Maverick is a hot pilot. When he encounters a pair of MiGs over the Persian Gulf, his wingman is clearly outflown and freaks. On almost no fuel, Maverick is able to talk him back down to the Carrier. When his wingman turns in his wings, Maverick is moved up in the standings and sent to the Top Gun Naval Flying School. There he fights the attitudes of the other pilots and an old story of his father's death in combat that killed others due to his father's error. Maverick struggles to be the best pilot, stepping on the toes of his other students and in a different way to Charlie, a civilian instructor to whom he is strongly attracted. Written by
John Vogel <email@example.com>
An official release of Harold Faltermeyer's score for the film has never been done. Two pieces of score appear on the current soundtrack, but the complete score has yet to be released. See more »
Throughout the film in various dogfight scenes, the wrong pilot can be seen in the RIO seat of the F-14. For instance, in the initial carrier scenes, Sundown can be seen briefly as Maverick's RIO. In the training Hops, both Merlin and a blue-helmeted pilot can be seen in Maverick's RIO seat. See more »
Top Gun is undoubtedly one of my favourite films, and one of those that has the ability to keep enthralling you even while watching for the tenth time. Director Tony Scott was chosen after the producers saw his work in advertising, and true to their judgement he has produced a visual masterpiece. It looks simply gorgeous, and the live action sequences have never been bettered. If there is one flaw in the film it is that it is somewhat shallow, with all of the people behind the film (and Tom Cruise) rather better at making visual spectaculars than an engaging story. However the story does work well in drawing you into the world of Maverick and his fellow naval aviators, Cruise forms an excellent rapport with Anthony Edwards as Goose, and the dialogue is snappy and eminently quotable. Everyone has at some stage used Maverick's line - "I couls tell you, but then I'd have to kill you", and the cover of the Righteous Brothers is unforgettable. The film is backed by one of the best soundtracks of the decade, and a very strong supporting cast. In my opinion, the film succeeds in everything it sets out to achieve. A cracking script, a gripping story, and simply stunning aerial photography. You have to see this film.
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