| John Doe | ... | Himself | |
| Exene Cervenka | ... | Herself | |
| Billy Zoom | ... | Himself | |
| D.J. Bonebrake | ... | Himself | |
| Ray Manzarek | ... | Himself | |
| Rodney Bingenheimer | ... | Himself | |
| Brendan Mullen | ... | Himself | |
| Frank Gargani | ... | Johny | |
| Alizabeth Foley | ... | Pauline | |
| Denise Zoom | ... | Herself | |
| Diana Bonebrake | ... | Herself (as Dinky Bonebrake) | |
| Bob Biggs | ... | Himself | |
| Al Bergamo | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Jello Biafra | ... | Himself | |
| Tom Hadges | ... | Himself | |
| Robert Hilburn | ... | Himself | |
| Martin Luther King | ... | Himself (archive footage) (uncredited) | |
| Ronald Reagan | ... | Himself (archive footage) (uncredited) | |
Directed by | |||
| W.T. Morgan | |||
Writing credits(in alphabetical order) | ||
| Christopher Blakely | uncredited | |
| Alizabeth Foley | uncredited | |
| Everett Greaton | uncredited | |
| W.T. Morgan | ||
Produced by | |||
| Christopher Blakely | .... | producer | |
| Everett Greaton | .... | co-producer | |
Cinematography by | |||
| John Monsour | (as Karem John Monsour) | ||
Film Editing by | |||
| Kent Beyda | |||
| Curtiss Clayton | |||
| W.T. Morgan | |||
| Charlie Mullin | |||
Production Design by | |||
| Alizabeth Foley | |||
Sound Department | |||
| Matthew Iadarola | .... | sound effects | |
| Matthew Iadarola | .... | sound re-recording mixer | |
| Alan Kutner | .... | live sound recordist | |
Visual Effects by | |||
| James Balsam | .... | visual effects | |
| Les Bernstien | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Rick Schmidlin | .... | concert lighting director | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
I love X, I love seeing them live, but this movie added very little to the music. The band seems kind of halfhearted about doing the film, their stories are not that interesting. When they go out on tour trying to get their music heard, there's not a single foot of film from the tour; instead, there's a cutesy montage of postcards.
As for the live footage, a good portion of it is from a shoot made expressly for the film, and to judge by the credits, at least half the songs are either videos or lip- synched.
On the whole, the live X in Decline of Western Civilization is far more compelling than the whole of The Unheard Music.