In an attempt to secure a sponsor, an unlikely group of Cuban refugees become a "family" as the U.S. Immigration and Naturalization Service gives families priority over others. In the ... See full summary »
This is the story of a young Irish woman who comes to Spain to escape from the pressures she feels about her impending marriage to a political activist in Ireland. But in Spain in the 1930'... See full summary »
Michael has written a schollarly book on the revolutionary war. He has sold the film rights. The arrival of the film crew seriously disrupts him as actors want to change their characters, ... See full summary »
Johnny Scardino is working for blackmailers, photographing wealthy guys in seedy motels. One such assignment turns the wrong way and blackmailers die one by one. Is Johnny the next on the ... See full summary »
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Jerry and his two pals, Russ and Syd, are just looking for some easy money to help them break out of their nowhere lives in their nowhere town. Despite a bungled jewelry store heist which ... See full summary »
When an American human rights lawyer is assassinated in Belfast, it remains for the man's girlfriend, as well as a tough, no nonsense, police detective to find the truth... which they soon ... See full summary »
Set in 1965 this comedy/drama follows the adventures of a 12 year old Jewish girl named Hannah who is best friends with Grace, a 12 year old Catholic girl. They both attend the local ... See full summary »
The series aired (briefly) on ITV in the UK before disappearing without trace. I remember it as being fresh, different (not one but two female leads in Margaret Colin and Frances McDormand) and brave (I distinctly remember one episode showcased AIDS at a time when it was still a taboo subject, especially on US prime-time TV).
The show didn't have the crash-bang-wallop of high octane cop shows like Hunter. It didn't have the flashy car and stunts of Knight Rider. (Claire McCarron did own a Porsche which she had received as payment from one of her clients, but it was forever in the repair shop.) And it didn't rely on the hackneyed cliché of buddies-who-aren't-really-buddies from different sides of the track, as employed most tenuously in Hardcastle & McCormick. What it did have was a solid premise, engaging characters, good, straightforward stories and was very much rooted in the real world. (Would Magnum PI or Simon & Simon have done an AIDS storyline? I don't think so.)
Would it have been the greatest TV show ever if it hadn't been prematurely cancelled? No. But did it have the potential to be a strong, strikingly different addition to the genre alongside the almost exclusively male-led PI/cop shows of the era? Absolutely.
Very few people missed Leg Work when it vanished from the US & UK schedules. I was one of them.
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