The plot couldn't be simpler or its attack on capital punishment (and the act of killing in general) more direct - a senseless, violent, almost botched murder is followed by a cold, ... See full summary »
It's 1982: Poland is under martial law, and Solidarity is banned. Ulla, a translator working on Orwell, suddenly loses her husband, Antek, an attorney. She is possessed by her grief, and ... See full summary »
Filip buys an eight-millimetre movie camera when his first child is born. Because it's the first camera in town, he's named official photographer by the local Party boss. His horizons widen... See full summary »
An unemployed man opens a Church to live from the tithes. A teenager sells her body to buy the things her mother cannot buy for her. A young girl, sexually abused by her father, cannot ... See full summary »
1970. After discussions and dishonest negotiations, a decision is taken as to where a large new chemical factory is to be built and Bednarz, an honest Party man, is put in charge of the ... See full summary »
This is a series of ten shorts created for Polish Television, with plots loosely based upon the Ten Commandments, directed by Krzysztof Kieslowski. Two of these, Dekalog 5 and 6, are shorter cuts from the feature-length films--Krotki film o zabijaniu (A Short Film About Killing) and Krotki film o milosci (A Short Film About Love), respectively. They deal with the emotional turmoil suffered by humanity, when instinctual acts and societal morality conflict. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
The Decalogue is without doubt a monument of movie history. The ten films are apparently based on the ten commandments, but this relationship is tentative. Kieslowski himself commented that "the films should be influenced by the individual Commandments to the same degree that the Commandments influence our daily lives". The amazing thing about them is that they are much more than a series of abstract cinematic emblems. Assisted by superlative acting, they acquire each their own depth, their own real personalities and complex dilemmas. Kieslowski presents a cinematic view of morality that is about as sophisticated as it gets. A grand achievement of one of the great film-makers of the twentieth century.
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