| Photos (see all 7 | slideshow) |
| Anouk Aimée | ... | Anne Gauthier | |
| Jean-Louis Trintignant | ... | Jean-Louis Duroc | |
| Richard Berry | ... | Richard Berry | |
| Evelyne Bouix | ... | Françoise | |
| Marie-Sophie L. | ... | Marie-Sophie (as Marie-Sophie Pochat) | |
| Philippe Leroy | ... | Professeur Thevenin / Professor Thevenin (as Philippe Leroy-Beaulieu) | |
| Charles Gérard | ... | Charlot | |
| Patrick Poivre d'Arvor | ... | Himself / Patrick Poivre d'Arvor | |
| Thierry Sabine | ... | Thierry Sabine | |
| Antoine Sire | ... | Antoine | |
| André Engel | ... | Le metteur en scène / Film director | |
| Robert Hossein | ... | Robert Hossein | |
| Jacques Weber | ... | Jacques Weber | |
| Tanya Lopert | ... | Tanya Lopert | |
| Nicole Garcia | ... | Elle-même jouant 'Deux sur la balançoire' | |
| Yane Barry | |||
| Alain Berry | |||
| Jean-Philippe Chatrier | |||
| Maurice Illouz | |||
| Jean-Claude Lagniez | |||
| Caroline Lang | ... | La femme de François Cortal | |
| Laurence Merchet | |||
| Isabelle Sadoyan | ... | La boulangère | |
| Pierre Aknine | ... | Un gardien | |
| Jean-Claude Aubé | |||
| Marine Falk | |||
| Marie Giamarchi | |||
| Sylvie Jacob | |||
| Salomé Lelouch | |||
| Sarah Lelouch | |||
| Alexandra Lorska | |||
| Tom Novembre | |||
| Benoît Régent | ... | Un infirmier | |
| Olivier Schmitt | |||
| Patrice Valota | |||
| rest of cast listed alphabetically: | |||
| Jean-Claude Brialy | ... | Un spectateur de '40 ans déjà' (uncredited) | |
| François Chalais | ... | Un spectateur de '40 ans déjà' (uncredited) | |
| Henry Chapier | ... | Un spectateur de '40 ans déjà' (uncredited) | |
| Michèle Morgan | ... | Une spectatrice de '40 ans déjà' (uncredited) | |
| Gérard Oury | ... | Un spectateur de '40 ans déjà' (uncredited) | |
| Mario Peralta | ... | Bandoneon (Player (uncredited) | |
| Claude Sérillon | ... | Un spectateur de '40 ans déjà' (uncredited) | |
Directed by | |||
| Claude Lelouch | |||
Writing credits | ||
| Claude Lelouch | original scenario & adaptation and dialogue and | |
| Pierre Uytterhoeven | adaptation & dialogue and | |
| Monique Lange | adaptation & dialogue and | |
| Jérôme Tonnerre | adaptation & dialogue | |
Produced by | |||
| Claude Lelouch | .... | producer | |
| M. Christine Vanden Eede | .... | line producer | |
Original Music by | |||
| Francis Lai | |||
Cinematography by | |||
| Jean-Yves Le Mener | |||
Film Editing by | |||
| Hugues Darmois | |||
Casting by | |||
| Arlette Gordon | |||
Production Design by | |||
| Jacques Bufnoir | |||
Set Decoration by | |||
| Marc Balzarelli | |||
| Tony Egry | |||
Costume Design by | |||
| Mic Cheminal | |||
Makeup Department | |||
| Cédric Gérard | .... | makeup artist | |
| Didier Lavergne | .... | makeup artist | |
| Renata Magnanti | .... | hair stylist | |
| Jacqueline Stuffel | .... | hair stylist | |
Production Management | |||
| Jean-Pierre Bouilliez | .... | assistant unit manager | |
| Pierre Lautmann | .... | assistant unit manager | |
| Tania Zazulinsky | .... | production manager | |
| Tadek Zietara | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Marie Fernández | .... | second assistant director (as Marie Fernandez) | |
| Didier Grousset | .... | first assistant director | |
| Yann Michel | .... | second assistant director | |
| Jean Sentis | .... | second assistant director | |
Art Department | |||
| Denis Benaim | .... | assistant property master | |
| Michel Conche | .... | on-set propmaster | |
| Raymond Lemoigne | .... | property master (as Raymond Le Moigne) | |
| Pascal Morin | .... | assistant property master | |
Sound Department | |||
| Anick Baly | .... | sound editor (as Annick Baly) | |
| Dominique Duchatelle | .... | sound assistant | |
| Jean-Pierre Lelong | .... | sound mixer | |
| Harald Maury | .... | sound engineer | |
| Mario Melchiorri | .... | sound mixer (as Mario Melchiori) | |
Special Effects by | |||
| Georges Demétrau | .... | special effects | |
Stunts | |||
| Rémy Julienne | .... | stunt driver | |
| Jean-Claude Lagniez | .... | stunts | |
Camera and Electrical Department | |||
| Tahar Boualam | .... | electrician | |
| Boubou | .... | grip | |
| Jack Burlot | .... | still photographer | |
| Henri Cayrol | .... | grip | |
| Alain Cousseau | .... | electrician (as Alain Coussau) | |
| Michel Crétel | .... | electrician | |
| Alain Ducousset | .... | assistant camera | |
| Patrick Fabry | .... | video camera | |
| Jean-Pierre Fizet | .... | still photographer | |
| Gilbert Lecluyse | .... | assistant camera (as Berto) | |
| Théo Louis Jean | .... | grip | |
| Guy de Pessemier | .... | electrician | |
| Guy Plasson | .... | grip | |
| Patrick Renault | .... | electrician | |
| Philippe Ros | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Philippe Delest | .... | assistant costumer | |
| Mimi Gayo | .... | assistant costumer | |
| Fanny Jakubowicz | .... | assistant costumer | |
Editorial Department | |||
| Annie Darmois | .... | assistant editor | |
| Sandrine Péry | .... | assistant editor | |
Music Department | |||
| Christian Gaubert | .... | conductor | |
| Christian Gaubert | .... | music arranger | |
Other crew | |||
| Chantal Bégasse | .... | production secretary | |
| Bernard Chateau | .... | travelling car | |
| Eric Dumage | .... | script supervisor | |
| Arlette Gordon | .... | press agent | |
| Jean-Marc Homand | .... | assistant production administrator | |
| Alain Maline | .... | assistant script supervisor: Turin | |
| Florence Moncorgé-Gabin | .... | script supervisor | |
| Michèle Yvars | .... | production administrator | |
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| Une femme en Afrique | 18 ans après | Un homme et une femme | Manon des sources | Le château de ma mère |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section | Add this title to MyMovies |
Sometimes Claude Lelouch makes good films or masterpieces, sometimes not at all.
This sequel of "Un homme et une femme" is useless. It's not a bad movie in itself, because it's well acted, well made and very refined -high quality is a trademark in Lelouch movies. That's why I give 4 stars out of 10...
But it's a useless project. Was it necessary to go back to the story and spoil the original picture? The 1966 film is very simple -it's a masterpiece because of that. There are only Jean-Louis Trintignant and Anouk Aimée, the chemistry is incredible. The film is really poetic, we don't want to know how their love story goes on.
In the 1986 sequel we find them 20 years later -Lelouch tells us what they have become and how they meet again. There are other characters and facts which intersect with them.
As I said not a really bad movie, but it doesn't stand comparison at all with the original. It would have been better not to produce it.