| Matti Pellonpää | ... | Nikander | |
| Kati Outinen | ... | Ilona Rajamäki | |
| Sakari Kuosmanen | ... | Melartin | |
| Esko Nikkari | ... | Co-worker (työkaveri) | |
| Kylli Köngäs | ... | Ilona's Girlfriend (ystävätär) | |
| Pekka Laiho | ... | Shop Steward (myymälänhoitaja) | |
| Jukka-Pekka Palo | ... | Third Man (kolmasmies) | |
| Svante Korkiakoski | ... | Police (poliisi) | |
| Mari Rantasila | ... | Nikander's Sister (Nikanderin sisar) | |
| Safka Pekkonen | ... | Pianist (pianisti) (as Safka) | |
| Antti Ortamo | ... | 2nd pianist (pianisti II) | |
| Mato Valtonen | ... | Pelle (as Markku Valtonen) | |
| Sakke Järvenpää | ... | Staffan (as Sakari Järvenpää) | |
| Ulla Kuosmanen | ... | Melartin's wife (Melartinin vaimo) | |
| Neka Haapanen | ... | Cook (kokki) | |
| Pentti Koski | ... | Singer (laulusolisti) | |
| Ari Korhonen | |||
| Teuvo Rissanen | |||
| Erkki Rissanen | |||
| Sirkka Silin | |||
| Marina Martinoff | |||
| Jussi Tiitinen | |||
| Riikka Kuosmanen | |||
| rest of cast listed alphabetically: | |||
| Aki Kaurismäki | ... | Hotel receptionist (uncredited) | |
Directed by | |||
| Aki Kaurismäki | |||
Writing credits(in alphabetical order) | ||
| Aki Kaurismäki | ||
Produced by | |||
| Mika Kaurismäki | .... | producer | |
Cinematography by | |||
| Timo Salminen | |||
Film Editing by | |||
| Raija Talvio | |||
Art Direction by | |||
| Pertti Hilkamo | |||
| Heikki Ukkonen | |||
Costume Design by | |||
| Tuula Hilkamo | |||
Makeup Department | |||
| Leena Kouhia | .... | makeup artist | |
Production Management | |||
| Jaakko Talaskivi | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Pauli Pentti | .... | assistant director | |
Art Department | |||
| Pertti Hilkamo | .... | property master | |
| Heikki Ukkonen | .... | property master | |
Sound Department | |||
| Juuso Hirvikangas | .... | assistant sound recordist | |
| Jouko Lumme | .... | sound editor | |
| Jouko Lumme | .... | sound | |
| Kjell Westman | .... | sound mixer | |
Editorial Department | |||
| Eila Karkkunen | .... | negative cutter | |
| Timo Nousiainen | .... | color grader | |
| Jukka Nykänen | .... | assistant editor | |
Other crew | |||
| Haije Alanoja | .... | production secretary | |
| Marja-Leena Helin | .... | script supervisor | |
| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Finland section |
The foremost question is where there is here a paradise. Usually, the 30 - 40 years old Finnish men in Kaurismäki's movies look around 5o. They work hard, some of them night shift, in their scarce leisure time they sit in some bar drinking vodka and sometimes picking up a girl for a night or two. From Kaurismäki's movies, it seems that every man does do that, so that the patterns are also known to the women and therefore there is no need for further explanation. This is called Kaurismäki's minimalist style, and not seldom it leads to quite unexpected humor.
Nikander (lit. "Victory-Man"), the protagonist of "Shadows in Paradise", is one of these losers, but with the exception that he wants to change his situation and thus had started to learn English early. Together with his older colleague, he plans to open his own business. One day, his colleague is killed during work by a sadden heart attack. Nikander meets shortly after the pretty Ilona one of whose specialties is loosing her jobs. Now they start an in- and out-relationship. Ilona comes back to Nikander whenever she is in trouble, this time she stole a cash box filled with money from the supermarket that gave her the notice because the director's daughter needed a position and an apartment.
Marriage is always considered an arrangement amongst losers in Kaurismäki's movies. In "Ariel" (1988), Kasurinen and Irmeli just have two vacancies. In "Lights in the Dusk", the very beautiful Mirja, entering an almost completely empty restaurant, and sitting down at Koistinen's table, starts to speak very personally to him. When he tells her, they could now leave for a bar, then sleep together and afterward getting married, the two faces show no reaction. Is Paradise the reign or the absence of all bother, then paradise must mean, in Kaurismäkis movies the absence of any light that comes into the darkness of these losers, since this light could bring them down to a dark path.