Ron Koslow's updated version of the fairytale has a double focus: the relationship between Vincent,(a mythic, noble man-beast) and Catherine (an asst DA in New York); and a secret Utopian society of outcasts living in an underground sanctuary where Vincent is protected and loved. Through an emotional bond connecting Vincent to Catherine, he comes to be her protector as well as the man she loves. The series follows the developing relationship between them and nicely fleshes out the underground world of labyrinth tunnels, mystical waterfalls, and people who have come together to form a loving and nurturing family. Written by
Peg McNabb <firstname.lastname@example.org>
The brilliance of this series was its romance and its excellent early stories. We could entirely believe that this could happen in New York -- except that any New Yorker would tell you that there are people far stranger than Vincent walking the streets. We were never told how he came to be as he is, but it almost didn't matter. I don't think it was any accident that he had such a feline appearance.
This series was so badly misunderstood and mishandled by its parent network that I am not surprised it lasted only two seasons. Season 3 wasn't even the same program in my book. CBS seemed terribly upset with the fact that its audience was almost entirely female. Was that why the body count of season 3 was higher than in a Bruce Willis movie?
The worst mistake CBS ever made was to let Linda Hamilton leave after two seasons. Had the network been intelligent enough, they could have talked her into a third season, ending it with the fairytale ending -- she kisses Vincent for real (something CBS was VERY afraid of, but the fans would have loved) and have him turn into a human prince. That would have given it the magical ending it deserved.
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