missed many. MAX HEADROOM (the 85-86 TV series- I'm not familiar with the other permutations)was brilliant on 5 levels at once, like old Firesign Theatre skits, where one can watch again and again and see different levels each time. The money and production values were unprecedented (now each ER costs $14mil, God nows what Friends runs) in it's sly depiction of a media controlled hilarious nightmare world. Gonzo droll Matt Frewer did bang-up work as both a real TV reporter, controlled by the lush Amanda Pays via continuous links, and the sly double-entendreing computer generated Max. This was a searing critique of media run amok- everything was some brilliant trashing of some current or future trend (with Fear Factor losing me forever at the bull penis eating portion, they were prophetic). It saddens me that Frewer is trapped in lame para-psychological claptrap when he was so good in this unknown gem. Mike Hammerschlag
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