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Wise Guys (1986)

R  |   |  Comedy, Crime  |  18 April 1986 (USA)
5.5
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Ratings: 5.5/10 from 4,001 users  
Reviews: 27 user | 16 critic

Harry Valentini and Moe Dickstein are both errand boys for the Mob. When they lose $250,000, they are set up to kill each other. But they run off to Atlantic City and comedy follows.

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Cast

Cast overview, first billed only:
...
...
...
Bobby DiLea
Ray Sharkey ...
...
Lou Albano ...
Frank 'The Fixer' Acavano (as Captain Lou Albano)
Julie Bovasso ...
...
Antonia Rey ...
Mimi Cecchini ...
Matthew Kaye ...
Tony Munafo ...
Tony Rizzoli ...
Joey 'New Shoes' Siclione
...
Rick Petrucelli ...
Al the Bookie
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Storyline

Harry Valentini and Moe Dickstein are goons for the Newark mob boss Castelo. They are sent to the race track to place a bet on a horse but screw it up by betting on the wrong horse. Now they owe $250,000 but they separately get an offer to work it off; by killing the other one. Together they go off to Atlantic City where Harry's mobster uncle Mike may be able to bail them out. Written by Mattias Thuresson

Plot Summary | Add Synopsis

Taglines:

What kind of guys gamble with the boss's money, swipe a killer's Cadillac, and party on the mob's credit card?

Genres:

Comedy | Crime

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

18 April 1986 (USA)  »

Also Known As:

Cadaveri & compari  »

Box Office

Budget:

$13,000,000 (estimated)

Gross:

$8,475,466 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (DVD)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Second of two back-to-back consecutive mob-comedies co-written by Norman Steinberg who had co-written the gangster comedy Johnny Dangerously (1984) released about a couple of years earlier. See more »

Goofs

After Harry and Moe have the Cadillac painted pink, you can see the scrape marks on the passenger side of the vehicle before they scrape it on the guardrail. See more »

Quotes

Frank "The Fixer" Acavano: You're exactly what I'm looking for, Dickface!
Moe Dickstein: Please Frank, it's Dickstein.
Frank "The Fixer" Acavano: I'll pick you up this afternoon, Dickhead!
See more »

Connections

Referenced in Wise Bull (2015) See more »

Soundtracks

Pink Cadillac
Written and performed by Bruce Springsteen
Courtesy of CBS Records
See more »

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User Reviews

 
within its narrow ambitions, it's does alright, but only for what it is
13 April 2010 | by (United States) – See all my reviews

Let's just say it up front: Brian De Palma doesn't direct comedies, at least not as a major part of his career. When he's done so it's usually in the realm of black comedies or satires, like his early films (Greetings/Hi Mom) or the rightfully maligned Bonfire of the Vanities. His sense of comedy is BIG (note the caps) and broad, but his farce is nowhere near the kind of genius of Mel Brooks. His slapstick is so large and spread out in scenes that it makes Looney Tunes look subtle (having Captain Lou Albino as one of the main bad-guys, the "Fixer" as he's called, is part of it). And the story is fairly idiotic too.

Yet I found myself enjoying Wise Guys, but for the little it aimed for. This isn't a grand vision like De Palma would immediately after go for in The Untouchables and Casualties of War. It was a trifle, a way to test himself in a low budget with actors he hadn't worked with before- chiefly stars Danny De Vito and (yes, star) Joe Piscapo. They play grunts whose job is to serve at the behest of mob boss Castelo (Dan Hedaya, hamming it up like it's nobody's business). When the two dopes lay a bet on a horse that isn't the one Castelo bet on and loses, they're each given a charge: each must kill the other to prove loyalty.

This, of course, is another set-up for a series of missteps in the two knuckleheads running away from the Castelo bosses, all the way down in Atlantic City as Harry tries to find his Uncle Mike, very much dead. The subtitle for the film could be called 'Wackiness Ensues', and De Palma doesn't let anything go past as being unnoticeable. Particularly is one scene, perhaps De Palma's most daring (or just recognizably 'De Palma) cinematographic-ally when Harry has to go turn on 'the car' that might explode any moment (the shot speeds up and does a 360 as everyone runs away from the scene, a hoot-take on his usual style). And in the script, some lines of dialog and set-ups are so blunt you can feel the force at the back of your head.

But somehow, against all of the odds of the 'ho-hum' quality of the set-up, it's fun because of the acting. Joe Piscapo is mentioned today, just his name, as a punch-line, but there was a time when he was at least halfway amusing (mostly in skits with Eddie Murphy on SNL), and here he's let loose with the a character like Moe who, I guess compared to Harry, is the straight guy depending on the scene. Harry, meanwhile, gives Danny De Vito a real chance to chomp at the bit: he's so over the top, but he's also a believable luck-believer (he goes for it the way Bible-thumpers go for God), and in those moments when Piscapo falls totally flat, somehow De Vito comes back in to make things fun in the delirious way. Others like Lou Albino and, on a more subtle-menacing scale, Harvey Keitel, do a competent job in their roles.

So, going in and expecting a really great comedy or just an interesting piece of art will mean some disappointment. As a juicy diversion that ask for nothing except a few chuckles by way of the New Jersey Turnpike, it does its job reasonably well; De Palma fans who find themselves going through his thrillers and blockbusters first will come across this, possibly, last in his catalog. But it's far from his worst.


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