MOVIEmeter
SEE RANK
Down 1,720 this week

A Man and a Woman: 20 Years Later (1986)
"Un homme et une femme, 20 ans déjà" (original title)

PG  |   |  Drama, Romance  |  15 August 1986 (USA)
5.7
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 5.7/10 from 430 users  
Reviews: 11 user | 3 critic

Jean-Louis and Anne have had their fling and separated. Now 20 years have passed. He is still dating various women. She is now a big time director whose most recent film was a very ... See full summary »

Director:

0Check in
0Share...

On Disc

at Amazon

IMDb Picks: May

Visit our IMDb Picks section to see our recommendations of movies and TV shows coming out in May, sponsored by COVERGIRL.

Visit the IMDb Picks section

User Lists

Related lists from IMDb users

Vus
a list of 2052 titles
created 30 Mar 2012
 
a list of 2232 titles
created 03 Jul 2012
 
a list of 24 titles
created 22 Aug 2012
 
a list of 422 titles
created 06 Jan 2013
 
a list of 341 titles
created 09 Dec 2013
 

Related Items

Connect with IMDb


Share this Rating

Title: A Man and a Woman: 20 Years Later (1986)

A Man and a Woman: 20 Years Later (1986) on IMDb 5.7/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of A Man and a Woman: 20 Years Later.

User Polls

Learn more

People who liked this also liked... 

Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 6.1/10 X  

Benoit Blanc loves living, he loves women, he loves daring. He is a famous businessman who suffers from stomach-ache. Fabiolini, a would-be actor, is a policeman and he too suffers from the... See full summary »

Director: Claude Lelouch
Stars: Fabrice Luchini, Bernard Tapie, Alessandra Martines
Us Two (1979)
Drama
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  
Director: Claude Lelouch
Stars: Catherine Deneuve, Jacques Dutronc, Jacques Villeret
Lola (1961)
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

Roland Cassard is a young man with no job and seemingly no prospects. By chance, he runs into his former girlfriend, Cecile who works as a dancer at a cabaret under the stage name Lola. She... See full summary »

Director: Jacques Demy
Stars: Anouk Aimée, Marc Michel, Jacques Harden
Biography | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6.1/10 X  

The world's most popular entertainer and Europe's greatest boxer: the film puts the love affair of these two national heroes against a backdrop of the end of World War II, hotel suites in ... See full summary »

Director: Claude Lelouch
Stars: Evelyne Bouix, Jacques Villeret, Francis Huster
Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 4.9/10 X  
Director: Claude Lelouch
Stars: Jean-Pierre Marielle, Anne Parillaud, Alessandra Martines
Bolero (1981)
Drama | Music
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

Trough fabulous Music this movie tracks three generations of musicians and dancers from Russia, Germany, France and the USA, from before World War II through the war and the Holocaust, to ... See full summary »

Director: Claude Lelouch
Stars: Robert Hossein, Nicole Garcia, Geraldine Chaplin
Drama
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  

Ilva runs her stepfather's Eden Palace cinema in wartime Paris against a background of Resistance activities, the frequent sight of less fortunate Parisians being shipped east in ... See full summary »

Director: Claude Lelouch
Stars: Audrey Dana, Dominique Pinon, Raphaël
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  

Simon, a famous violinist in a symphonic orchestra, becomes a drunkard, he is abandoned by his wife and he is not able to play any more. One night he gets lost on his way back home and ... See full summary »

Director: Régis Wargnier
Stars: Christophe Malavoy, Jane Birkin, Jean-Louis Trintignant
Adventure | Drama | Fantasy
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  

Jesus is a French gypsy who might have become a bull fighter had he not been framed on a drug charge and sent to prison. Odona is a con artist pursued and protected by a Paris policeman. ... See full summary »

Director: Claude Lelouch
Stars: Gérard Lanvin, Béatrice Dalle, Vincent Lindon
Adventure | Comedy
    1 2 3 4 5 6 7 8 9 10 7/10 X  

When they realize the times are changing, five crooks decide to switch from bank robberies to personality abductions. Among their hostages are singer Johnny Hallyday and an ambassador in ... See full summary »

Director: Claude Lelouch
Stars: Lino Ventura, Jacques Brel, Charles Denner
Certificate: GP Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  

Filming in the USA, Henri and Françoise meet and fall in love with each other.

