Following the death of an old colleague who was found literally drained of life, Edison races to expose the deadly process of recording and broadcasting dreams. But is the audience's own demand for ...
Max Headroon, the stylish, charming and egotistical artificial intelligence program with a speech impediment, gets to host his own talk show. Done in the same style as Late Night and The ... See full summary »
Following the success of his sci-fi series "Max Headroom: 20 Minutes into the Future," the original talk show of the famous disembodied stuttering head with an over-inflated ego was brought... See full summary »
In the year 1980 the Earth is threatened by an alien race who kidnap and kill humans and use them for body parts. A highly secret military organization is set up in the hope of defending ... See full summary »
A criminal organization known as OSO specializes in kidnapping high ranking U.S. representatives. Although Steve Austin has already thwarted one of their kidnappings, he is unable to stop ... See full summary »
Gary and Valene Ewing, relatives of the Ewing clan of Dallas, arrive in Knots Landing to make a new home for themselves. However, scheming Abby Fairgate-Cunningham later breaks up their marriage when she seduces Gary.
20 minutes into the future, the world has become imbued network-television. It's illegal to turn off your TV, and televisions are given to the needy. In this world, Network 23 has a highly-rated news program with a roving reporter named Edison Carter. But Carter uncovers a plot to cover up lethal "blipverts" and is almost killed. In the process his mind is copied into a computer and the computer-generated personality "Max Headroom" is born. Together, Max and Edison, along with Edison's controller (Theora), their boss (Murray), their boss' boss (Ben Cheviot), and Network 23's boy-genius (Bryce) combat crime, placate sponsors, defeat rival networks, and turn in stories. 14 episodes. Written by
Anyone who has Taped episodes, contact me. This was on FX?? When?
This was the most clever, prescient, witty, well produced, and subversive TV series ever created. I saw some of the shows, but then was expeditioning and missed many. MAX HEADROOM (the 85-86 TV series- I'm not familiar with the other permutations)was brilliant on 5 levels at once, like old Firesign Theatre skits, where one can watch again and again and see different levels each time. The money and production values were unprecedented (now each ER costs $14mil, God nows what Friends runs) in it's sly depiction of a media controlled hilarious nightmare world. Gonzo droll Matt Frewer did bang-up work as both a real TV reporter, controlled by the lush Amanda Pays via continuous links, and the sly double-entendreing computer generated Max. This was a searing critique of media run amok- everything was some brilliant trashing of some current or future trend (with Fear Factor losing me forever at the bull penis eating portion, they were prophetic). It saddens me that Frewer is trapped in lame para-psychological claptrap when he was so good in this unknown gem. Mike Hammerschlag
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