| John Brace | ... | Mike Strauber | |
| Mary Fanaro | ... | Sharon Strauber | |
| Bruce Gold | ... | Jerry Powers | |
| A.J. McLean | ... | Little Mike (as Alexander J. McLean) | |
| Christopher Bontempo | ... | Playmate | |
| Jon Creamer | ... | Playmate | |
| Christine Duff | ... | Playmate | |
| Jennifer Duff | ... | Playmate | |
| Priscilla Duff | ... | Mike's Mother | |
| Kerry Ellen Walker | ... | Hitch-Hiker | |
| D.C. 'Dash' Goff | ... | Park Ranger (as Dash Goff) | |
| Rick Paige | ... | Dr. Thorne | |
| Mona Jones | ... | Dr. Evans | |
| Bruce Paquette | ... | Garage Attendent | |
| Edward L. Elliott II | ... | Man-Next-Door | |
| Therese C. Elliott | ... | Woman-Next-Door | |
| Raymond Carbone | ... | Detective Rosenberg | |
| Geoffrey Miller | ... | Wes | |
| Tami Smith | ... | Dr. Bachman | |
| Norm Rosenbaum | ... | Bald Man | |
| Asbestos Felt | ... | Warty Man / Newscaster Voice | |
| Anthony T. Townes | ... | Guard #1 | |
| Joel D. Wynkoop | ... | Guard #2 (as Joel Wynkoop) | |
| Pam Weitzman | ... | Woman With Carriage | |
| Baby Duff | ... | Baby In Carriage | |
| Jere Beery | ... | Teen Punk | |
| Christine Efstathion | ... | Teen Punk | |
| Rachel Rutz | ... | Teen Punk | |
| Valerie Gobos | ... | Station Wagon Family | |
| Joe Scheurer | ... | Station Wagon Family | |
| Michele Bellefeuille | ... | Station Wagon Family | |
| Lydia Kring | ... | Station Wagon Family | |
| Kelly Dreber | ... | Teen In Flashback | |
| Robert Gann | ... | Teen In Flashback | |
| Wendy Ritter | ... | Teen In Flashback | |
| Terence Andreucci | ... | Pournelle (as Terrence Andreucci) | |
| Richard K. Day | ... | Officer Down | |
| Si Stillerman | ... | Medical Examiner | |
| Scott Weitzman | ... | Baseball Player | |
| Timothy Wellman | ... | Boy in Flashback | |
| Cynthia Frisch | ... | Bus Stop Victim | |
| Jim Frisch | ... | Bus Stop Victim | |
| Ted Frisch | ... | Bus Stop Victim | |
| Angelina Rodell | ... | Old Lady | |
| Margaret Carbone | ... | Dispatcher (voice) |
Directed by | |||
| Tim Ritter | |||
Writing credits(in alphabetical order) | ||
| Tim Ritter | ||
Produced by | |||
| Geoffrey Miller | .... | executive producer | |
| Steven R. Weitzman | .... | executive producer | |
| Yale Wilson | .... | producer | |
Original Music by | |||
| Johnny Britt | |||
| Ken Karlson | |||
Cinematography by | |||
| Christopher M. Burritt | |||
| Ned Miller | |||
Film Editing by | |||
| Jack Behrend | |||
Set Decoration by | |||
| Valerie Gobos | |||
Costume Design by | |||
| Valerie Gobos | |||
Makeup Department | |||
| Steve Prouty | .... | special makeup effects artist | |
Production Management | |||
| Yale Wilson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Steve Feldott | .... | first assistant director (as Steven J. Feldott) | |
Art Department | |||
| Kyle Barth | .... | assistant set decorator | |
| Arthur Guse | .... | storyboard artist | |
| Joel D. Wynkoop | .... | props (as Joel Wynkoop) | |
Sound Department | |||
| Ric Coken | .... | sound re-recording mixer | |
| Jon Lind | .... | additional sound | |
| Timothy Logue | .... | boom operator | |
| Mike Moats | .... | sound technical consultant | |
| Jim Moore | .... | sound effects | |
| Glenn Selig | .... | location sound recordist | |
| Shawn Snowden | .... | sound re-recording mixer | |
Special Effects by | |||
| Bob Shelley | .... | special effects | |
Stunts | |||
| Jere Beery | .... | stunt coordinator | |
| C.D. Kingera | .... | stunts | |
| Bob Shelley | .... | stunts | |
| Joel D. Wynkoop | .... | stunts (as Joel Wynkoop) | |
Camera and Electrical Department | |||
| James R. Frazier | .... | assistant camera | |
| Geoffrey Miller | .... | best boy | |
| Scott Mumford | .... | grip | |
| Al Pavoni | .... | assistant camera (as Al 'Tiko' Pavoni) | |
| Todd Smith | .... | gaffer | |
Casting Department | |||
| Priscilla Duff | .... | casting (as Priscilla Sue Duff) | |
Costume and Wardrobe Department | |||
| Kyle Barth | .... | assistant wardrobe | |
| Valerie Gobos | .... | wardrobe | |
Music Department | |||
| Jim Cogan | .... | music mixer | |
| Jim Cogan | .... | music recordist | |
Other crew | |||
| Jeff Allen | .... | production assistant | |
| Donna Beery | .... | production assistant | |
| Pamela D'Amico | .... | production assistant | |
| Sherri Gilman-Tompkins | .... | unit publicist | |
| Roberta McElroy | .... | location manager | |
| Bonnie Neilia | .... | craft service (as Bonnie Nielia) | |
| Malinda Shelley | .... | production assistant | |
| Cecelia von der Heyde | .... | production secretary | |
| Susan Knox Wilson | .... | production auditor | |
| Susan Knox Wilson | .... | production coordinator | |
| Bob Wright | .... | production assistant | |
| Robert Wright | .... | production assistant | |
| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb USA section |
Truth or Dare is a campy, sadistic, truly warped horror movie. Shot on videotape and transferred to film, it actually benefits from its amateurishness, resulting in a genuinely disturbing experience that really packs a punch. This is one of the very few movies where video photography actually contributes the atmosphere instead of destroying it. It's incredibly gory and shows things that mainstream films wouldn't even imply. Where else are you going to see a baby run over by a car and a little boy chainsawed? And what's really interesting is that you never know where it'll go next. You think it's going to be a standard get-out-of-the-asylum-and-terrorize-the-ex-wife stalker plot, but things take a series of unexpected twists, with the bloodbath getting more and more demented. There are many moments where you don't know whether to laugh, scream, or get sick.
There are the usual bad-movie routines. The acting is variable--Kerry Ellen Walker, as the frizzy-haired hitchhiker chick, seems to have been plucked directly from a high-school production of Bye Bye Birdie. At the climax, the copper mask pulsates when the killer breathes. Still, it's all so numbingly brutal and unsettling that you can suspend disbelief ("hmm...very thin copper, apparently") and get dragged along on the bloody joyride. Kay Reed sings the hyper-dramatic theme song, "A Critical Madness," which is the source of my summary quote. Truly unforgettable, and not for the faint of heart or those concerned with "taste." As if children are immune to death!