| Photos (See all 41 | slideshow) | Videos (see all 8) |
Directed by | |||
| John Landis | |||
Writing credits | ||
| Steve Martin | (written by) and | |
| Lorne Michaels | (written by) and | |
| Randy Newman | (written by) | |
Produced by | |||
| Leslie Belzberg | .... | associate producer | |
| George Folsey Jr. | .... | producer | |
| Steve Martin | .... | executive producer | |
| Lorne Michaels | .... | producer | |
Original Music by | |||
| Elmer Bernstein | |||
Cinematography by | |||
| Ronald W. Browne | (director of photography) | ||
Film Editing by | |||
| Malcolm Campbell | |||
Casting by | |||
| Jackie Burch | |||
Production Design by | |||
| Richard Tom Sawyer | (as Richard Sawyer) | ||
Art Direction by | |||
| Gregory Pickrell | |||
Set Decoration by | |||
| Richard C. Goddard | (as Richard Goddard) | ||
Costume Design by | |||
| Deborah Nadoolman | |||
Makeup Department | |||
| Jean Austin | .... | hair stylist | |
| Virginia Darcy | .... | hair stylist (as Virginia D'Arcy) | |
| Leonard Engelman | .... | makeup artist | |
| Frank Griffin | .... | makeup artist | |
| Virginia G. Hadfield | .... | hair stylist | |
| Mark Reedall | .... | makeup artist | |
| Ric Sagliani | .... | makeup artist | |
| Linda Trainoff | .... | hair stylist | |
Production Management | |||
| Dan Allingham | .... | production manager | |
Sound Department | |||
| Gary Alexander | .... | sound re-recordist | |
| Jeff Bushelman | .... | sound editor | |
| Charles L. Campbell | .... | sound editor | |
| Larry Carow | .... | sound editor | |
| Samuel C. Crutcher | .... | sound editor (as Samuel Crutcher) | |
| Don Digirolamo | .... | sound re-recordist | |
| Louis L. Edemann | .... | sound editor | |
| Richard C. Franklin | .... | sound editor (as Rick Franklin) | |
| Robert Glass | .... | sound re-recordist (as Robert J. Glass) | |
| William B. Kaplan | .... | sound mixer | |
| David Kelson | .... | cable person | |
| Steven Klinghoffer | .... | cable person (as Steve Klinghoffer) | |
| Robert Knudson | .... | sound re-recordist (as Buzz Knudsen) | |
| Colin C. Mouat | .... | sound editor (as Colin Mouat) | |
| Chuck Neely | .... | sound editor | |
| Greg Orloff | .... | foley mixer | |
| Rod Rogers | .... | assistant adr editor | |
| Earl Sampson | .... | boom operator | |
| Larry Singer | .... | supervising adr editor | |
| Jerry Stanford | .... | sound editor | |
| Larry Stensvold | .... | sound re-recordist | |
| David A. Whittaker | .... | sound editor (as David Whittaker) | |
| John Roesch | .... | foley artist (uncredited) | |
Special Effects by | |||
| Roy Arbogast | .... | special effects | |
| Michael Burnett | .... | animatronic animals | |
| Tony Gardner | .... | animatronic animals | |
| William Lee | .... | special effects | |
| Tom Lifsey | .... | special effects | |
| George Paine | .... | special effects assistant | |
| Dick Wood | .... | special effects (as Richard Wood) | |
| Tim Turner | .... | assistant: animatronic animals (uncredited) | |
Visual Effects by | |||
| Norm Stangl | .... | visual effects: Nelvana Ltd. | |
| Lisa Atkinson | .... | optical painter and quality control (uncredited) | |
| Norm Stangl | .... | animator: singing horses (uncredited) | |
| Cynthia Ward | .... | animator (uncredited) | |
Casting Department | |||
| Billy DaMota | .... | casting assistant | |
| Tom Tangen | .... | location casting | |
Costume and Wardrobe Department | |||
| Darryl M. Athons | .... | costumer | |
| Lorraine Dawson | .... | costumer | |
| Kelly Kimball | .... | assistant costume designer | |
| Hugo Peña | .... | costumer: men (as Hugo Pena) | |
| Dennis Schoonderwoerd | .... | costumer | |
| Linda Serijan | .... | costumer | |
| Stephen P. Shubin | .... | costumer (as Steve Shubin) | |
| Pamela Wise | .... | costumer: women (as Pam Wise) | |
Music Department | |||
| Tom Boyd | .... | musician: oboe soloist | |
| Kathy Durning | .... | music editor | |
| Randy Newman | .... | songs: music and lyrics by | |
| Patrick Russ | .... | orchestrator | |
| David Spear | .... | orchestrator | |
| Dan Wallin | .... | score mixer | |
| Paul Mottram | .... | orchestrator (uncredited) | |
| Tommy Tedesco | .... | musician: guitar (uncredited) | |
Transportation Department | |||
| Steve Boyd | .... | transportation captain | |
| Anne Renfro | .... | transportation captain | |
| Jeff F. Renfro | .... | transportation coordinator | |
| Benjamin Rivera | .... | driver | |
Thanks | |||
| Peter Bernstein | .... | special thanks | |
| Dan Curry | .... | special thanks | |
| Max Landis | .... | special thanks | |
| Rachel Landis | .... | special thanks | |
| Christopher Palmer | .... | special thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
I looked up this movie on IMDb fully expecting to find a lot of comments that reflected my opinion, that this is a great little film. I was quite surprised at how many people don't feel the same way I do.
Some of the movies detractors seem to suggest the movie is a bit slow and that it misses opportunities for packing in lots of jokes. I can't agree, I think the pace is just right and that the movie's direction is more deftly handled than you might think. Some of the set ups in this film are developed meticulously over time allowing plenty of humorous moments along the way to the pay-off. And when they pay-off, they pay-off beautifully.
For example I love the scene in which a German mercenary enters a really dangerous looking Mexican bar. The room is full of thugs and cut-throats who laugh at the German's prim appearance and so he kills a few of them. He then instructs the rest of the patrons to be more respectful of strangers and to expect some friends of his to drop in later. The mercenary leaves and soon the Three Amigos arrive wearing camp looking Mexican costumes. It's not long before they start to sing an extremely girly song to the patrons of the bar called "My Little Buttercup".
The song is accompanied by the most effeminate dance routine committed to film. The mystified bandits all assume the Three Amigos are the German mercenary's friends and go along with the song and dance routine which after a while becomes so cute it makes you feel physically sick.
And here is the pay off, the Amigos leave as the real mercenaries arrive, one of the bandits notices the pearl handled revolvers one of the strangers is wearing and yells "Look at the sissy guns". Carnage ensues, the German sharp shooters finish off the rest of the patrons in a bloody gun fight, the confused looks on the bandit's faces throughout this whole routine is hilarious.
This film isn't desperate to pack gags into every available space, and because of this it feels more controlled and less try-hard, to me most of the jokes are of a high enough quality they don't need a lot of superfluous back up gags. I also enjoy the overall up beat tone of the film, even the bad guys are actually really nice to each other ( the sweater Scene is touching ). I think it's the warmth between the characters that really makes this film for me, I think if the gags kept coming at a breakneck speed we wouldn't have a chance to warm to the characters, the Mexican atmosphere and music the way that we do.
I give this a ten out of ten even though it's not a perfect film, it makes me feel as good as a perfect film would.