A young man, harshly sentenced for a few minor infractions, escapes from a prison in Huntsville Texas and flees to Laredo, Texas, where he hopes to cross into Mexico for a reunion with his wife and small son.
George Burns is back as God, but oops, here he is as Satan, too. A young rock star is ready to sell his soul to Satan, and Satan is all too happy to oblige. Oops! Seems the fellow was ... See full summary »
A once-powerful, but now ailing movie director nears the end of his life. As he awaits death, he slips into a "dream" and is shown three "snippets" of the movie of his son's life. At first ... See full summary »
Michael A. Goorjian
Michael A. Goorjian,
Harry and Archie are released from prison ready to collect their Social Security. How could they get into trouble at their age? Let's count the ways; A parole officer who is a famous criminal groupie, Dead end where people don't know they are dealing with dangerous, though older, criminals, a hit man who can barely see, but who still has an outstanding contract on them. Does anyone still rob trains? Written by
John Vogel <email@example.com>
Belle tells Harry at the retirement home her room is 321. But later on, when Leon and Richie come to the home, the number on the door is different because this is Harry's room, and she happened to be there when they arrived expecting to find him. See more »
Kirk Douglas. Burt Lancaster. 'Nuff said! As two train robbers, released from prison after a 30 year stretch, this dynamic duo try to adjust to life in the '80's and all the changes that have taken place. Douglas looks great for a man in his 60's and eventually attracts the eye of a young aerobics instructor. Their scenes together are both funny and sincere, as the differences between them eventually dictate the direction of their relationship. Kirk is also forced to work in menial jobs that involve him dealing with rude customers and a boss who doesn't like ex-cons. These scenes provide the film's best humor. Lancaster's role however is far less interested, as he is relegated to an old-folks home, wherein he becomes somewhat of a revolutionary. Realizing that they just don't fit in with society anymore, the two return to train robbing and the film moves downhill from this point. Eli Wallach contributes some funny scenes as a near-sighted hit-man who has waited 30 years to fulfill a contract to kill the duo. Despite the thin script, this is a very enjoyable film that may best be viewed with a senior citizen family member who can both identify with the characters and who remembers Lancaster and Douglas when they were A-List actors. I recommend it.
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