On one last road trip before they're sent to serve in Vietnam, two brothers and their girlfriends get into an accident that calls their local sheriff to the scene. Thus begins a terrifying experience where the teens are taken to a secluded house of horrors, where a young, would-be killer is being nurtured.
Tommy Jarvis goes to the graveyard to get rid of Jason Voorhees' body once and for all, but inadvertently brings him back to life instead. The newly revived killer once again seeks revenge, and Tommy may be the only one who can defeat him.
Mrs. Voorhees is dead, and Camp Crystal Lake is shut down, but a camp next to the infamous place is stalked by an unknown assailant. Is it Mrs. Voorhees' son Jason, who did not really drown in the lake some 30 years before?
Radio DJ Vanita 'Stretch' Brock's open request night is plagued by the annoying phone pranking of two road tripping, party-hard, hoodlums, but things take a disturbing turn when the hoodlums meet their demise at the hands of familiar chainsaw wielding maniacs. With the entire gruesome ordeal recorded on tape, Stretch seeks out the help of a former Texas Marshall who's on a personal quest of vengeance against this family of cannibals. While at first he turns her down, he eventually decides to use her tape to his advantage, asking her to air it during her request block- effectively baiting the cannibals to the radio station where he'll personally deal with them. Written by
Drive-in movie critic Joe Bob Briggs is listed in the end credits as "Gonzo Moviegoer," but his scene was cut prior to the film's release. Briggs would later complain about the cut in his newspaper column, blaming it (with tongue firmly in cheek) on the Russian premier Mikhail Gorbechev. See more »
This shocking - and bizarre - sequel to director Tobe Hooper's own 1974 original is one of the greatest slasher films of the past thirty years. It has, however, been overlooked by both critics and fans, who, in the past, have detested and misunderstood it's rich combination of insane black comedy and harrowing horror. Perhaps they were expecting another disturbingly suggestive nightmare like the first "Texas Chainsaw Massacre" - this just seemed so immature with it's scenes of explicit violence. It's zany style, coupled with Dennis Hopper's maniacal performance, is, however, a masterstroke that Hooper manages to pull off surprisingly well. The movie bursts with inventive Gothic satire and an unrelenting energy so powerful that it deserves to have it's own position as a landmark fright flick. This is one slasher film that is a must-see for any true fan of the sub-genre.
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