Roy and Bo leave their small town the weekend after graduation for a short road trip to LA. Soon, they find themselves lashing out and leaving a trail of bodies behind them. The violence ... See full summary »
Skip Lewis is a 16 year old, who's been through some stuff. Like he has been having academic problems, and a girl whom he has been pursuing has told him that she has no interest in him. He ... See full summary »
"Out of the Darkness" is a gripping thriller telling the true story of the hunt and capture of David Berkowitz, a.k.a. "Son of Sam" - the infamous serial killer who stalked New York in the ... See full summary »
Terry Griffith has got it all -- looks, popularity, the perfect college boyfriend, and an article that's a shoo-in to win her a summer internship at the local newspaper... or so she thinks.... See full summary »
From director Tom Walsh and narrated by Bernard Hill, The Wraith tells the story of a young woman trapped in limbo between the world of the living and the world of the dead. Her only ... See full summary »
A supernatural drama telling the story of Darren Jackson, a kitchen salesman bored with his mundane life. So when the opportunity arises for him to change his destiny, Darren grabs it with ... See full summary »
Upon graduation from high school eight teens take a seaplane trip, intending to celebrate on Keith's parents' private island. Stormy weather causes the plane to crash and they end up on a ... See full summary »
Packard Walsh and his motorized gang control and terrorize an Arizona desert town where they force drivers to drag-race so they can 'win' their vehicles. After Walsh stabs the decent teenager Jamie Hankins to death for being intimate with a girl whom Walsh wants for himself, the mysterious Jake Kesey arrives, an extremely cool motor-biker with an invincible car. Jake befriends Jamie's girlfriend Keri Johnson, takes Jamie's sweet brother Billy under his wing and manages what Sheriff Loomis can not - the methodical and otherworldly elimination of Packard's criminal gang. Written by
While filming a chase sequence shot on a mountainside outside of Tuscon, a crew member was killed and another was critically injured. According to supplementary material on the DVD a camera car was overloaded and overturned. This was the only serious accident during the filming. See more »
When the custom Dodge first shows up at Big Kays burger stand there is repaired damage seen on Packard's Corvette and Minty's yellow Trans Am (the damage is caused by shotgun blasts later on in the movie). Then when they get to road to race after this scene, the damage is gone. See more »
[Talking about Keri]
Me and her are pretty good friends. Well, actually she's... she used to be tight with my brother. She's got real problems with that lunatic she's with there now.
What kind of problems?
Well, Packard's a mistake of nature or a genetic misfire.
Packard gets crazy jealous if anybody even looks at Keri cross-eyed. You gotta wear dark glasses so he doesn't catch you at it.
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Very few films past or present stray from the predictable form of a fluid linear narrative. Exposition, conflict, resolution, and possibly an occasional flashback or revisiting of an earlier moment---these are all staples of visual story telling.
Charlie Sheen's late 80's action masterpiece THE WRAITH, however, successfully ventures down a road much less traveled by filmmakers, a road which guides viewers through an assemblage of scenes which seem somehow related, but give no indication of how or why.
Ingeniuosly, the many questions of THE WRAITH, much like the guiding directions in other impressionist images, provide a grander picture of a straight forward story of love, loss, and revenge. Who is the angelic avenger that, one by one, picks off the gang of road-rash-ruffians in a futuristic car? Who, inexplicably halfway through the picture, receives his untimely demise from the ruffians in the trunk of car? Can it be the same character so craftily played by Sheen, a charming young man who both befriends the young short-order chef and knocks boots with the buxomly Sherilyn Flynn?
Thankfully the audience is given a clue to THE WRAITH's avante-garde modus in the air brushed leather jacket of Nick Cassavettes: the skull-among-flames symbolizes many things, maybe most important of which is the picture's dramatic refutation of sensible organization. The line between the beautiful, bone-white skull and the jacket's hot, licking flames, is blurred in the same fashion as the line of narrative arch which threads through THE WRAITH.
80's Action connoisseurs will appreciate the steely-eyed performance Sheen gives, as well as the supplemental contributions of Chuck Howard and Randy "Uncle Eddy" Quaid. From the first moment Flynn appears on the screen, there can be no doubt that Sheen will take her to the mat---or in this case, an Arizona hot spring---and there can be no doubt that Cassevettes and co. will receive their devilish comeuppance. During the course of such a spectacle, the audience must then ultimately ask itself, will we be able to handle the power contained in rest of this film? And if so, more importantly, will we be able to ever again stomach the banality of traditional film?
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