| Jason Brill | ... | Pizza Man | |
| Frances Foster | ... | Ovelia | |
| John Mahoney | ... | Doctor Winslow | |
| Marlyn Mason | |||
| Marsha Mason | ... | Jennifer Hubbell | |
| John McCurry | ... | Tyler Getz | |
| Harsh Nayyar | ... | Dr. Perkash | |
| Stephen Pearlman | ... | Dr. Rosenthal | |
| Rebecca Schull | ... | Marlys Mengies | |
| Karen Shallo | ... | Jean Gabrielson | |
| Ron Silver | ... | Doctor Jeff Tomlinson | |
| Kiefer Sutherland | ... | Kevin Richter | |
| Amy Wright | ... | Dana Wendolowski |
Directed by | |||
| Michael Tuchner | |||
Writing credits(in alphabetical order) | ||
| Torey Hayden | story "Murphy's Boy" | |
| Vickie Patik | (as Pat A. Victor) | |
Produced by | |||
| Dick Atkins | .... | producer | |
| David R. Kappes | .... | coordinating producer | |
Film Editing by | |||
| Eric Albertson | |||
Production Design by | |||
| William De Seta | |||
Production Management | |||
| David R. Kappes | .... | unit production manager | |
Camera and Electrical Department | |||
| Louise Barlow | .... | still photographer | |
Music Department | |||
| Gary Anderson | .... | orchestrator | |
Other crew | |||
| Kevin Franklin Gieb | .... | production assistant | |
| Ken Kopro | .... | location consultant | |
| Eve Silvester | .... | location manager | |
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| Eve's Bayou | Mumford | The Sixth Sense | Anger Management | The Prince of Tides |
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| Full cast and crew | Company credits | IMDb Drama section |
| IMDb USA section |
Never before have I seen a film so resolutely pessimistic and relentlessly optimistic. That is not a strength. The story suggests darkness, coldness, pain. This is appropriate. The director and composer, however, insist on interjecting lightness at possibly the least believable intersections. It's not that Michael Tuchner's direction is necessarily bad - he allows Kiefer Sutherland to give one of the best performances of his career - but he can't or won't decide which kind of film he wants to make.
Sutherland is what makes this work. Sure, Ron Silver is good, Marsha Mason, too. But these are expected performances, by-the-book characterizations. Kiefer Sutherland is the only reason you'd really want to see this. The scenes that are completely given over to him, his illness, the inner workings of his mind - these are the moments when "Trapped in Silence" takes you in on a deeper level.
In the end, you can feel the limitations of the format. The TV movie feel gets tiresome once you realize it prevents a certain level of ferocity that might otherwise be present. Still, it's a good story, and it feels real enough. Definitely worth it for early Sutherland.