A grand hotel fallen into decay, two women with secrets and a dangerous political situation about to boil over - these intriguing elements all combine in this gripping drama from the ... See full summary »
The story of three women who are involved in adulterous affairs - and Rose, who believes that anyone who sleeps with another's husband is committing a crime against womanhood. Ah, but how ... See full summary »
The marriage of young, ambitious writer Nico Thomkins with Helen, coming from a rich family, is nothing more than a hardly concealed love-hate relationship. Because of Nico's aggressiveness... See full summary »
O Contador de Histórias (The Story of Me), a Luiz Villaça;a movie based on the life of Roberto Carlos Ramos, is a story about how affection can change reality. The youngest of 10 brothers, ... See full summary »
A variety of European folk tales are retold in nine new stories. A soldier captures Death in a magic sack. A fearless young man sets out to learn to shudder. A boy with a destiny that frightens a tyrant is sent on an impossible task that will see him wed the princess, or dead. A storyteller must spin tales to stay alive. A woman bears a hedgehog-child who grows up to live alone in a castle until he does a king a favor and gets the princess's hand in return. A princess must keep silent while she works to free her brothers from an evil spell. A princess runs away from wedding her father and disguises herself as an ugly forest creature. A young boy must overcome a heartless giant. A princess searches the earth for her stolen bridegroom. Written by
Lisa Henson had taken a course in folklore as an undergraduate at Harveard and suggested to her father Jim Henson that he could use his Creature Shop to accurately realize these tales and exploit the visual aspects of the stories. See more »
When people told themselves their past with stories, explained their present with stories, foretold the future with stories, the best place by the fire was kept for... The Storyteller.
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Despite its pedigree, the most interesting things about this series are not the animatronics or puppetry, which, while charming, are little more than sideshows, at least in the story I saw, A STORY SHORT. In fact, loathe though I am to admit it, the programme's chief pleasure lies in that most ancient art, storytelling.
John Hurt, in Rowley Birken QC-mode, grotesque, medieval make-up, relates a story about story telling, seated by the fire, accompanied by a cynical dog. One winter's day, starving and poor, he spots a fellow beggar thrown out of the Royal Kitchen by the nasty cook. The Story Teller tricks this latter into giving them an excellent soup. Furious, the Cook pleads with the King for permission to boil the villain, but, pleased with the Story Teller's wit, the monarch offers him a reprieve - for 100 nights, he must tell the King a new story: if he fails to do so, he will hand him over to the cook.
The story may be old, but it's told with great gusto. Anthony Minghella's script is excellently dramatic (as befits a playwright), witty, and with some disturbing concerns beneath the fun, such as fears for the self, or the culturally self-generating power of storytelling, linked to the continuation of ideological power. For a programme aimed at children, it is bracingly self-reflexive (with little nonsense about film being the new oral culture); despite the Americanised style, there is a charming sense of medieval bustle, its grotesqueness and arbitrary terror, as well as its magic and power.
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