Director: Claude Lelouch
Stars: Jean-Paul Belmondo, Annie Girardot, Maria Pia Conte
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 5.9/10 X  
Director: Claude Lelouch
Stars: Mathilde Seigner, Maïwenn, Massimo Ranieri
Edit

Cast

Cast overview, first billed only:
...
...
Richard Berry ...
Richard Berry
Evelyne Bouix ...
Marie-Sophie L. ...
Marie-Sophie (as Marie-Sophie Pochat)
Philippe Leroy ...
Professeur Thevenin / Professor Thevenin (as Philippe Leroy-Beaulieu)
Charles Gérard ...
Charlot
Patrick Poivre d'Arvor ...
Thierry Sabine ...
Thierry Sabine
Antoine Sire ...
André Engel ...
Le metteur en scène / Film director
Robert Hossein ...
Robert Hossein
Jacques Weber ...
Jacques Weber
Tanya Lopert ...
Tanya Lopert
...
Elle-même jouant 'Deux sur la balançoire'
Edit

Storyline

Jean-Louis and Anne have had their fling and separated. Now 20 years have passed. He is still dating various women. She is now a big time director whose most recent film was a very expensive bomb. She comes up with the idea of making a romance based upon her fling with Jean-Louis. She contacts him to gain his permission. Jean-Louis is still in racing and goes away for a desert rally while she begins filming. She finds the mood of their romance difficult to recapture in her film. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Add Synopsis

Plot Keywords:

sequel | number in title | See All (2) »

Taglines:

Tout a change... sauf leurs passions.

Genres:

Drama | Romance

Certificate:

PG | See all certifications »
Edit

Details

Country:

Language:

Release Date:

15 August 1986 (USA)  »

Also Known As:

A Man and a Woman: 20 Years Later  »

Box Office

Gross:

$227,510 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.78 : 1
See  »
Edit

Did You Know?

Connections

Follows A Man and a Woman (1966) See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Less a sequel, more a reflection
24 September 2007 | by (London, England) – See all my reviews

A Man and a Woman: 20 Years Later/ Un Homme et Une Femme: Vingt Ans Déjà is one of those forgotten belated sequels, and generally hated by those who do remember it. The budget is bigger, the plot more expansive, the relationships less tentative, the stunt driving more spectacular and this time the whole film is not only in colour but CinemaScope as well, so on the surface the film only has the characters to really link it to the original, although even they've moved on in life. Aimee's character has become a film producer and, in the wake of a disastrous super-production set during the liberation of Paris that looks like outtakes from Lelouch's own Les Uns et Les Autres/Bolero, has the idea of revisiting her almost love-story in much the same way that after the disaster of Les Grands Moments Lelouch hurriedly produced the original film to stave off the threat of bankruptcy, bringing the pair back together. At first Trintignant's reluctant to give his permission, disappointed that she asked to meet him for the first time in twenty years for a business proposition rather than a romantic one, but his curiosity wins out. Naturally, romance is back on the cards, but neither that nor the film work out quite as expected… The opening certainly bodes ill, with a horrendous 80s version of Francis Lai's theme giving way to an extended sequence of fast driving stunts and a scene of a power-dressed Anouk Aimee striding through a set filled with hundreds of extras, and it certainly takes a while to get over the change in style. Only one scene really harks back to the feel of the original, as Aimée's steel dissolves and she briefly becomes the young woman she was twenty years earlier as the two meet in a restaurant and talk about what could or should have been. But otherwise this is a very different animal to the original, with the two characters existing in worlds where the possibility of love is no longer everything and the director obviously torn between revisiting the first film and creating something new as if both desperate to resist the trap of nostalgia but simultaneously in thrall to it.

Although generally dismissed as a pointless cash-in, it's actually a neat exercise in semi-autobiographical directorial rumination, reflecting on the original film and what it meant for its participants (characters and filmmakers alike) as much as it does on their love story. It's not exactly Lelouch's 8½, but there's a playful sense of indecision about the piece as he throws in a real-life killing involving an escaped mental patient that seems initially gratuitous but later assumes prominence as Aimée – and, by proxy, Lelouch – realises that their original love story simply won't play with a modern audience and changes tack for a more sensationally commercial project. If this seems unlikely, the change in films at least has a historical precedent: Lelouch was so unhappy with Les Grands Moments that, after failing to get a distribution deal, he reputedly destroyed the negative so it could never be seen. Far more unlikely is that Aimée decides to produce her version of Un Homme et Une Femme as a musical, making this at times feel like one of Jacques Demy's darker films, although it's telling that the audience for Aimee's flop is entirely middle-aged – Lelouch clearly knows who his shrinking audience is even if he doesn't always know what kind of film he needs to make to recapture a modern mass audience.

The last section, with Trintignant lost in the desert with his suicidal lover who wants to take him with her (played by Lelouch's future wife Marie Sophie Pochat while his marriage to Evelyne Bouix – who plays Aimée's daughter here - was breaking up) seems like a third movie altogether. Not necessarily a bad one, more a "Where did that suddenly come from?" one, and it's this section that's the film's least satisfying, losing the playfulness and leaving you with the impression that, like the much less satisfying Les Uns et les Autres, this often feels like a series of scenes and plot strands that Lelouch wanted to film thrown together without ever quite finding a resolution. Like many of his films it's by no means a complete success, but it's also by no means the failure it's often painted as – chalk this one up as an ambitious and intriguingly inconsistent miss, but one that offers a lot more of interest than some of his outright successes.


9 of 10 people found this review helpful.  Was this review helpful to you?

Message Boards

Discuss A Man and a Woman: 20 Years Later (1986) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?