Father Ted Lawson creates a robot, Vicki (played by Tiffany Brissette). The family--Ted, Joan and Jamie--keep Vicki's identity secret, and pretend that she is their daughter. Harriet, their... See full summary »
Following the success of his sci-fi series "Max Headroom: 20 Minutes into the Future," the original talk show of the famous disembodied stuttering head with an over-inflated ego was brought... See full summary »
Doctor, Doctor chronicles the exploits of four doctors who formed the Northeast Medical Partners. After completing their Harvard medical schooling and residences they all got together and ... See full summary »
20 minutes into the future, the world has become imbued network-television. It's illegal to turn off your TV, and televisions are given to the needy. In this world, Network 23 has a highly-rated news program with a roving reporter named Edison Carter. But Carter uncovers a plot to cover up lethal "blipverts" and is almost killed. In the process his mind is copied into a computer and the computer-generated personality "Max Headroom" is born. Together, Max and Edison, along with Edison's controller (Theora), their boss (Murray), their boss' boss (Ben Cheviot), and Network 23's boy-genius (Bryce) combat crime, placate sponsors, defeat rival networks, and turn in stories. 14 episodes. Written by
The image of Max was not computer generated but Matt in a complicated makeup prosthesis then superimposed using blue screen technology. The ticks were created by repeating a singe frame a few times occasionally. See more »
Well, most people would agree that censors are a silly breed. In fact, it surprises me how they ever manage to breed at all.
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Anyone who has Taped episodes, contact me. This was on FX?? When?
This was the most clever, prescient, witty, well produced, and subversive TV series ever created. I saw some of the shows, but then was expeditioning and missed many. MAX HEADROOM (the 85-86 TV series- I'm not familiar with the other permutations)was brilliant on 5 levels at once, like old Firesign Theatre skits, where one can watch again and again and see different levels each time. The money and production values were unprecedented (now each ER costs $14mil, God nows what Friends runs) in it's sly depiction of a media controlled hilarious nightmare world. Gonzo droll Matt Frewer did bang-up work as both a real TV reporter, controlled by the lush Amanda Pays via continuous links, and the sly double-entendreing computer generated Max. This was a searing critique of media run amok- everything was some brilliant trashing of some current or future trend (with Fear Factor losing me forever at the bull penis eating portion, they were prophetic). It saddens me that Frewer is trapped in lame para-psychological claptrap when he was so good in this unknown gem. Mike Hammerschlag
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