When three close friends escape from Hong Kong to war-time Saigon to start a criminal's life, they all go through a harrowing experience which totally shatters their lives and their friendship forever.
Tony Chiu Wai Leung,
Arms trafficker Hyuk and Young-chun are practically brothers and nothing can separate them. When the two managed to escape from North Korea, they left behind Hyuk's younger brother Chul. ... See full summary »
Josephine Siao is hired by a C.E.O. to teach his father manners and how to act like a "gentleman" in public. A goofy slapstick comedy that also features Ricky Hui as Josephine's long ... See full summary »
This story is the tale of two brothers: one a successful counterfeiter and the younger a fledgling graduate of the HK police academy. The plot revolves around the split when the younger brother learns the other is a criminal and the efforts of the criminal brother to reform. Along the way are plenty of heists, double-crosses, and shoot outs. Written by
Victor R. Volkman <firstname.lastname@example.org>
The translation of some of the characters' names are incorrect in the English versions. Kit's proper Chinese name is Ah-Git, and while "Mark" is correct, "Mark Gor" is inaccurate as in a first and last name. "Gor" means "brother" in Cantonese hence Mark Gor is translated as Brother Mark in English. See more »
The cello playing at the "audition" (c.11 minutes) is inaccurately mimed. See more »
In the 1980s, Chinese and Taiwanese films stormed into European and American art-house theatres, while for less fastidious audiences, Hong Kong provided cult action films, first Kung Fu pictures then gangster flicks. John Woo became the Crown Colony's hottest director through his kinetic crime flicks that filtered the lyrical violence of Sergio Leone, Sam Peckinpah, and Walter Hill through an Asian sensibility and re-exported it to the States where Quentin Tarantino became a major admirer. Woo's trademarks are the stand-off, where two or more gunmen hold each other at bay, and the ferocious gunfight in which dozens of people are killed and restaurants blown apart as the hero pirouettes and somersaults while blasting away with two automatic pistols to throbbing, synthesized Western music. "A Better Tomorrow" is a characteristic fable of male friendship, stoicism, courage, and men living by a personal code, in which women are marginalized. It made an overnight star of Chow Yun Fat, who appeared in most of Woo's pictures. The handsome, reserved, athletic Chow is the epitome of Hong Kong movie cool, a moral man in an amoral world, his character is much the same whatever side of the law he is on. The movie also introduced Leslie Cheung, who was to become an iconic figure in mainland Chinese cinema.
26 of 31 people found this review helpful.
Was this review helpful to you?