| Photos (see all 4 | slideshow) |
| Kris Bidenko | ... | Kelly | |
| Emma Coles | ... | Louise | |
| Kris McQuade | ... | Janet, Louise's mother | |
| Peter Hehir | ... | Malcolm | |
| Kerry Dwyer | ... | Alison | |
| Stephen Leeder | ... | Jim | |
| Debra May | ... | Chris, Kelly's mother | |
| John Sheerin | ... | Dead Girl's Father | |
| Sean Travers | ... | Matthew | |
| Emily Stocker | ... | Soula | |
| Lynne Murphy | ... | School Principal | |
| Giovanni Marangoni | ... | Renato | |
| Benny Ulizzi | ... | Sam | |
| Rory Delaney | ... | Wally | |
| Lisa Rogers | ... | Little Helen | |
| Amanda Frederickson | ... | Kate | |
| Martin Armiger | ... | Phillip | |
| Jim Madias | ... | Con | |
| Arthur Faynes | ... | Chemist | |
| Lorna King | ... | Shop Assistant | |
| Jane Ahlquist | ... | Woman Friend | |
| Elizabeth Gentle | ... | Mother | |
| Sher Guhl | ... | Teacher | |
| Neil Campbell | ... | Teacher | |
| Kim Antonios | ... | Cleaner | |
| Denise Roberts | ... | Jessie | |
| Mario Monti | ... | Cleaner | |
| Jim Waites | ... | Dinner Party Guest | |
| Peter Bowden | ... | Panky | |
| Ken Porter | ... | Jason's Father | |
| Tony Barry | ... | Charlie | |
| Steve Bisley | ... | Kevin |
Directed by | |||
| Jane Campion | |||
Writing credits(in alphabetical order) | ||
| Helen Garner | written by | |
Produced by | |||
| Jane Campion | .... | producer | |
| Jan Chapman | .... | producer | |
Original Music by | |||
| Martin Armiger | |||
Cinematography by | |||
| Julian Penney | |||
Film Editing by | |||
| Bill Russo | |||
Production Design by | |||
| Janet Patterson | |||
Costume Design by | |||
| Janet Patterson | |||
Makeup Department | |||
| Sandie Bushell | .... | makeup artist | |
Production Management | |||
| Carol Chirlian | .... | production manager | |
| Beverley Powers | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Gary Stephens | .... | second assistant director | |
| Kate Woods | .... | first assistant director | |
Art Department | |||
| Lynne Barrett | .... | graphics (as Lynne Cartwright) | |
| Adrian Cannon | .... | props buyer | |
| Claude Fortunata | .... | stand-by props | |
| Ian Hayward | .... | stand-by props | |
| Justin Sears | .... | stand-by props | |
| Catherine Silm | .... | assistant designer | |
Sound Department | |||
| Chris Alderton | .... | sound recordist | |
| Stephen J. Hope | .... | dubbing mixer (as Stephen Hope) | |
| Stephen J. Hope | .... | sound re-recording mixer | |
| Des Horne | .... | sound editor | |
| Geoff Krix | .... | sound assistant | |
| Tony Vaccher | .... | extra sound effects | |
| Sasa Vitacek | .... | assistant sound editor | |
Special Effects by | |||
| Laurie Faen | .... | special effects | |
Camera and Electrical Department | |||
| Pierre Drion | .... | electrician | |
| Brett Joyce | .... | focus puller | |
| Martin Perrot | .... | electrician | |
| Gerard Quinn | .... | assistant camera | |
| Alan Trevena | .... | grip | |
Casting Department | |||
| Jennifer Allen | .... | casting consultant | |
| Irene Gaskell | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Wendy Chuck | .... | wardrobe | |
Editorial Department | |||
| Philippa Byers | .... | assistant editor | |
| Arthur Cambridge | .... | color grader | |
| Caro | .... | colorist | |
| Brian Jamieson | .... | negative matcher | |
Music Department | |||
| Martin Armiger | .... | musical director | |
| Susan Clarke | .... | musician: french horn | |
| Dennis Hennig | .... | musician: piano | |
| Maki Toda | .... | musician: student pianist | |
Other crew | |||
| Rhonda McAvoy | .... | continuity | |
| Susan Wells | .... | production secretary | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Australia section | Add this title to MyMovies |
Jane Campion made this film for Australian TV in 1985 and went to gain worldwide acclaim with The Piano in 1993. However, Two Friends is one of her earliest attempts at making a fully-fledged feature film. The deceptively simple story is about two teenage friends in Sydney , Kelly and Louise from different backgrounds who develop a strong bond, only for external circumstances and controls to disrupt that attachment. The coup de grace of the film is how Campion presents the story rather than what she shows us. The difference is crucial because the story is pretty basic to say the least; but the fact it is is told backwards, headed by monthly chapters, makes it a little bit special. The film demands to be seen numerous times in this sense to grasp the nuances of the beginning which is really the end and contrast it with the end which is really the beginning. By flipping narrative convention on its head, Canpion urges the viewer to be alert to what went wrong between the girls. It's a clever device that has inspired many film-makers, including a recent adherent, French auteur, Francois Ozon, whose latest release 5 x 2 follows the same narrative conceit but instead dramatizes the decline of a marriage.