Two years into the outbreak, the remaining people struggle day to day for survival. With the infected more active at night, three people seek shelter in an empty home, but with supplies scarce, they'll be lucky to make it out alive.
Ryan M. Andrews
Richard Roy Sutton,
Five men trapped in the basement vault of an office building share visions with each other of their demise. Stories revolve around vampires, bodily dismemberment, east Indian mysticism, an ... See full summary »
Duane recovers from his delusional breakdown to find his freakish basket-bound brother Belial will soon become a father. But not everything is joyous as the once tight knit brothers no longer seem to trust each other.
Kevin Van Hentenryck,
High off the success of her first book and planning to marry ZIAD, her sensible, stable and studious fiance, MAY BRENNAN has it all. At least that's what she'd like people to believe. ... See full summary »
James Garson Chick,
Skip Lewis is a 16 year old, who's been through some stuff. Like he has been having academic problems, and a girl whom he has been pursuing has told him that she has no interest in him. He ... See full summary »
Packard Walsh and his motorized gang control and terrorize an Arizona desert town where they force drivers to drag-race so they can 'win' their vehicles. After Walsh stabs the decent teenager Jamie Hankins to death for being intimate with a girl whom Walsh wants for himself, the mysterious Jake Kesey arrives, an extremely cool motor-biker with an invincible car. Jake befriends Jamie's girlfriend Keri Johnson, takes Jamie's sweet brother Billy under his wing and manages what Sheriff Loomis can not - the methodical and otherworldly elimination of Packard's criminal gang. Written by
Dedicated to the memory of Bruce Ingram, who worked on the film as an assistant cameraman. He was the single person killed when the camera car overturned. See more »
When Minti's TransAm rolls over after hitting the Interceptor the right front wheel is completely broken off the axle. In the next shot when the TransAm hits the rocks the right front wheel is perfectly in place. See more »
[after he has transformed from The Wraith back into himself]
Can't do *that* again!
See more »
It makes me laugh when I read bad reviews of this movie. No one claimed it was a classic, no claimed it would win awards or prizes for depth of storyline etc.
What it does have is earnest performances, fantastic fx, amazing score and very pretty photography.
Yes, laugh at the shadow of the camera (in the days before monitors) during the race scenes, at least they bothered to use real cars on real roads at high speed, unlike pathetic cgi cars (fast & the furious, 2 fast 2 furious, gone in 60 seconds) with crap physics.
This movie is totally innovative, nothing like it before or since and there are a lot of techniques used in this movie that I haven't seen bettered since. The bit where Jake's scrambler breaks into 4 meteorites still looks great, the tasteful re-animation of the Wraith mobile after crashes (nowadays that would probably be done using reverse photography).
The action scenes in Mad Max & Mad Max 2 are sped up and look ridiculous. (Watch the bit in Mad Max 2 just before he crashes his Interceptor...you'll see.)
The acting is pantomimish (baddies=very bad, goodies=very good) but that is the style of this movie. We know that these actors are capable of more in-depth characterisations, but this is a shallow b-movie. That's all it's supposed to be. Anyone who watches this movie and expects anything other than popcorn fodder is an absolute idiot. Moaning about technical problems and poor acting only makes you look like an idiot. And let's face it, even today's biggest blockbusters are chock full of mistakes and glitches.
You don't watch a Carry On movie and then say "Oh, that was quite unrealistic, and the acting is bad." That's the point. It's silly farce. You're not supposed to take it seriously!
I'm also aware that Charlie Sheen hates this movie and he must have good reason.
Strangely enough, I'm surprised that this movie was not seized upon by the pompous comic book brigade! I guess, if it was a little more Gothic and The Wraith was brooding and had a troubled back story it would have been more accepted. I'm glad it didn't and wasn't.
If it was made now, it would have stinking CGI fx and too much back story.
It's a bubblegum movie. You don't like it, don't watch it. As a b-movie for it's time, it is a technically superior easy watch which still towers over many newer movies of the same genre.
The Crow? Pompous nonsense!
The Wraith? Know's it's place and doesn't try to overstep it's mark!
And for people moaning about rubbish acting, check out Matthew Barry's performance when Billy Hankins realises Jake is his brother. It's an amazing, emotionally charged moment. I dare you to disagree and if you do you must be tripping.
Stop henpecking this movie.....it's ace, I tell you...ACE!
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